Animation Hub / dawnbands-s3-rate-them-mirror-2026-10-01

# dawnbands-s3-rate-them-mirror-2026-10-01 — cartoon-h3 storyboard (Fish review BEFORE canvases)

VO: 86.19s, 293 words, 3.40 wps · 32 beats · 9 batches (≤15s, ≤4 panels, reveal/CTA ≤3)

Beat times come from the ElevenLabs word timings of the trimmed VO. A batch = one MiniMax H3 generation (canvas + hero refs + this batch's VO slice). Batch boundaries fall on pack-line ends only.

## Table storyboard

| Beat | Scene | Start–End (s) | VO | Visual | Env | Transition-in |
|---|---|---|---|---|---|---|
| 1 | 1 | 0.04–4.21 (4.2) | As a mom of three, you have tried every way to wake a teenager, so let's rate them. | In a teen bedroom in the morning, Ryan lies asleep in the bed with three loud alarm clocks and a phone lined up beside him. Mom, in her early 40s and wearing a robe, stands with her arms crossed, eyebrows raised at the camera. | teen-room | hard cut |
| 2 | 2 | 4.55–6.52 (2.0) | The phone alarm. Six out of ten. | Close on Ryan's phone on a wooden nightstand, screen glowing bright and buzzing, vibrating against the surface.  Dim teen bedroom behind, soft morning light. | teen-room | hard cut |
| 3 | 3 | 6.83–8.88 (2.0) | Yes, it goes off. I'll give it that. | Mom stands in the foreground holding one thumb up, lips pressed together and one eyebrow raised in grudging approval. Behind her over her shoulder, a phone on a table buzzes and shakes against the surface. Her free arm is crossed, her expression reluctant. |  | hard cut |
| 4 | 4 | 9.20–11.36 (2.2) | But by six forty it's gone off three times, | Close on a phone lying on a teen-room nightstand, its screen lit and shaking against the wood. Three stacked buzz marks hover above it. Ryan sleeps in bed behind it, face half buried in the pillow, eyes shut, completely undisturbed by the noise. | teen-room | hard cut |
| 5 | 5 | 11.70–14.44 (2.7) | and it's camping on his nightstand like it pays rent there. | A phone buzzes and shakes on a wooden nightstand, sitting on a tiny cartoon welcome mat, with a miniature lease paper of blank scribbled lines propped beside it. Ryan lies asleep in bed just behind the nightstand, eyes closed, face relaxed, blanket pulled to the chin. | teen-room | hard cut |
| 6 | 6 | 14.78–17.34 (2.6) | For something on every phone, I expected better. | Mom stands in a dim room, shoulders raised in a slow shrug, her face flat and disappointed with downturned mouth and half-lidded eyes. She holds a phone low in one hand, its screen dim and barely lit, glancing down at it. |  | hard cut |
| 7 | 7 | 17.68–19.85 (2.2) | The loud alarm clock. Five out of ten. | Close shot of a huge old-fashioned alarm clock with a blank face, ringing hard on a shelf, its twin bells shaking and the whole clock vibrating. No person is shown. | teen-room | hard cut |
| 8 | 8 | 20.17–23.60 (3.4) | Loud sounds impressive until it wakes up the whole house and not him. | One hallway at night, a single wide shot: Dad stands in the hallway with a pillow pressed over his head, the little sister sits up on the floor beside him holding both hands over her ears with a pained face, and the dog stands at their feet howling with its head tilted back. Ryan's bedroom door is open at the end of the hallway, Ryan asleep in his bed inside. No other rooms are shown. |  | hard cut |
| 9 | 9 | 23.93–27.75 (3.8) | And even when it wakes him, by six fifty five he's up and the bus is gone. | Seen through a window, a yellow school bus pulls away down the street, its rear shrinking. Ryan bursts out the front door and sprints toward it, one foot in a sock and the other bare, arm stretched out, mouth wide open. A plain wall clock with hands only hangs beside the window. | hallway | hard cut |
| 10 | 10 | 28.09–28.93 (0.8) | The audacity. | Mom stands in the frame facing the camera, one hand pressed flat against her chest, mouth open wide in exaggerated mock outrage, eyebrows raised high, eyes locked straight into the lens, body slightly leaning back as if offended. |  | hard cut |
| 11 | 11 | 29.27–32.22 (2.9) | The alarm app that makes you do math. Seven out of ten. | Tight close-up of a smartphone held steady in frame, its screen showing a plain glowing grid of empty puzzle squares with no readable digits. No person's face is visible. |  | hard cut |
