Animation Hub / dawnbands-s1-loud-alarm-h2-2026-10-01

# dawnbands-s1-loud-alarm-h2-2026-10-01 — cartoon-h3 storyboard (Fish review BEFORE canvases)

VO: 94.41s, 283 words, 3.00 wps · 35 beats · 11 batches (≤15s, ≤4 panels, reveal/CTA ≤3)

Beat times come from the ElevenLabs word timings of the trimmed VO. A batch = one MiniMax H3 generation (canvas + hero refs + this batch's VO slice). Batch boundaries fall on pack-line ends only.

## Table storyboard

| Beat | Scene | Start–End (s) | VO | Visual | Env | Transition-in |
|---|---|---|---|---|---|---|
| 1 | 1 | 0.04–4.06 (4.0) | When I see a parent buy a louder alarm for a teenager, I cringe. | In a store aisle, Mom stands holding a large box with a huge loud clock picture on its front, wincing hard with eyes squeezed shut and teeth clenched. Several other shoppers further down the aisle turn their heads to look at her, startled. |  | hard cut |
| 2 | 2 | 4.44–7.77 (3.3) | No parent I know has touched a loud alarm clock in years. | At a school gate in the morning, three relaxed parents stand around a table holding a loud alarm clock. Two of them shake their heads slowly with calm, faintly amused faces. The third parent pushes the clock away across the tabletop with one finger. | school-gate | hard cut |
| 3 | 3 | 8.20–10.22 (2.0) | Not because loud alarms are a scam. | Close shot of a big old-fashioned alarm clock with a blank face ringing on Ryan's nightstand, its twin bells shaking, sound ripples spreading across the teen room. Beside it, Ryan lies asleep in bed with the blanket pulled up to his chin, eyes shut, face calm. | teen-room | hard cut |
| 4 | 4 | 10.60–12.06 (1.5) | It was a real step forward. | A tidy wooden shelf holds a row of simple alarm clocks from different decades, each with a blank face and plain rounded shape. Warm light glows over the shelf as the clocks light up one by one from left to right. No one is in frame. |  | hard cut |
| 5 | 5 | 12.44–15.71 (3.3) | It goes off right on time instead of you calling up the stairs. | Wide shot of the staircase: at the bottom Mom stands with her mouth closed and her arms folded, looking up calmly. At the top, the loud clock rings on the floor inside Ryan's open door, and ripples roll down the steps toward her. Mom is not in frame. | hallway | hard cut |
| 6 | 6.1 | 16.09–16.78 (0.7) | No yelling. | Ryan's bedroom doorway, empty and framed straight on. A pair of Mom's slippers sits on the hallway floor beside the door frame. The hallway beyond is still and quiet. Mom is not in frame, and nobody stands in the opening. | hallway | hard cut |
| 7 | 6.2 | 17.00–18.53 (1.5) | No standing in his doorway. | The same empty doorway, held steady. Mom's slippers rest beside the frame, and no one stands in the opening. Behind it in Ryan's room a clock sits ringing, its bells shivering. The hallway stays quiet and still. | teen-room | the frame holds as the camera drifts a little closer to the doorway, revealing the clock ringing in the room behind |
| 8 | 7 | 18.91–20.02 (1.1) | Good technology. | Close shot of the loud alarm clock on its stand, its twin bells ringing steady and bright. The bells wobble in a small, satisfied shake while the clock face stays centered and sharp. Warm light fills the frame, and the clock looks pleased with itself. | teen-room | hard cut |
| 9 | 8.1 | 20.40–22.94 (2.5) | But it was built for a kid who already hears it, | A kid in pyjamas sits bolt upright in bed in a teen bedroom, eyes open and head turned toward the sound of the first ring, hands resting on the blanket, calm and alert expression, soft morning light across the pillow. | teen-room | hard cut |
| 10 | 8.2 | 23.19–25.90 (2.7) | already wakes up, already gets up. | Two quick shots in the same bedroom, in the same pyjamas: a kid stretches both arms high overhead with a wide relaxed yawn, then a kid sits on the bed edge with his feet already flat on the rug, awake and ready. | teen-room | hard cut to a frame split into two shots, stretching kid first, then the kid with his feet on the rug |
| 11 | 9 | 26.27–29.66 (3.4) | After a few weeks, a loud alarm doesn't wake a heavy sleeper. | A loud alarm clock sits a foot from Ryan's ear, ringing hard, its sound ripples bouncing off the blanket pulled over him. Ryan lies deep asleep in his bedroom, eyes shut, mouth slightly open, his face completely still and unbothered. | teen-room | hard cut |
| 12 | 10 | 30.04–34.74 (4.7) | It just rings over him like a fan in the next room, because sound has nothing to grab. | Extreme close-up on Ryan's ear as he lies on his side on the pillow. Soft ripple lines drift past the ear and thin out into a light breeze that stirs his hair. A small desk fan hums on the desk behind him. His face looks calm and relaxed. | teen-room | the sound ripples fade and the frame softens into a gentle breeze |
| 13 | 11 | 35.12–36.80 (1.7) | And now the whole house can tell. | One upstairs hallway at night, a single wide shot: Dad stands in the hallway with a pillow pressed over his head, the little sister sits on the floor beside him holding both hands over her ears with a wince, and the dog stands at their feet howling with its head thrown back. Ryan's bedroom door is open at the end of the hallway and soft sound ripples drift out of it. No other rooms are shown. |  | hard cut |
