vostoryboardcanvasslicesgenassemblestoryboard approved
s4-college-short — control hook block + compressed body (length test) · style pixar · cast Mom (early 40s) and Ryan (16); one family across S1-S4
pack /Users/ayden/.openclaw/workspace/output/concept-packs/dawnbands-dont-buy-this-s4-college-short-2026-09-17.md · run /Users/ayden/.openclaw/workspace/output/cartoon-h3/dawnbands-dont-buy-this-s4-college-short-2026-09-17
updated 2026-09-17 04:41:40
pack /Users/ayden/.openclaw/workspace/output/concept-packs/dawnbands-dont-buy-this-s4-college-short-2026-09-17.md · run /Users/ayden/.openclaw/workspace/output/cartoon-h3/dawnbands-dont-buy-this-s4-college-short-2026-09-17
updated 2026-09-17 04:41:40
18 lines · 232 words
| # | VO line | role | scene intent |
|---|---|---|---|
| 1 | Don't buy this if you think your teen will magically wake themselves in college. | narrator | Dorm-room, bright late morning: Ryan, 16, asleep in a narrow dorm bed, sunlight across his face, a phone on the floor lit and buzzing, the second bed across the room empty and made. |
| 2 | Right now you're waking him up, in college nobody is. | narrator | Split feeling in one cut: hallway at home, Mom, early 40s, hand on Ryan's shoulder in his bed, coffee in the other hand; then the dorm-room door standing open onto an empty corridor of closed doors, nobody coming. |
| 3 | They sleep through the first 8 a.m. lecture, then the next one, then they're dropped from class. | narrator | Lecture-hall, morning: rows of seats filling, one seat empty in the middle. Then a second morning, same empty seat. Then a plain envelope slid under the dorm-room door, blank, no words. |
| 4 | By Thanksgiving they're home on probation, and that thirty-five thousand dollar tuition is gone. | narrator | Kitchen at home, grey November light: Ryan sitting at the table in his hoodie with a duffel bag by the chair, Mom standing with her arms crossed, a blank letter on the table between them. Nobody talking. |
| 5 | You haven't failed as a parent, and they aren't lazy. | narrator | Hallway: Mom leaning on Ryan's doorframe looking at him asleep, tired but soft-faced, not angry. Morning light between them. |
| 6 | It's just that right now, the only alarm that has ever worked on them is you. | narrator | Teen-room, dawn: Mom's hand rests on Ryan's shoulder and his eyes crack open; on the nightstand a phone alarm flashes with nobody reacting to it. She is the only alarm in the room. |
| 7 | A teenager's brain naturally tunes out morning alarms as background noise, but physical touch bypasses that filter. | narrator | Morning teen-room: the phone alarm rattles, sound ripples cross the room and dissolve into grey dust at Ryan's ear; then a hand rests on his shoulder and a warm ring of light spreads from the touch. His eyebrows twitch. |
| 8 | Six phone alarms fail, but the second you touch their shoulder, they move. | narrator | Wide teen-room: six phone alarms flashing and rattling on the nightstand and desk, Ryan asleep through it. Mom, early 40s, touches his shoulder; his eyes crack open and he groans. |
| 9 | The problem is, you aren't moving into their dorm. | narrator | Dorm-room, early morning: Ryan asleep in the narrow dorm bed, the door open onto an empty corridor of closed doors. Nobody is coming. Mom is not in this frame. |
| 10 | And smartwatches were designed for notifications, not for waking a heavy sleeper. | narrator | Close on Ryan's wrist on the pillow wearing a chunky smartwatch with a plain glowing screen, buzzing weakly with tiny motion lines. His face beside it stays asleep. |
| 11 | That's why parents switched to DawnBands. | narrator (product reveal) · product | Hero reveal: the band alone on a clean surface in soft morning light, front and center, filling the frame: matte black silicone wristband, fine diagonal ribbing, flat top face with small white LED digits, buckle strap. Nothing else in frame. |
| 12 | It uses a gradual physical pulse on the wrist that goes straight to their brain. | narrator (product) · product | Dawn. Close on the band on Ryan's sleeping wrist on the pillow: motion lines around it grow bigger in three steps, LED digits lit; a warm ring of light travels up his arm to his face and his eyes open. |
| 13 | You set it directly on the band, no phones in bed. | narrator (product) · product | Close on Ryan's own hands at his desk pressing the flat top face of the band, LED digits lighting; his phone lies face down and dark on the far side of the desk. Evening lamp light. |
