dawnbands-s2-attendance-office-h1-2026-10-01

vostoryboardcanvasslicesgenassemble

h1 · style pixar · cast Mom (early 40s), Maya (16), Clerk (late 50s), Mom 3
pack /Users/ayden/.openclaw/workspace/output/concept-packs/dawnbands-s2-attendance-office-h1-2026-10-01.md · run /Users/ayden/.openclaw/workspace/output/cartoon-h3/dawnbands-s2-attendance-office-h1-2026-10-01
updated 2026-10-01 02:12:58

36 lines · 331 words · shared body from line 3

#	VO line	role	scene intent
1	I went in for a late slip.	MOM (hook)	Attendance office: Mom at the counter holding a pink late slip, the Clerk across from her, Maya a blur of hoodie behind Mom.
2	The clerk told me to turn off her alarm.	MOM (hook)	The Clerk points calmly at Mom's phone on the counter, Mom looking at her in disbelief.
3	It was eight twenty two. Third late slip this month. She was standing right behind me.	MOM (bridge) · shared	Attendance office wide: a wall clock with hands and no numerals, a stack of late slips on the counter, Mom at the counter, Maya standing right behind her with her hood up and her backpack on, looking at the floor.
4	Whatever alarm you've got on her phone, turn it off. She's not going to hear it.	CLERK · shared	The Clerk stamps a slip, looks up over her glasses at Mom, speaking calmly, mouth moving, one hand gesturing toward Mom's phone on the counter.
5	Excuse me?	MOM · shared	Close on Mom, eyebrows up, mouth open on one sharp word, offended; Maya soft-focus behind.
6	Did you just tell me to turn off my daughter's alarm?	MOM · shared	Mom holds her phone against her chest and leans toward the Clerk, speaking, offended; Maya soft-focus behind.
7	Eleven years at this desk. I sign forty of these a day.	CLERK · shared	The Clerk leans on the counter with a tall stack of late slips beside her, speaking dry and deadpan, mouth moving.
8	I know what that alarm is doing to your mornings.	CLERK · shared	The Clerk taps her temple, then points at Mom's phone, speaking, a knowing look.
9	But it's the good one. She has seven of them.	MOM · shared	Mom holds up her phone showing a screen of seven plain glowing rows with no words, speaking defensively; Maya behind her shrugs.
10	Isn't a loud alarm what you're supposed to use?	MOM · shared	Mom with both hands out, pleading, mouth moving; Maya looks up at the ceiling.
11	It was a step forward. It was built for someone who wakes up to sound.	CLERK · shared	Cutaway while the Clerk speaks: Maya's bedroom, early morning, a phone buzzing on the nightstand and a big loud clock ringing with sound ripples, Maya asleep with the blanket to her chin, nothing moves.
12	If she sleeps through it, it goes off in the room and you're the one who hears it.	CLERK · shared	Same bedroom: the alarms ring across the room, Mom in the doorway covering her ears, Maya still asleep.
13	By six forty you're yelling up the stairs.	CLERK · shared	Home stairs: Mom at the bottom cupping her hands to her mouth and shouting up, a wall clock with hands at the top of the frame, Maya's door closed at the top.
14	That's why your mornings look like that. And it was never her being lazy.	CLERK · shared	Back at the counter: the Clerk speaking firmly; in the background Maya lifts her hood a little and shrugs, and Mom looks at her daughter with soft eyes.
15	One sentence. Stop using sound. Use something she can feel.	CLERK · shared	The Clerk holds up one finger, speaking calmly; Mom listens, leaning in.
16	Take this. I always keep a spare.	CLERK (product reveal) · product · shared	Close on the matte black ribbed band sliding across the counter toward the camera, filling the frame, nothing else in frame, soft light.
17	Oh, I couldn't.	MOM · product · shared	Mom backs away with both hands up, embarrassed, shaking her head; the band lies on the counter between them.
18	Parents at this counter switched. It's a band. No noise.	CLERK (product) · product · shared	The Clerk picks up the band and holds it out toward Mom, speaking; the band is clearly visible in her hand.
19	It vibrates on her wrist at the time you set.	CLERK (product) · product · shared	Close on the band on Maya's sleeping wrist on the pillow, soft motion lines starting around it, Maya's fingers twitching.
20	It gets stronger until she turns it off.	CLERK (product) · product · shared	Same close shot continues: the motion lines around the band grow bigger and denser in three steps, Maya's eyebrows frown, her wrist twitches.
21	Three alarms. No app.	CLERK (product) · product · shared	Insert: three small plain glowing dots in a row on the band's flat top face, then the band alone on a clean surface.
22	You're using a megaphone on a kid who's wearing earplugs.	CLERK · shared	Gag insert: a boy in big earplugs asleep in an armchair, Mom with a huge megaphone shouting at him, no readable text anywhere.
23	Oh. Oh. Wait. And nobody else in the house wakes up?	MOM · product · shared	Mom stunned, leaning over the counter toward the Clerk with wide eyes, speaking, the band held in her hand.
24	Just her.	CLERK · product · shared	Wide shot of the sleeping house: Dad and a little brother asleep in their rooms under blankets, completely still, while only Maya's wrist glows softly with the band.
25	You're the mom I used to see every Tuesday.	MOM3 · shared	Three weeks later, same attendance counter: Mom 3 (ponytail, athleisure) holds her own pink late slip and speaks to Mom with raised eyebrows; her teen son is slumped on the bench behind her.
26	I haven't seen you in weeks. Did you hire somebody?	MOM3 · shared	Mom 3 leans in, curious and half-smiling, speaking.
27	No! The woman at that desk fixed my mornings. One sentence.	MOM · shared	Mom, calm and rested in a coat, holding a coffee, speaking happily; the Clerk waves from behind the desk in the background.
28	What sentence?	MOM3 · shared	Mom 3, puzzled, one hand raised.
29	Use something she can feel.	MOM · shared	Mom, warm, tapping her own wrist with two fingers.
30	Last Monday I was still in my robe, and she came downstairs dressed.	MOM · shared	Kitchen flash: Mom in a robe at the counter holding a mug, Maya coming down the stairs dressed with her backpack, soft morning light, a wall clock with hands only.
31	I set my alarm myself, Mom.	MAYA · product · shared	Kitchen: Maya at the bottom of the stairs, dressed, backpack on, the band on her wrist, speaking flatly with a small proud smirk, mouth moving.
32	What is it?	MOM3 · shared	Mom 3 holds up a hand and leans in, asking.
33	Dawn. More than ten thousand parents have it.	MOM (product cta) · product · shared	Mom holds the band up toward the camera, big and clear, matte black ribbed silicone, the counter behind her softly out of focus.
34	And it's not about the late slips.	MOM · shared	Mom at the counter shaking her head with a smile, the stack of late slips now small.
35	Waking up on time is a habit, and a habit she gets at sixteen she keeps for life.	MOM · product · shared	School hallway: Maya walks in on time with her head up, backpack on, the band on her wrist, passing the attendance office window in warm morning light.
36	Tap the link below. Sixty day guarantee.	MOM (cta) · product · shared	End card: the band hero centered on a clean surface in soft light with a soft glowing tap button shape beneath it, no readable text.