| 14 | 12 | 37.18–38.39 (1.2) | Parents went further. | Three parents walk away from the school gate in the morning, strolling side by side with loose shoulders and easy smiles. Behind them, a cardboard donation box sits on the pavement, heaped with loud alarm clocks piled on top. The parents do not look back. | school-gate | hard cut |
| 15 | 13 | 38.77–40.91 (2.1) | What they use now is a wake band. | The matte black silicone wristband strap lies alone on a clean pale surface in soft morning light, centered and filling the frame. Fine diagonal ribbing is visible along its length. It has no screen, no panel, nothing else on it, and nothing else is in frame. Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing, a simple ribbed loop like a plain rubber band; never a watch or smartwatch, never a screen, never numbers, never a glowing or flat face; nothing at all sits on top of the strap. |  | hard cut |
| 16 | 14 | 41.28–43.45 (2.2) | Instead of a sound, it works on his wrist. | Tight close-up of a plain matte black ribbed silicone strap resting around Ryan's sleeping wrist on a pillow. His hand lies relaxed and still. Quiet blue dawn light fills the teen room, completely still. The strap is only plain ribbed black silicone, with nothing on top of it. Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing, a simple ribbed loop like a plain rubber band; never a watch or smartwatch, never a screen, never numbers, never a glowing or flat face; nothing at all sits on top of the strap. | teen-room | hard cut |
| 17 | 15 | 43.83–46.24 (2.4) | At the time you set, it starts to vibrate, | Close-up of Ryan's sleeping wrist resting on a pillow, a plain matte black ribbed silicone band on it. Soft motion lines appear around the band as it begins to vibrate, and his fingers start to twitch. Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing, a simple ribbed loop like a plain rubber band; never a watch or smartwatch, never a screen, never numbers, never a glowing or flat face; nothing at all sits on top of the strap. | teen-room | hard cut |
| 18 | 16 | 46.62–49.48 (2.9) | and it keeps getting stronger until he turns it off. | Close shot, held steady: curved motion lines around the frame grow bigger and denser in three distinct steps. His fingers curl slowly into the covers, and his eyebrows knit into a frown as his face tightens, rousing from sleep. | teen-room | hard cut |
| 19 | 17 | 49.86–51.78 (1.9) | Three alarms. No app. | Close on the plain matte black ribbed silicone strap around Ryan's wrist. Three soft round vibration ripples pulse outward from the strap one after another. Then the camera holds on Ryan's phone lying dark and unused on the desk beside him, screen black, nothing lit, nobody touching it. Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing, a simple ribbed loop like a plain rubber band; never a watch or smartwatch, never a screen, never numbers, never a glowing or flat face; nothing at all sits on top of the strap. | teen-room | hard cut |
| 20 | 18 | 52.12–54.31 (2.2) | And here's the part a loud alarm never had. | Mom stands in a hallway in her robe, holding a coffee mug in one hand. One eyebrow is raised and her head is turned toward Ryan's closed bedroom door at the end of the hall. Her expression is skeptical and curious. | hallway | hard cut |
| 21 | 19 | 54.69–55.98 (1.3) | It wakes only him. | Ryan sits upright in his bed in the teen room, blanket pooled at his waist, eyes open and alert. He wears a plain black ribbed silicone wristband. Only Ryan is shown and the rest of the room stays dim and quiet. Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing, a simple ribbed loop like a plain rubber band; never a watch or smartwatch, never a screen, never numbers, never a glowing or flat face; nothing at all sits on top of the strap. | teen-room | hard cut |
| 22 | 20 | 56.35–58.34 (2.0) | Nobody else in the house hears a thing. | Dawn light slants through a window across a quiet house. Dad lies asleep and motionless in his bed, his chest rising slowly. In the next room the little sister sleeps curled under a blanket, and the dog lies still on the floor, eyes closed, peaceful. |  | hard cut |
| 23 | 21 | 58.72–61.73 (3.0) | So the whole time he's getting up, the house stays asleep. | Ryan walks slowly down the dim hallway in his socks, one hand lightly brushing the wall. He passes his sleeping sister's closed bedroom door. The rest of the house is dark and still around him, with no lights on. His face is calm and careful, eyes forward. | hallway | hard cut |
| 24 | 22 | 62.12–64.79 (2.7) | A loud alarm shouts. This one taps. | Far behind, out of focus, a big old alarm clock sits dim and silent on the bedside table. Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing, a simple ribbed loop like a plain rubber band; never a watch or smartwatch, never a screen, never numbers, never a glowing or flat face; nothing at all sits on top of the strap. | teen-room | hard cut |