| 14 | And because it weighs less than a watch, most teens forget they're even wearing it. | narrator (product) | Close on Ryan buckling the thin band around his wrist, the silicone strap bending softly. He rests the wrist on the pillow and settles under the blanket, lights low, not looking at it. |
| 15 | By Day 7, they're up before you reach their door. | narrator (product) · product | Low camera at floor level: Ryan's bare feet land on the rug beside the bed, the band on his wrist. Behind them, through the doorway, Mom is only halfway down the hallway with her coffee. |
| 16 | Move-in day, they're sitting in that first 8 a.m. lecture on time, all on their own. | narrator (product) · product | Lecture-hall, 8 a.m., bright: Ryan awake and alert in a middle seat with his notebook open, the band on his wrist on the desk, the professor at the front, other students settling in. |
| 17 | Keep waking them until they leave, or try DawnBands risk-free for 60 nights. | narrator (CTA) · product | Split feeling in one cut: the old morning, grey light, Mom at Ryan's bedside shaking his shoulder; then the dorm-room at dawn, Ryan awake and sitting up on his own with the band on his wrist, LED digits lit. |
| 18 | They sell out often, so if you see it in stock, grab yours now. | narrator (CTA) · product | Final hero: the band alone, front and center on a clean warm surface, matte black silicone, ribbing, LED digits lit, buckle strap curled. Soft morning light. No text, no logos. |
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}| line | time | dur | text |
|---|---|---|---|
| 1 | 0:00.04 – 0:03.04 | 3.00s | Don't buy this if you think your teen will magically wake themselves in college. |
| 2 | 0:03.31 – 0:06.12 | 2.81s | Right now you're waking him up, in college nobody is. |
| 3 | 0:06.38 – 0:10.63 | 4.25s | They sleep through the first 8 a.m. lecture, then the next one, then they're dropped from class. |
| 4 | 0:10.90 – 0:15.12 | 4.21s | By Thanksgiving they're home on probation, and that thirty-five thousand dollar tuition is gone. |
| 5 | 0:15.38 – 0:17.62 | 2.24s | You haven't failed as a parent, and they aren't lazy. |
| 6 | 0:17.87 – 0:21.31 | 3.44s | It's just that right now, the only alarm that has ever worked on them is you. |
| 7 | 0:21.57 – 0:27.48 | 5.91s | A teenager's brain naturally tunes out morning alarms as background noise, but physical touch bypasses that filter. |
| 8 | 0:27.73 – 0:31.46 | 3.72s | Six phone alarms fail, but the second you touch their shoulder, they move. |
| 9 | 0:31.73 – 0:33.83 | 2.10s | The problem is, you aren't moving into their dorm. |
| 10 | 0:34.08 – 0:37.73 | 3.64s | And smartwatches were designed for notifications, not for waking a heavy sleeper. |
| 11 | 0:38.00 – 0:39.67 | 1.67s | That's why parents switched to DawnBands. |
| 12 | 0:39.90 – 0:43.70 | 3.80s | It uses a gradual physical pulse on the wrist that goes straight to their brain. |
| 13 | 0:43.97 – 0:46.33 | 2.36s | You set it directly on the band, no phones in bed. |
| 14 | 0:46.58 – 0:49.91 | 3.33s | And because it weighs less than a watch, most teens forget they're even wearing it. |
| 15 | 0:50.17 – 0:52.43 | 2.25s | By Day 7, they're up before you reach their door. |
| 16 | 0:52.69 – 0:56.60 | 3.91s | Move-in day, they're sitting in that first 8 a.m. lecture on time, all on their own. |
| 17 | 0:56.87 – 1:01.10 | 4.24s | Keep waking them until they leave, or try DawnBands risk-free for 60 nights. |
| 18 | 1:01.37 – 1:04.18 | 2.81s | They sell out often, so if you see it in stock, grab yours now. |
VO 64.414s · 21 beats · 7 batches · gate: APPROVED — approve with touch /Users/ayden/.openclaw/workspace/output/cartoon-h3/dawnbands-dont-buy-this-s4-college-short-2026-09-17/storyboard.approved
Batch 1 0:00.04–0:10.63 · span 10.594s → gen 11s · 4 panels · hook
| beat | time | VO | panel |
|---|---|---|---|
| 1 | 0:00.04–0:03.04 3.00s | Don't buy this if you think your teen will magically wake themselves in college. | Ryan, sixteen, sprawled asleep in a narrow dorm bed, sunlight falling across his face. A phone lies on the floor nearby, screen lit and buzzing. The second bed across the room sits empty and neatly made. His expression is slack, undisturbed. in: hard cut · env: dorm-room |