| 12 | 12 | 32.56–35.41 (2.9) | Smartest one on the list, absolutely, but it's work. | In a teen bedroom, the mom sits at a desk and nods slowly with a respectful, impressed expression, then her shoulders slump and her face drops tired. A stack of homework papers sits beside the phone on the desk. | teen-room | hard cut |
| 13 | 13 | 35.75–38.21 (2.5) | If you've got a kid who can do math with his eyes closed, | Ryan sits upright in the teen room, his eyes shut tight and his face calm and confident. He holds the phone in front of him and taps its screen with one finger, steady and quick, a small proud smile on his face. | teen-room | hard cut |
| 14 | 14 | 38.55–40.52 (2.0) | he's solving it and going straight back to bed. | Ryan drops backward onto the bed and lands on the pillow, then drags the blanket up over his chest with both hands. His eyes close and his face goes slack and content, settled back into sleep. | teen-room | hard cut |
| 15 | 15 | 40.86–43.13 (2.3) | And for that much work, it should know better. | Mom stands in a small room, her arm stretched out, wagging one raised index finger at a phone held in her other hand. She leans toward the screen with narrowed eyes and pursed lips, scolding it like a naughty puppy. Her face looks stern but exasperated. | teen-room | hard cut |
| 16 | 16 | 43.47–45.44 (2.0) | The sunrise lamp. Six out of ten. | Close-up of a round bedside sunrise lamp glowing orange on a nightstand in a teen's bedroom. Warm orange light spreads across the nightstand. | teen-room | hard cut |
| 17 | 17.1 | 45.78–47.27 (1.5) | Looks great for the first hour. | Wide shot of the room glowing under the warm lamp light. Ryan sits calmly with the pillow resting beside him, shoulders relaxed, eyes open, a small content smile on his face as he looks toward the lamp. | teen-room | hard cut |
| 18 | 17.2 | 47.33–49.21 (1.9) | Then the pillow goes over his face. | Close shot of Ryan in the lamp's warm glow. He lifts the pillow with both hands and presses it over his face, hiding it completely. His shoulders slump and his body goes still, showing frustration and defeat. | teen-room | camera pushes in closer on Ryan as the smile drops |
| 19 | 18 | 49.55–53.57 (4.0) | The room is bright, he's still asleep, and now you're more tired than when you started. | Mom slumps against the doorframe, holding a coffee mug at her waist, her eyelids drooping and shoulders sagging with exhaustion. Behind her the room is flooded with bright daylight, and Ryan lies in bed with a pillow pulled over his head, motionless and asleep. | teen-room | hard cut |
| 20 | 19 | 53.91–56.87 (3.0) | Great for a kid who's already waking up, not for ours. | Mom stands beside Ryan's bed, lifting his pillow slightly and looking at what is underneath. She slowly shakes her head side to side, lips pressed together in quiet disapproval. The bedside lamp glows warm and yellow, lighting her tired face. | teen-room | hard cut |
| 21 | 20 | 57.21–58.75 (1.5) | Dawn. Ten out of ten. | The matte black silicone wristband strap lies alone on a clean pale surface in soft morning light, centered and filling the frame, fine diagonal ribbing visible, no screen or panel on it. Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing, a simple ribbed loop like a plain rubber band; never a watch or smartwatch, never a screen, never numbers, never a glowing or flat face; nothing at all sits on top of the strap. |  | hard cut |
| 22 | 21 | 59.09–60.48 (1.4) | One band that wakes only him. | Close shot of Ryan's sleeping wrist resting on the blanket, a plain matte black ribbed silicone wristband around it. Only Ryan is shown and the teen room around him stays dim and quiet. Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing, a simple ribbed loop like a plain rubber band; never a watch or smartwatch, never a screen, never numbers, never a glowing or flat face; nothing at all sits on top of the strap. | teen-room | hard cut |
| 23 | 22 | 60.80–62.66 (1.9) | You don't have to guess which alarm will work. | Mom stands in the bedroom doorway holding a coffee mug in one hand, shoulders loose and relaxed, a calm small smile on her face. Behind her a laundry basket holds a pile of old alarm clocks and a bedside lamp pushed inside. | teen-room | hard cut |
| 24 | 23 | 63.01–66.17 (3.2) | Nobody else in the house wakes up, and there's no fight at the door. | Inside a dim hallway, Dad, the little sister and the dog lie asleep and perfectly still in their places. At Ryan's open doorway, Mom stands relaxed with her arms hanging loose at her sides, face calm, no one arguing with her. | hallway | hard cut |