| 25 | 23 | 65.15–66.73 (1.6) | At night he sets it himself. | Night in a teen bedroom lit by a single lamp. Ryan sits on the edge of his bed and fastens a plain matte black ribbed silicone strap around his wrist with both hands, his face calm and focused. Nothing on the strap lights up. Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing, a simple ribbed loop like a plain rubber band; never a watch or smartwatch, never a screen, never numbers, never a glowing or flat face; nothing at all sits on top of the strap. | teen-room | hard cut |
| 26 | 24 | 67.09–71.74 (4.7) | In the morning there's nothing to turn off across the room and nothing to yell from the doorway. | Early morning in Ryan's room: a bare wooden desk with nothing on its surface, no clock and no phone. Mom stands calmly beside the bed looking toward the empty doorway, shoulders relaxed, a small relieved smile. Through the open door the hallway is quiet and still. | teen-room | hard cut |
| 27 | 25 | 72.12–74.10 (2.0) | Week one, it's just a quiet alarm. | Close low shot of Ryan's bare feet landing on the rug beside the bed, the blanket pushed back behind them. A plain matte black ribbed silicone band sits on his wrist, resting on his knee. Pale dawn light comes through the window. His face is calm and sleepy. Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing, a simple ribbed loop like a plain rubber band; never a watch or smartwatch, never a screen, never numbers, never a glowing or flat face; nothing at all sits on top of the strap. | teen-room | hard cut |
| 28 | 26 | 74.48–77.36 (2.9) | By week two, he's up before you reach his door. | Inside the hallway, Mom walks slowly toward an open bedroom door, holding a coffee mug in one hand, relaxed and unhurried. Through the doorway, Ryan is already sitting up in bed, rubbing his eyes with his fist, looking groggy but awake. | hallway | hard cut |
| 29 | 27 | 77.74–82.19 (4.5) | Week three, you walk into the kitchen and he's already at the table, dressed, | Bright morning kitchen seen from the doorway as Mom steps in at the frame edge. Ryan already sits upright at the table in his hoodie, spoon lifted over a bowl of cereal, eyes open and calm. The black band sits on his wrist. A wall clock with hands only hangs behind him. Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing, a simple ribbed loop like a plain rubber band; never a watch or smartwatch, never a screen, never numbers, never a glowing or flat face; nothing at all sits on top of the strap. | kitchen | hard cut |
| 30 | 28 | 82.56–83.86 (1.3) | and you haven't said a word. | Mom stops in the kitchen doorway, one hand holding a steaming coffee mug, her mouth closed, eyebrows slightly raised. She looks across the kitchen at her son with soft, quietly amazed eyes. He stands at the counter, silent and still. | kitchen | hard cut |
| 31 | 29 | 84.24–85.30 (1.1) | It's called Dawn. | Mom's hand holds the matte black ribbed silicone wristband up toward the camera, big and clear, fine diagonal ribbing visible on the strap. Mom stands behind it, smiling warmly. The kitchen is softly out of focus behind them. Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing, a simple ribbed loop like a plain rubber band; never a watch or smartwatch, never a screen, never numbers, never a glowing or flat face; nothing at all sits on top of the strap. | kitchen | hard cut |
| 32 | 30 | 85.67–87.82 (2.1) | More than ten thousand parents have one. | A tall wall of dozens of identical plain matte black ribbed silicone bands, each lying flat in a neat row on a pale shelf, soft even light, nothing else in frame, no hands and no people. |  | hard cut |
| 33 | 31.1 | 88.20–89.61 (1.4) | Sixty day guarantee. | Mom sits at the kitchen table facing the camera, smiling warmly. One hand rests flat on the wood beside a plain matte black ribbed silicone wristband lying on the tabletop. Her shoulders are relaxed and her eyes look straight into the lens, calm and confident. Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing, a simple ribbed loop like a plain rubber band; never a watch or smartwatch, never a screen, never numbers, never a glowing or flat face; nothing at all sits on top of the strap. | kitchen | hard cut |
| 34 | 31.2 | 89.86–92.44 (2.6) | If it doesn't wake him, every penny back. | Mom smiles across the kitchen table and slides the matte black ribbed silicone wristband over the wood toward the camera with two fingers. The strap is plain ribbed silicone with no screen. Her expression stays relaxed and sure, eyebrows slightly raised, her other hand resting on the table. Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing, a simple ribbed loop like a plain rubber band; never a watch or smartwatch, never a screen, never numbers, never a glowing or flat face; nothing at all sits on top of the strap. | kitchen | hard cut |
| 35 | 32 | 92.81–94.07 (1.3) | Tap the link below. | A plain matte black silicone wristband strap with fine diagonal ribbing rests centered on a clean pale surface in soft warm light. Beneath it glows a soft rounded tap button shape. The strap is still and fully visible, with no screen and no text. Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing, a simple ribbed loop like a plain rubber band; never a watch or smartwatch, never a screen, never numbers, never a glowing or flat face; nothing at all sits on top of the strap. |  | hard cut |