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line	time	dur	text
1	0:00.04 – 0:01.72	1.68s	I went in for a late slip.
2	0:01.99 – 0:04.25	2.25s	The clerk told me to turn off her alarm.
3	0:04.77 – 0:09.68	4.91s	It was eight twenty two. Third late slip this month. She was standing right behind me.
4	0:10.10 – 0:14.71	4.61s	Whatever alarm you've got on her phone, turn it off. She's not going to hear it.
5	0:15.12 – 0:15.78	0.66s	Excuse me?
6	0:16.05 – 0:18.66	2.61s	Did you just tell me to turn off my daughter's alarm?
7	0:19.08 – 0:21.98	2.90s	Eleven years at this desk. I sign forty of these a day.
8	0:22.25 – 0:24.99	2.74s	I know what that alarm is doing to your mornings.
9	0:25.41 – 0:27.76	2.36s	But it's the good one. She has seven of them.
10	0:28.03 – 0:30.24	2.22s	Isn't a loud alarm what you're supposed to use?
11	0:30.66 – 0:34.25	3.59s	It was a step forward. It was built for someone who wakes up to sound.
12	0:34.52 – 0:39.23	4.71s	If she sleeps through it, it goes off in the room and you're the one who hears it.
13	0:39.51 – 0:41.69	2.18s	By six forty you're yelling up the stairs.
14	0:41.96 – 0:45.74	3.78s	That's why your mornings look like that. And it was never her being lazy.
15	0:46.01 – 0:50.15	4.14s	One sentence. Stop using sound. Use something she can feel.
16	0:50.42 – 0:52.53	2.11s	Take this. I always keep a spare.
17	0:52.95 – 0:53.85	0.91s	Oh, I couldn't.
18	0:54.27 – 0:57.74	3.47s	Parents at this counter switched. It's a band. No noise.
19	0:58.01 – 1:00.32	2.31s	It vibrates on her wrist at the time you set.
20	1:00.59 – 1:02.49	1.90s	It gets stronger until she turns it off.
21	1:02.76 – 1:04.03	1.27s	Three alarms. No app.
22	1:04.30 – 1:08.09	3.79s	You're using a megaphone on a kid who's wearing earplugs.
23	1:08.51 – 1:12.07	3.56s	Oh. Oh. Wait. And nobody else in the house wakes up?
24	1:12.48 – 1:13.28	0.80s	Just her.
25	1:13.70 – 1:15.75	2.04s	You're the mom I used to see every Tuesday.
26	1:16.02 – 1:18.76	2.74s	I haven't seen you in weeks. Did you hire somebody?
27	1:19.17 – 1:22.63	3.46s	No! The woman at that desk fixed my mornings. One sentence.
28	1:23.01 – 1:23.89	0.88s	What sentence?
29	1:24.31 – 1:25.66	1.35s	Use something she can feel.
30	1:25.90 – 1:30.28	4.38s	Last Monday I was still in my robe, and she came downstairs dressed.
31	1:30.70 – 1:32.11	1.41s	I set my alarm myself, Mom.
32	1:32.53 – 1:33.13	0.60s	What is it?
33	1:33.53 – 1:36.32	2.79s	Dawn. More than ten thousand parents have it.
34	1:36.58 – 1:38.48	1.89s	And it's not about the late slips.
35	1:38.73 – 1:43.55	4.82s	Waking up on time is a habit, and a habit she gets at sixteen she keeps for life.
36	1:43.81 – 1:46.50	2.68s	Tap the link below. Sixty day guarantee.

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state.json

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canvases/receipts.json

{}

gen/receipts.json

{}