| 25 | 24 | 66.51–68.46 (1.9) | You set the time, he puts it on. | Night in the teen room, lamp light. Ryan sits on the edge of the bed and fastens a plain matte black ribbed silicone strap around his wrist with both hands, calm and focused. Nothing on the strap lights up. Mom is not in frame. Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing, a simple ribbed loop like a plain rubber band; never a watch or smartwatch, never a screen, never numbers, never a glowing or flat face; nothing at all sits on top of the strap. | teen-room | hard cut |
| 26 | 25 | 68.80–72.67 (3.9) | At that time it starts to vibrate and keeps getting stronger until he turns it off. | Extreme close-up on Ryan's sleeping wrist lying on the bed. The plain matte black ribbed silicone band sits on it with nothing on top of the strap. Motion lines ring it in three growing steps. His fingers curl and his eyebrows frown as he wakes. Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing, a simple ribbed loop like a plain rubber band; never a watch or smartwatch, never a screen, never numbers, never a glowing or flat face; nothing at all sits on top of the strap. | teen-room | hard cut |
| 27 | 26 | 73.01–74.52 (1.5) | Three alarms. No app. | Close on the plain matte black ribbed silicone strap around Ryan's wrist. Three soft round vibration ripples pulse outward from the strap one after another. Then the camera holds on Ryan's phone lying dark and unused on the desk beside him, screen black, nothing lit, nobody touching it. Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing, a simple ribbed loop like a plain rubber band; never a watch or smartwatch, never a screen, never numbers, never a glowing or flat face; nothing at all sits on top of the strap. | teen-room | hard cut |
| 28 | 27 | 74.85–76.69 (1.8) | More than ten thousand parents have one. | A tall wall of dozens of identical plain matte black ribbed silicone bands, each lying flat in a neat row on a pale shelf, soft even light, nothing else in frame, no hands and no people. Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing, a simple ribbed loop like a plain rubber band; never a watch or smartwatch, never a screen, never numbers, never a glowing or flat face; nothing at all sits on top of the strap. |  | hard cut |
| 29 | 28 | 77.03–81.36 (4.3) | Here, it's recommended by parents, not influencers. Except for me. | In a bright morning kitchen, Mom stands at the counter facing the camera and points a finger at her own chest with a proud, wide grin. Her chin is lifted and her shoulders are relaxed. Sunlight falls across the countertop behind her. | kitchen | hard cut |
| 30 | 29.1 | 81.70–83.28 (1.6) | You should get this one right now. | Mom stands behind the kitchen counter, smiling warmly and relaxed, and slides the plain matte black silicone wristband across the countertop toward the camera with two fingers. Her other hand rests on the counter. Her posture is easy and confident. Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing, a simple ribbed loop like a plain rubber band; never a watch or smartwatch, never a screen, never numbers, never a glowing or flat face; nothing at all sits on top of the strap. | kitchen | hard cut |
| 31 | 29.2 | 83.50–84.72 (1.2) | Sixty day guarantee. | Close on the black ribbed wristband resting on the kitchen counter where Mom has just stopped sliding it, her hand still lifted just beside it. Mom's smile stays calm and confident as she looks into the camera. The band sits centered in the frame. Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing, a simple ribbed loop like a plain rubber band; never a watch or smartwatch, never a screen, never numbers, never a glowing or flat face; nothing at all sits on top of the strap. | kitchen | hard cut |
| 32 | 30 | 85.06–85.89 (0.8) | This is the one. | The matte black silicone wristband with fine diagonal ribbing sits centered on a clean pale surface in soft light. Directly beneath it glows a soft rounded tap button shape. Nothing else is in frame. Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing, a simple ribbed loop like a plain rubber band; never a watch or smartwatch, never a screen, never numbers, never a glowing or flat face; nothing at all sits on top of the strap. |  | hard cut |