## Batches

- **Batch 1**: beats 1–2 · 0.04–7.77s (7.7s) · 8s generation · 2 panel(s) · ends on "…clock in years." 
- **Batch 2**: beats 3–5 · 8.20–15.71s (7.5s) · 8s generation · 3 panel(s) · ends on "…up the stairs." 
- **Batch 3**: beats 6–8 · 16.09–20.02s (3.9s) · 5s generation · 3 panel(s) · ends on "…Good technology." 
- **Batch 4**: beats 9–12 · 20.40–34.74s (14.3s) · 15s generation · 4 panel(s) · ends on "…nothing to grab." 
- **Batch 5**: beats 13–15 · 35.12–40.91s (5.8s) · 6s generation · 3 panel(s) · ends on "…a wake band." REVEAL product
- **Batch 6**: beats 16–19 · 41.28–51.78s (10.5s) · 11s generation · 4 panel(s) · ends on "…alarms. No app." product
- **Batch 7**: beats 20–23 · 52.12–61.73s (9.6s) · 10s generation · 4 panel(s) · ends on "…house stays asleep." product
- **Batch 8**: beats 24–27 · 62.12–74.10s (12.0s) · 12s generation · 4 panel(s) · ends on "…a quiet alarm." product
- **Batch 9**: beats 28–30 · 74.48–83.86s (9.4s) · 10s generation · 3 panel(s) · ends on "…said a word." product
- **Batch 10**: beats 31–32 · 84.24–87.82s (3.6s) · 5s generation · 2 panel(s) · ends on "…parents have one." CTA product
- **Batch 11**: beats 33–35 · 88.20–94.07s (5.9s) · 6s generation · 3 panel(s) · ends on "…the link below." CTA product

Vertical cinematic pixar animation with two visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 4.0s of the audio): In a store aisle, Mom stands holding a large box with a huge loud clock picture on its front, wincing hard with eyes squeezed shut and teeth clenched. Several other shoppers further down the aisle turn their heads to look at her, startled.

Transition: hard cut.