| 2 | 0:03.31–0:06.12 2.81s | Right now you're waking him up, in college nobody is. | Left half: Mom, early forties, leans over Ryan's bed, hand resting on his shoulder, coffee mug in her other hand, smiling gently. Right half: dorm-room door standing open onto an empty hallway lined with closed doors, nobody approaches. in: hard cut · env: — |
| 3 | 0:06.38–0:07.74 1.36s | They sleep through the first 8 a.m. | A lecture hall fills with students taking their seats as an 8 a.m. class begins, but one seat in the middle row stays empty. Morning light crosses the rows. Backpacks unzip, notebooks open, the empty seat sits untouched among the crowd. in: hard cut · env: lecture-hall |
| 4 | 0:07.77–0:10.63 2.87s | lecture, then the next one, then they're dropped from class. | A plain blank envelope slides under a dorm-room door, no markings or text visible on the paper. The hallway light dims outside as the envelope rests silently against the door's threshold, still and unclaimed in the empty corridor. in: hard cut to a close shot of a door in a quiet hallway · env: dorm-room |
Batch 2 0:10.90–0:21.31 · span 10.406s → gen 11s · 3 panels · hook
| beat | time | VO | panel |
|---|---|---|---|
| 5 | 0:10.90–0:15.12 4.21s | By Thanksgiving they're home on probation, and that thirty-five thousand dollar tuition is gone. | Ryan sits at the kitchen table in his hoodie, duffel bag propped against his chair, shoulders slumped, eyes lowered. Mom stands across from him, arms crossed, jaw tight, staring down at him. A blank letter lies on the table between them. Grey November light, nobody speaking. in: hard cut · env: kitchen |
| 6 | 0:15.38–0:17.62 2.24s | You haven't failed as a parent, and they aren't lazy. | Mom leans against the doorframe of Ryan's bedroom, arms loosely crossed, watching him asleep in bed. Her face is tired, eyes soft, no anger in it. Pale morning light spills through the hallway between her and the doorway, catching the side of her face. in: hard cut · env: hallway |
| 7 | 0:17.87–0:21.31 3.44s | It's just that right now, the only alarm that has ever worked on them is you. | Dawn light in a teen bedroom. Mom's hand rests gently on Ryan's shoulder as his eyes crack open, groggy and slow to wake. On the nightstand behind her, a phone alarm flashes silently, screen glowing, unanswered. Her expression is quiet, patient, steady. in: hard cut · env: teen-room |
Batch 3 0:21.57–0:33.83 · span 12.256s → gen 13s · 4 panels · hook
| beat | time | VO | panel |
|---|---|---|---|
| 8 | 0:21.57–0:25.20 3.62s | A teenager's brain naturally tunes out morning alarms as background noise, | Phone alarm rattles on the nightstand as sound ripples travel across the teen-room toward Ryan's ear, dissolving into grey dust before reaching him; Ryan lies still in bed, eyes closed, face slack and undisturbed. in: hard cut · env: teen-room |
| 9 | 0:25.35–0:27.48 2.14s | but physical touch bypasses that filter. | A hand rests on Ryan's shoulder as a warm ring of light spreads outward from the touch across his bed in the teen-room; his eyebrows twitch, a flicker of awareness crossing his sleeping face. in: the grey dust fades and a hand enters frame · env: teen-room |
| 10 | 0:27.73–0:31.46 3.72s | Six phone alarms fail, but the second you touch their shoulder, they move. | Wide teen-room: six phones buzz and flash on the nightstand and desk, screens lit, vibrating against wood. Ryan lies motionless under the blanket, unmoving through the noise. Mom, early 40s, leans in and touches his shoulder; his eyelids crack open and he groans, half-annoyed, half-groggy. in: hard cut · env: teen-room |
| 11 | 0:31.73–0:33.83 2.10s | The problem is, you aren't moving into their dorm. | Ryan lies asleep in the narrow dorm bed, face slack and unaware, blanket pulled to his chin in the gray morning light. The door stands open onto a long, empty corridor of closed doors. No one walks toward the room; the hallway stays silent and still. in: hard cut · env: dorm-room |
Batch 4 0:34.08–0:43.70 · span 9.615s → gen 10s · 3 panels · hook · reveal
| beat | time | VO | panel |
|---|---|---|---|
| 12 | 0:34.08–0:37.73 3.64s | And smartwatches were designed for notifications, not for waking a heavy sleeper. | Close-up on Ryan's wrist resting on a pillow, a chunky smartwatch with a plain glowing screen buzzing weakly, tiny motion lines vibrating around it. Beside it, Ryan's face stays slack and asleep, undisturbed, eyes shut, breathing steady, no reaction to the buzz. in: hard cut · env: teen-room |