## Batches

- **Batch 1**: beats 1–4 · 0.04–11.36s (11.3s) · 12s generation · 4 panel(s) · ends on "…off three times," 
- **Batch 2**: beats 5–8 · 11.70–23.60s (11.9s) · 12s generation · 4 panel(s) · ends on "…and not him." 
- **Batch 3**: beats 9–12 · 23.93–35.41s (11.5s) · 12s generation · 4 panel(s) · ends on "…but it's work." 
- **Batch 4**: beats 13–16 · 35.75–45.44s (9.7s) · 10s generation · 4 panel(s) · ends on "…out of ten." 
- **Batch 5**: beats 17–20 · 45.78–56.87s (11.1s) · 12s generation · 4 panel(s) · ends on "…not for ours." 
- **Batch 6**: beats 21–23 · 57.21–62.66s (5.5s) · 6s generation · 3 panel(s) · ends on "…alarm will work." REVEAL product
- **Batch 7**: beats 24–27 · 63.01–74.52s (11.5s) · 12s generation · 4 panel(s) · ends on "…alarms. No app." product
- **Batch 8**: beats 28–29 · 74.85–81.36s (6.5s) · 7s generation · 2 panel(s) · ends on "…Except for me." product
- **Batch 9**: beats 30–32 · 81.70–85.89s (4.2s) · 5s generation · 3 panel(s) · ends on "…is the one." CTA product

Vertical cinematic pixar animation with four visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 4.2s of the audio): In a teen bedroom in the morning, Ryan lies asleep in the bed with three loud alarm clocks, every clock face completely blank with no numbers and no marks, and a phone lined up beside him. Mom, in her early 40s and wearing a robe, stands with her arms crossed, eyebrows raised at the camera. No letters, no 'Zzz', no text or symbols of any kind anywhere in the frame.

Transition: hard cut.

Shot 2 (4.5s to 6.5s of the audio): Close on Ryan's phone on a wooden nightstand, screen glowing bright and buzzing, vibrating against the surface.  Dim teen bedroom behind, soft morning light. No letters, no 'Zzz', no text or symbols of any kind anywhere in the frame.

Transition: hard cut.

Shot 3 (6.8s to 8.8s of the audio): Mom stands in the foreground holding one thumb up, lips pressed together and one eyebrow raised in grudging approval. Behind her over her shoulder, a phone on a table buzzes and shakes against the surface. Her free arm is crossed, her expression reluctant. No letters, no 'Zzz', no text or symbols of any kind anywhere in the frame.

Transition: hard cut.

Shot 4 (9.2s to 11.3s of the audio): Close on a phone lying on a teen-room nightstand, its screen lit and shaking against the wood. Three stacked buzz marks hover above it. Ryan sleeps in bed behind it, face half buried in the pillow, eyes shut, completely undisturbed by the noise. No letters, no 'Zzz', no text or symbols of any kind anywhere in the frame.

Image 2 is the hero character reference for Mom: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Mom appears in; never change race, hair or build between shots.

Image 3 is the hero character reference for Ryan: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Ryan appears in; never change race, hair or build between shots.

Image 4 is the teen-room environment sheet: the room keeps this layout, furniture and palette.

Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic pixar animation with four visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 2.7s of the audio): A phone buzzes and shakes on a wooden nightstand, sitting on a tiny cartoon welcome mat, with a miniature lease paper of blank scribbled lines propped beside it. Ryan lies asleep in bed just behind the nightstand, eyes closed, face relaxed, blanket pulled to the chin.

Transition: hard cut.

Shot 2 (3.1s to 5.6s of the audio): Mom stands in a dim room, shoulders raised in a slow shrug, her face flat and disappointed with downturned mouth and half-lidded eyes. She holds a phone low in one hand, its screen dim and barely lit, glancing down at it.

Transition: hard cut.

Shot 3 (6.0s to 8.2s of the audio): Close shot of a huge old-fashioned alarm clock with a blank face, ringing hard on a shelf, its twin bells shaking and the whole clock vibrating. No person is shown.

Transition: hard cut.

Shot 4 (8.5s to 11.9s of the audio): One hallway at night, a single wide shot: Dad stands in the hallway with a pillow pressed over his head, the little sister sits up on the floor beside him holding both hands over her ears with a pained face, and the dog stands at their feet howling with its head tilted back. Ryan's bedroom door is open at the end of the hallway, Ryan asleep in his bed inside. No other rooms are shown.

Image 2 is the hero character reference for Mom: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Mom appears in; never change race, hair or build between shots.

Image 3 is the hero character reference for Ryan: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Ryan appears in; never change race, hair or build between shots.

Image 4 is the hero character reference for Dad, the little sister and the dog: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Dad, the little sister and the dog appears in; never change race, hair or build between shots.

Image 5 is the teen-room environment sheet: the room keeps this layout, furniture and palette.

Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic pixar animation with four visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 3.8s of the audio): Seen through a window, a yellow school bus pulls away down the street, its rear shrinking. Ryan bursts out the front door and sprints toward it, one foot in a sock and the other bare, arm stretched out, mouth wide open. A plain wall clock with hands only hangs beside the window.

Transition: hard cut.

Shot 2 (4.2s to 5.0s of the audio): Mom stands in the frame facing the camera, one hand pressed flat against her chest, mouth open wide in exaggerated mock outrage, eyebrows raised high, eyes locked straight into the lens, body slightly leaning back as if offended.

Transition: hard cut.

Shot 3 (5.3s to 8.3s of the audio): Tight close-up of a smartphone held steady in frame, its screen showing a plain glowing grid of empty puzzle squares with no readable digits.  No person's face is visible.

Transition: hard cut.

Shot 4 (8.6s to 11.5s of the audio): In a teen bedroom, the mom sits at a desk and nods slowly with a respectful, impressed expression, then her shoulders slump and her face drops tired. A stack of homework papers sits beside the phone on the desk.

Image 2 is the hero character reference for Mom: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Mom appears in; never change race, hair or build between shots.

Image 3 is the hero character reference for Ryan: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Ryan appears in; never change race, hair or build between shots.

Image 4 is the hallway environment sheet: the room keeps this layout, furniture and palette.

Image 5 is the teen-room environment sheet: the room keeps this layout, furniture and palette.

Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic pixar animation with four visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 2.5s of the audio): Ryan sits upright in the teen room, his eyes shut tight and his face calm and confident. He holds the phone in front of him and taps its screen with one finger, steady and quick, a small proud smile on his face.

Transition: hard cut.

Shot 2 (2.8s to 4.8s of the audio): Ryan drops backward onto the bed and lands on the pillow, then drags the blanket up over his chest with both hands. His eyes close and his face goes slack and content, settled back into sleep.

Transition: hard cut.

Shot 3 (5.1s to 7.4s of the audio): Mom stands in a small room, her arm stretched out, wagging one raised index finger at a phone held in her other hand. She leans toward the screen with narrowed eyes and pursed lips, scolding it like a naughty puppy. Her face looks stern but exasperated.

Transition: hard cut.

Shot 4 (7.7s to 9.7s of the audio): Close-up of a round bedside sunrise lamp glowing orange on a nightstand in a teen's bedroom. Warm orange light spreads across the nightstand.

Image 2 is the hero character reference for Mom: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Mom appears in; never change race, hair or build between shots.