Shot 2 (4.4s to 7.7s of the audio): At a school gate in the morning, three relaxed parents stand around a table holding a loud alarm clock. Two of them shake their heads slowly with calm, faintly amused faces. The third parent pushes the clock away across the tabletop with one finger.

Image 2 is the hero character reference for Mom: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Mom appears in; never change race, hair or build between shots.

Image 3 is the school-gate environment sheet: the room keeps this layout, furniture and palette.

Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic pixar animation with three visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 2.0s of the audio): Close shot of a big old-fashioned alarm clock with a blank face ringing on Ryan's nightstand, its twin bells shaking, sound ripples spreading across the teen room. Beside it, Ryan lies asleep in bed with the blanket pulled up to his chin, eyes shut, face calm.

Transition: hard cut.

Shot 2 (2.4s to 3.9s of the audio): A tidy wooden shelf holds a row of simple alarm clocks from different decades, each with a blank face and plain rounded shape. Warm light glows over the shelf as the clocks light up one by one from left to right. No one is in frame.

Transition: hard cut.

Shot 3 (4.2s to 7.5s of the audio): Wide shot of the staircase: at the bottom Mom stands with her mouth closed and her arms folded, looking up calmly. At the top, the loud clock rings on the floor inside Ryan's open door, and ripples roll down the steps toward her. Mom is not in frame.

Image 2 is the hero character reference for Mom: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Mom appears in; never change race, hair or build between shots.

Image 3 is the hero character reference for Ryan: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Ryan appears in; never change race, hair or build between shots.

Image 4 is the teen-room environment sheet: the room keeps this layout, furniture and palette.

Image 5 is the hallway environment sheet: the room keeps this layout, furniture and palette.

Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic pixar animation with three visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 0.7s of the audio): Ryan's bedroom doorway, empty and framed straight on. A pair of Mom's slippers sits on the hallway floor beside the door frame. The hallway beyond is still and quiet. Mom is not in frame, and nobody stands in the opening.

Transition: the frame holds as the camera drifts a little closer to the doorway, revealing the clock ringing in the room behind.

Shot 2 (0.9s to 2.4s of the audio): The same empty doorway, held steady. Mom's slippers rest beside the frame, and no one stands in the opening. Behind it in Ryan's room a clock sits ringing, its bells shivering. The hallway stays quiet and still.

Transition: hard cut.

Shot 3 (2.8s to 3.9s of the audio): Close shot of the loud alarm clock on its stand, its twin bells ringing steady and bright. The bells wobble in a small, satisfied shake while the clock face stays centered and sharp. Warm light fills the frame, and the clock looks pleased with itself.

Image 2 is the hero character reference for Mom: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Mom appears in; never change race, hair or build between shots.

Image 3 is the hero character reference for Ryan: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Ryan appears in; never change race, hair or build between shots.

Image 4 is the hallway environment sheet: the room keeps this layout, furniture and palette.

Image 5 is the teen-room environment sheet: the room keeps this layout, furniture and palette.

Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic pixar animation with four visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 2.5s of the audio): A kid in pyjamas sits bolt upright in bed in a teen bedroom, eyes open and head turned toward the sound of the first ring, hands resting on the blanket, calm and alert expression, soft morning light across the pillow.

Transition: hard cut to a frame split into two shots, stretching kid first, then the kid with his feet on the rug.

Shot 2 (2.8s to 5.5s of the audio): Two quick shots in the same bedroom, in the same pyjamas: a kid stretches both arms high overhead with a wide relaxed yawn, then a kid sits on the bed edge with his feet already flat on the rug, awake and ready.

Transition: hard cut.

Shot 3 (5.9s to 9.3s of the audio): A loud alarm clock sits a foot from Ryan's ear, ringing hard, its sound ripples bouncing off the blanket pulled over him. Ryan lies deep asleep in his bedroom, eyes shut, mouth slightly open, his face completely still and unbothered.

Transition: the sound ripples fade and the frame softens into a gentle breeze.

Shot 4 (9.6s to 14.3s of the audio): Extreme close-up on Ryan's ear as he lies on his side on the pillow. Soft ripple lines drift past the ear and thin out into a light breeze that stirs his hair. A small desk fan hums on the desk behind him. His face looks calm and relaxed.