| 13 | 0:38.00–0:39.67 1.67s | That's why parents switched to DawnBands. | The matte black silicone wristband rests alone on a clean flat surface in soft morning light, front and center, filling the frame. Fine diagonal ribbing catches the light across its band, the flat top face glows with small white LED digits, buckle strap and pin holes visible beside it. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. in: hard cut · env: — · product |
| 14 | 0:39.90–0:43.70 3.80s | It uses a gradual physical pulse on the wrist that goes straight to their brain. | Close on the matte black band on Ryan's wrist resting against the pillow as motion lines pulse outward in three growing waves around it, LED digits glowing on its face; a warm ring of light travels up his arm to his face, his eyes slowly opening. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. in: hard cut · env: teen-room · product |
Batch 5 0:43.97–0:52.43 · span 8.457s → gen 9s · 3 panels · hook
| beat | time | VO | panel |
|---|---|---|---|
| 15 | 0:43.97–0:46.33 2.36s | You set it directly on the band, no phones in bed. | Close on Ryan's hands at a desk, thumb pressing the flat rectangular top face of a matte black ribbed silicone band, small white LED digits lighting up. His phone lies face down and dark on the far side of the desk under warm evening lamp light. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. in: hard cut · env: dorm-room · product |
| 16 | 0:46.58–0:49.91 3.33s | And because it weighs less than a watch, most teens forget they're even wearing it. | Ryan lies in bed, buckling a thin silicone band around his wrist, the strap bending softly under his fingers. He lowers the wrist onto his pillow and pulls a blanket up over himself. Room lights are low. His eyes are already drifting closed, unbothered by the band. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. in: hard cut · env: teen-room |
| 17 | 0:50.17–0:52.43 2.25s | By Day 7, they're up before you reach their door. | Low, floor-level angle: Ryan's bare feet land on the rug beside the bed, the black wristband visible on his wrist, movement quick and alert. Through the open doorway behind him, Mom is only halfway down the hallway, coffee mug in hand, still catching up, a step behind. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. in: hard cut · env: teen-room · product |
Batch 6 0:52.69–1:01.10 · span 8.413s → gen 9s · 3 panels · hook · CTA
| beat | time | VO | panel |
|---|---|---|---|
| 18 | 0:52.69–0:54.79 2.10s | Move-in day, they're sitting in that first 8 a.m. | Ryan sits alert in a middle-row seat of the lecture hall, notebook open on the desk, the wristband resting beside it. Other students file in and settle into nearby seats while the professor stands at the front, morning light bright across the room. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. in: hard cut · env: lecture-hall · product |
| 19 | 0:54.81–0:56.60 1.79s | lecture on time, all on their own. | Camera holds on Ryan taking notes as the professor speaks at the front of the lecture hall. The wristband sits untouched on the desk beside his notebook, other students quiet and attentive around him, Ryan calm and focused on his own. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. in: camera pushes in on Ryan and the wristband as the lecture continues · env: lecture-hall · product |
| 20 | 0:56.87–1:01.10 4.24s | Keep waking them until they leave, or try DawnBands risk-free for 60 nights. | Split frame: on one side, Mom leans over Ryan's bed in grey pre-dawn light, gripping his shoulder, her face tight with frustration; on the other, Ryan sits up alone in his dorm room at dawn, calm and alert, black wristband on his wrist glowing with small white LED digits. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. in: hard cut · env: — · product |
Batch 7 1:01.37–1:04.18 · span 2.81s → gen 5s · 1 panels · hook · CTA
| beat | time | VO | panel |
|---|---|---|---|
| 21 | 1:01.37–1:04.18 2.81s | They sell out often, so if you see it in stock, grab yours now. | The matte black silicone wristband rests alone on a clean warm surface in soft morning light, fine diagonal ribbing visible along its length, buckle strap curled beside it, small white LED time digits glowing steadily on the flat rectangular top face. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. in: hard cut · env: — · product |
storyboard.md (raw)