Image 3 is the hero character reference for Ryan: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Ryan appears in; never change race, hair or build between shots.

Image 4 is the teen-room environment sheet: the room keeps this layout, furniture and palette.

Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic pixar animation with four visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 1.5s of the audio): Wide shot of the room glowing under the warm lamp light. Ryan sits calmly with the pillow resting beside him, shoulders relaxed, eyes open, a small content smile on his face as he looks toward the lamp.

Transition: camera pushes in closer on Ryan as the smile drops.

Shot 2 (1.6s to 3.4s of the audio): Close shot of Ryan in the lamp's warm glow. He lifts the pillow with both hands and presses it over his face, hiding it completely. His shoulders slump and his body goes still, showing frustration and defeat.

Transition: hard cut.

Shot 3 (3.8s to 7.8s of the audio): Mom slumps against the doorframe, holding a coffee mug at her waist, her eyelids drooping and shoulders sagging with exhaustion. Behind her the room is flooded with bright daylight, and Ryan lies in bed with a pillow pulled over his head, motionless and asleep.

Transition: hard cut.

Shot 4 (8.1s to 11.1s of the audio): Mom stands beside Ryan's bed, lifting his pillow slightly and looking at what is underneath. She slowly shakes her head side to side, lips pressed together in quiet disapproval. The bedside lamp glows warm and yellow, lighting her tired face.

Image 2 is the hero character reference for Mom: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Mom appears in; never change race, hair or build between shots.

Image 3 is the hero character reference for Ryan: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Ryan appears in; never change race, hair or build between shots.

Image 4 is the teen-room environment sheet: the room keeps this layout, furniture and palette.

Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic pixar animation with three visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 1.5s of the audio): The matte black silicone wristband strap lies alone on a clean pale surface in soft morning light, centered and filling the frame, fine diagonal ribbing visible, no screen or panel on it.

Transition: hard cut.

Shot 2 (1.9s to 3.3s of the audio): Close shot of Ryan's sleeping wrist resting on the blanket, a plain matte black ribbed silicone wristband around it. Only Ryan is shown and the teen room around him stays dim and quiet.

Transition: hard cut.

Shot 3 (3.6s to 5.5s of the audio): Mom stands in the bedroom doorway holding a coffee mug in one hand, shoulders loose and relaxed, a calm small smile on her face. Behind her a laundry basket holds a pile of old alarm clocks and a bedside lamp pushed inside.

Image 2 is the hero character reference for Mom: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Mom appears in; never change race, hair or build between shots.

Image 3 is the hero character reference for Ryan: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Ryan appears in; never change race, hair or build between shots.

Image 4 is the product reference: the wristband appears exactly as drawn there (Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing, a simple ribbed loop like a plain rubber band; never a watch or smartwatch, never a screen, never numbers, never a glowing or flat face; nothing at all sits on top of the strap.); its small white LED digits read 6:30 whenever the face is visible, never another time; the digits are sequenced along the band's length with their baseline parallel to the strap's long edges, exactly as in the reference, never across the strap's width  The bulky smartwatch described in the failed-alarm shot is a different gadget and must look nothing like this band; the band itself appears only where the shot text names the wristband.

Image 5 is the teen-room environment sheet: the room keeps this layout, furniture and palette.

Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic pixar animation with four visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 3.2s of the audio): Inside a dim hallway, Dad, the little sister and the dog lie asleep and perfectly still in their places. At Ryan's open doorway, Mom stands relaxed with her arms hanging loose at her sides, face calm, no one arguing with her.

Transition: hard cut.

Shot 2 (3.5s to 5.5s of the audio): Night in the teen room, lamp light. Ryan sits on the edge of the bed and fastens a plain matte black ribbed silicone strap around his wrist with both hands, calm and focused. Nothing on the strap lights up. Mom is not in frame.

Transition: hard cut.

Shot 3 (5.8s to 9.7s of the audio): Extreme close-up on Ryan's sleeping wrist lying on the bed. The plain matte black ribbed silicone band sits on it with nothing on top of the strap. Motion lines ring it in three growing steps. His fingers curl and his eyebrows frown as he wakes.