Image 2 is the hero character reference for Ryan: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Ryan appears in; never change race, hair or build between shots.

Image 3 is the teen-room environment sheet: the room keeps this layout, furniture and palette.

Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic pixar animation with three visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 1.7s of the audio): One upstairs hallway at night, a single wide shot: Dad stands in the hallway with a pillow pressed over his head, the little sister sits on the floor beside him holding both hands over her ears with a wince, and the dog stands at their feet howling with its head thrown back. Ryan's bedroom door is open at the end of the hallway and soft sound ripples drift out of it. No other rooms are shown.

Transition: hard cut.

Shot 2 (2.1s to 3.3s of the audio): Three parents walk away from the school gate in the morning, strolling side by side with loose shoulders and easy smiles. Behind them, a cardboard donation box sits on the pavement, heaped with loud alarm clocks piled on top. The parents do not look back.

Transition: hard cut.

Shot 3 (3.7s to 5.8s of the audio): The matte black silicone wristband strap lies alone on a clean pale surface in soft morning light, centered and filling the frame. Fine diagonal ribbing is visible along its length. It has no screen, no panel, nothing else on it, and nothing else is in frame.

Image 2 is the hero character reference for Ryan: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Ryan appears in; never change race, hair or build between shots.

Image 3 is the hero character reference for Dad, the little sister and the dog: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Dad, the little sister and the dog appears in; never change race, hair or build between shots.

Image 4 is the product reference: the wristband appears exactly as drawn there (Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing, a simple ribbed loop like a plain rubber band; never a watch or smartwatch, never a screen, never numbers, never a glowing or flat face; nothing at all sits on top of the strap.); its small white LED digits read 6:30 whenever the face is visible, never another time; the digits are sequenced along the band's length with their baseline parallel to the strap's long edges, exactly as in the reference, never across the strap's width  The bulky smartwatch described in the failed-alarm shot is a different gadget and must look nothing like this band; the band itself appears only where the shot text names the wristband.

Image 5 is the school-gate environment sheet: the room keeps this layout, furniture and palette.

Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic pixar animation with four visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 2.2s of the audio): Tight close-up of a plain matte black ribbed silicone strap resting around Ryan's sleeping wrist on a pillow. His hand lies relaxed and still. Quiet blue dawn light fills the teen room, completely still. The strap is only plain ribbed black silicone, with nothing on top of it.

Transition: hard cut.

Shot 2 (2.5s to 5.0s of the audio): Close-up of Ryan's sleeping wrist resting on a pillow, a plain matte black ribbed silicone band on it. Soft motion lines appear around the band as it begins to vibrate, and his fingers start to twitch.

Transition: hard cut.

Shot 3 (5.3s to 8.2s of the audio): Close shot, held steady: curved motion lines around the frame grow bigger and denser in three distinct steps. His fingers curl slowly into the covers, and his eyebrows knit into a frown as his face tightens, rousing from sleep.

Transition: hard cut.

Shot 4 (8.6s to 10.5s of the audio): Close on the plain matte black ribbed silicone strap around Ryan's wrist. Three soft round vibration ripples pulse outward from the strap one after another. Then the camera holds on Ryan's phone lying dark and unused on the desk beside him, screen black, nothing lit, nobody touching it.

Image 2 is the hero character reference for Ryan: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Ryan appears in; never change race, hair or build between shots.

Image 3 is the product reference: the wristband appears exactly as drawn there (Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing, a simple ribbed loop like a plain rubber band; never a watch or smartwatch, never a screen, never numbers, never a glowing or flat face; nothing at all sits on top of the strap.); its small white LED digits read 6:30 whenever the face is visible, never another time; the digits are sequenced along the band's length with their baseline parallel to the strap's long edges, exactly as in the reference, never across the strap's width  The bulky smartwatch described in the failed-alarm shot is a different gadget and must look nothing like this band; the band itself appears only where the shot text names the wristband.

Image 4 is the teen-room environment sheet: the room keeps this layout, furniture and palette.

Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic pixar animation with four visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 2.2s of the audio): Mom stands in a hallway in her robe, holding a coffee mug in one hand. One eyebrow is raised and her head is turned toward Ryan's closed bedroom door at the end of the hall. Her expression is skeptical and curious.

Transition: hard cut.

Shot 2 (2.6s to 3.9s of the audio): Ryan sits upright in his bed in the teen room, blanket pooled at his waist, eyes open and alert. He wears a plain black ribbed silicone wristband. Only Ryan is shown and the rest of the room stays dim and quiet.

Transition: hard cut.

Shot 3 (4.2s to 6.2s of the audio): Dawn light slants through a window across a quiet house. Dad lies asleep and motionless in his bed, his chest rising slowly. In the next room the little sister sleeps curled under a blanket, and the dog lies still on the floor, eyes closed, peaceful.

Transition: hard cut.

Shot 4 (6.6s to 9.6s of the audio): Ryan walks slowly down the dim hallway in his socks, one hand lightly brushing the wall. He passes his sleeping sister's closed bedroom door. The rest of the house is dark and still around him, with no lights on. His face is calm and careful, eyes forward.

Image 2 is the hero character reference for Mom: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Mom appears in; never change race, hair or build between shots.

Image 3 is the hero character reference for Ryan: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Ryan appears in; never change race, hair or build between shots.

Image 4 is the hero character reference for Dad, the little sister and the dog: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Dad, the little sister and the dog appears in; never change race, hair or build between shots.

Image 5 is the product reference: the wristband appears exactly as drawn there (Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing, a simple ribbed loop like a plain rubber band; never a watch or smartwatch, never a screen, never numbers, never a glowing or flat face; nothing at all sits on top of the strap.); its small white LED digits read 6:30 whenever the face is visible, never another time; the digits are sequenced along the band's length with their baseline parallel to the strap's long edges, exactly as in the reference, never across the strap's width  The bulky smartwatch described in the failed-alarm shot is a different gadget and must look nothing like this band; the band itself appears only where the shot text names the wristband.

Image 6 is the hallway environment sheet: the room keeps this layout, furniture and palette.

Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic pixar animation with four visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 2.7s of the audio): Far behind, out of focus, a big old alarm clock sits dim and silent on the bedside table.

Transition: hard cut.

Shot 2 (3.0s to 4.6s of the audio): Night in a teen bedroom lit by a single lamp. Ryan sits on the edge of his bed and fastens a plain matte black ribbed silicone strap around his wrist with both hands, his face calm and focused. Nothing on the strap lights up.

Transition: hard cut.

Shot 3 (5.0s to 9.6s of the audio): Early morning in Ryan's room: a bare wooden desk with nothing on its surface, no clock and no phone. Mom stands calmly beside the bed looking toward the empty doorway, shoulders relaxed, a small relieved smile. Through the open door the hallway is quiet and still.

Transition: hard cut.

Shot 4 (10.0s to 12.0s of the audio): Close low shot of Ryan's bare feet landing on the rug beside the bed, the blanket pushed back behind them. A plain matte black ribbed silicone band sits on his wrist, resting on his knee. Pale dawn light comes through the window. His face is calm and sleepy.

Image 2 is the hero character reference for Mom: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Mom appears in; never change race, hair or build between shots.

Image 3 is the hero character reference for Ryan: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Ryan appears in; never change race, hair or build between shots.

Image 4 is the product reference: the wristband appears exactly as drawn there (Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing, a simple ribbed loop like a plain rubber band; never a watch or smartwatch, never a screen, never numbers, never a glowing or flat face; nothing at all sits on top of the strap.); its small white LED digits read 6:30 whenever the face is visible, never another time; the digits are sequenced along the band's length with their baseline parallel to the strap's long edges, exactly as in the reference, never across the strap's width  The bulky smartwatch described in the failed-alarm shot is a different gadget and must look nothing like this band; the band itself appears only where the shot text names the wristband.

Image 5 is the teen-room environment sheet: the room keeps this layout, furniture and palette.

Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic pixar animation with three visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 2.9s of the audio): Inside the hallway, Mom walks slowly toward an open bedroom door, holding a coffee mug in one hand, relaxed and unhurried. Through the doorway, Ryan is already sitting up in bed, rubbing his eyes with his fist, looking groggy but awake.

Transition: hard cut.

Shot 2 (3.3s to 7.7s of the audio): Bright morning kitchen seen from the doorway as Mom steps in at the frame edge. Ryan already sits upright at the table in his hoodie, spoon lifted over a bowl of cereal, eyes open and calm. The black band sits on his wrist. A wall clock with hands only hangs behind him.