Transition: hard cut.

Shot 4 (10.0s to 11.5s of the audio): Close on the plain matte black ribbed silicone strap around Ryan's wrist. Three soft round vibration ripples pulse outward from the strap one after another. Then the camera holds on Ryan's phone lying dark and unused on the desk beside him, screen black, nothing lit, nobody touching it.

Image 2 is the hero character reference for Mom: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Mom appears in; never change race, hair or build between shots.

Image 3 is the hero character reference for Ryan: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Ryan appears in; never change race, hair or build between shots.

Image 4 is the hero character reference for Dad, the little sister and the dog: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Dad, the little sister and the dog appears in; never change race, hair or build between shots.

Image 5 is the product reference: the wristband appears exactly as drawn there (Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing, a simple ribbed loop like a plain rubber band; never a watch or smartwatch, never a screen, never numbers, never a glowing or flat face; nothing at all sits on top of the strap.); its small white LED digits read 6:30 whenever the face is visible, never another time; the digits are sequenced along the band's length with their baseline parallel to the strap's long edges, exactly as in the reference, never across the strap's width  The bulky smartwatch described in the failed-alarm shot is a different gadget and must look nothing like this band; the band itself appears only where the shot text names the wristband.

Image 6 is the hallway environment sheet: the room keeps this layout, furniture and palette.

Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic pixar animation with two visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 1.8s of the audio): A tall wall of dozens of identical plain matte black ribbed silicone bands, each lying flat in a neat row on a pale shelf, soft even light, nothing else in frame, no hands and no people.

Transition: hard cut.

Shot 2 (2.2s to 6.5s of the audio): In a bright morning kitchen, Mom stands at the counter facing the camera and points a finger at her own chest with a proud, wide grin. Her chin is lifted and her shoulders are relaxed. Sunlight falls across the countertop behind her.

Image 2 is the hero character reference for Mom: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Mom appears in; never change race, hair or build between shots.

Image 3 is the product reference: the wristband appears exactly as drawn there (Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing, a simple ribbed loop like a plain rubber band; never a watch or smartwatch, never a screen, never numbers, never a glowing or flat face; nothing at all sits on top of the strap.); its small white LED digits read 6:30 whenever the face is visible, never another time; the digits are sequenced along the band's length with their baseline parallel to the strap's long edges, exactly as in the reference, never across the strap's width  The bulky smartwatch described in the failed-alarm shot is a different gadget and must look nothing like this band; the band itself appears only where the shot text names the wristband.

Image 4 is the kitchen environment sheet: the room keeps this layout, furniture and palette.

Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic pixar animation with three visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 1.6s of the audio): Mom stands behind the kitchen counter, smiling warmly and relaxed, and slides the plain matte black silicone wristband across the countertop toward the camera with two fingers. Her other hand rests on the counter. Her posture is easy and confident.

Transition: hard cut.

Shot 2 (1.8s to 3.0s of the audio): Close on the black ribbed wristband resting on the kitchen counter where Mom has just stopped sliding it, her hand still lifted just beside it. Mom's smile stays calm and confident as she looks into the camera. The band sits centered in the frame.

Transition: hard cut.

Shot 3 (3.4s to 4.2s of the audio): The matte black silicone wristband with fine diagonal ribbing sits centered on a clean pale surface in soft light. Directly beneath it glows a soft rounded tap button shape. Nothing else is in frame.

Image 2 is the hero character reference for Mom: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Mom appears in; never change race, hair or build between shots.

Image 3 is the product reference: the wristband appears exactly as drawn there (Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing; no screen, no display, no glass face, no touchscreen, no apps, no phone; the top of the strap is plain ribbed silicone with nothing on it.); its small white LED digits read 6:30 whenever the face is visible, never another time; the digits are sequenced along the band's length with their baseline parallel to the strap's long edges, exactly as in the reference, never across the strap's width  Nothing added, no other gadget.

Image 4 is the kitchen environment sheet: the room keeps this layout, furniture and palette.

Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

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