Transition: hard cut.

Shot 3 (8.1s to 9.4s of the audio): Mom stops in the kitchen doorway, one hand holding a steaming coffee mug, her mouth closed, eyebrows slightly raised. She looks across the kitchen at her son with soft, quietly amazed eyes. He stands at the counter, silent and still.

Image 2 is the hero character reference for Mom: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Mom appears in; never change race, hair or build between shots.

Image 3 is the hero character reference for Ryan: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Ryan appears in; never change race, hair or build between shots.

Image 4 is the product reference: the wristband appears exactly as drawn there (Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing, a simple ribbed loop like a plain rubber band; never a watch or smartwatch, never a screen, never numbers, never a glowing or flat face; nothing at all sits on top of the strap.); its small white LED digits read 6:30 whenever the face is visible, never another time; the digits are sequenced along the band's length with their baseline parallel to the strap's long edges, exactly as in the reference, never across the strap's width  The bulky smartwatch described in the failed-alarm shot is a different gadget and must look nothing like this band; the band itself appears only where the shot text names the wristband.

Image 5 is the hallway environment sheet: the room keeps this layout, furniture and palette.

Image 6 is the kitchen environment sheet: the room keeps this layout, furniture and palette.

Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic pixar animation with two visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 1.1s of the audio): Mom's hand holds the matte black ribbed silicone wristband up toward the camera, big and clear, fine diagonal ribbing visible on the strap. Mom stands behind it, smiling warmly. The kitchen is softly out of focus behind them.

Transition: hard cut.

Shot 2 (1.4s to 3.6s of the audio): A tall wall of dozens of identical plain matte black ribbed silicone bands, each lying flat in a neat row on a pale shelf, soft even light, nothing else in frame, no hands and no people.

Image 2 is the hero character reference for Mom: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Mom appears in; never change race, hair or build between shots.

Image 3 is the product reference: the wristband appears exactly as drawn there (Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing, a simple ribbed loop like a plain rubber band; never a watch or smartwatch, never a screen, never numbers, never a glowing or flat face; nothing at all sits on top of the strap.); its small white LED digits read 6:30 whenever the face is visible, never another time; the digits are sequenced along the band's length with their baseline parallel to the strap's long edges, exactly as in the reference, never across the strap's width  The bulky smartwatch described in the failed-alarm shot is a different gadget and must look nothing like this band; the band itself appears only where the shot text names the wristband.

Image 4 is the kitchen environment sheet: the room keeps this layout, furniture and palette.

Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic pixar animation with three visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 1.4s of the audio): Mom sits at the kitchen table facing the camera, smiling warmly. One hand rests flat on the wood beside a plain matte black ribbed silicone wristband lying on the tabletop. Her shoulders are relaxed and her eyes look straight into the lens, calm and confident.

Transition: hard cut.

Shot 2 (1.7s to 4.2s of the audio): Mom smiles across the kitchen table and slides the matte black ribbed silicone wristband over the wood toward the camera with two fingers. The strap is plain ribbed silicone with no screen. Her expression stays relaxed and sure, eyebrows slightly raised, her other hand resting on the table.

Transition: hard cut.

Shot 3 (4.6s to 5.9s of the audio): A plain matte black silicone wristband strap with fine diagonal ribbing rests centered on a clean pale surface in soft warm light. Beneath it glows a soft rounded tap button shape. The strap is still and fully visible, with no screen and no text.

Image 2 is the hero character reference for Mom: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot Mom appears in; never change race, hair or build between shots.

Image 3 is the product reference: the wristband appears exactly as drawn there (Product truth: a plain matte black silicone wristband strap with fine diagonal ribbing, a simple ribbed loop like a plain rubber band; never a watch or smartwatch, never a screen, never numbers, never a glowing or flat face; nothing at all sits on top of the strap.); its small white LED digits read 6:30 whenever the face is visible, never another time; the digits are sequenced along the band's length with their baseline parallel to the strap's long edges, exactly as in the reference, never across the strap's width  The bulky smartwatch described in the failed-alarm shot is a different gadget and must look nothing like this band; the band itself appears only where the shot text names the wristband.

Image 4 is the kitchen environment sheet: the room keeps this layout, furniture and palette.

Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

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