# dawnbands-dont-buy-this-s4-college-short-2026-09-17 — cartoon-h3 storyboard (Fish review BEFORE canvases) VO: 64.41s, 232 words, 3.60 wps · 21 beats · 7 batches (≤15s, ≤4 panels, reveal/CTA ≤3) Beat times come from the ElevenLabs word timings of the trimmed VO. A batch = one MiniMax H3 generation (canvas + hero refs + this batch's VO slice). Batch boundaries fall on pack-line ends only. ## Table storyboard | Beat | Scene | Start–End (s) | VO | Visual | Env | Transition-in | |---|---|---|---|---|---|---| | 1 | 1 | 0.04–3.04 (3.0) | Don't buy this if you think your teen will magically wake themselves in college. | Ryan, sixteen, sprawled asleep in a narrow dorm bed, sunlight falling across his face. A phone lies on the floor nearby, screen lit and buzzing. The second bed across the room sits empty and neatly made. His expression is slack, undisturbed. | dorm-room | hard cut | | 2 | 2 | 3.31–6.12 (2.8) | Right now you're waking him up, in college nobody is. | Left half: Mom, early forties, leans over Ryan's bed, hand resting on his shoulder, coffee mug in her other hand, smiling gently. Right half: dorm-room door standing open onto an empty hallway lined with closed doors, nobody approaches. | | hard cut | | 3 | 3.1 | 6.38–7.74 (1.4) | They sleep through the first 8 a.m. | A lecture hall fills with students taking their seats as an 8 a.m. class begins, but one seat in the middle row stays empty. Morning light crosses the rows. Backpacks unzip, notebooks open, the empty seat sits untouched among the crowd. | lecture-hall | hard cut | | 4 | 3.2 | 7.77–10.63 (2.9) | lecture, then the next one, then they're dropped from class. | A plain blank envelope slides under a dorm-room door, no markings or text visible on the paper. The hallway light dims outside as the envelope rests silently against the door's threshold, still and unclaimed in the empty corridor. | dorm-room | hard cut to a close shot of a door in a quiet hallway | | 5 | 4 | 10.90–15.12 (4.2) | By Thanksgiving they're home on probation, and that thirty-five thousand dollar tuition is gone. | Ryan sits at the kitchen table in his hoodie, duffel bag propped against his chair, shoulders slumped, eyes lowered. Mom stands across from him, arms crossed, jaw tight, staring down at him. A blank letter lies on the table between them. Grey November light, nobody speaking. | kitchen | hard cut | | 6 | 5 | 15.38–17.62 (2.2) | You haven't failed as a parent, and they aren't lazy. | Mom leans against the doorframe of Ryan's bedroom, arms loosely crossed, watching him asleep in bed. Her face is tired, eyes soft, no anger in it. Pale morning light spills through the hallway between her and the doorway, catching the side of her face. | hallway | hard cut | | 7 | 6 | 17.87–21.31 (3.4) | It's just that right now, the only alarm that has ever worked on them is you. | Dawn light in a teen bedroom. Mom's hand rests gently on Ryan's shoulder as his eyes crack open, groggy and slow to wake. On the nightstand behind her, a phone alarm flashes silently, screen glowing, unanswered. Her expression is quiet, patient, steady. | teen-room | hard cut | | 8 | 7.1 | 21.57–25.20 (3.6) | A teenager's brain naturally tunes out morning alarms as background noise, | Phone alarm rattles on the nightstand as sound ripples travel across the teen-room toward Ryan's ear, dissolving into grey dust before reaching him; Ryan lies still in bed, eyes closed, face slack and undisturbed. | teen-room | hard cut | | 9 | 7.2 | 25.35–27.48 (2.1) | but physical touch bypasses that filter. | A hand rests on Ryan's shoulder as a warm ring of light spreads outward from the touch across his bed in the teen-room; his eyebrows twitch, a flicker of awareness crossing his sleeping face. | teen-room | the grey dust fades and a hand enters frame | | 10 | 8 | 27.73–31.46 (3.7) | Six phone alarms fail, but the second you touch their shoulder, they move. | Wide teen-room: six phones buzz and flash on the nightstand and desk, screens lit, vibrating against wood. Ryan lies motionless under the blanket, unmoving through the noise. Mom, early 40s, leans in and touches his shoulder; his eyelids crack open and he groans, half-annoyed, half-groggy. | teen-room | hard cut | | 11 | 9 | 31.73–33.83 (2.1) | The problem is, you aren't moving into their dorm. | Ryan lies asleep in the narrow dorm bed, face slack and unaware, blanket pulled to his chin in the gray morning light. The door stands open onto a long, empty corridor of closed doors. No one walks toward the room; the hallway stays silent and still. | dorm-room | hard cut | | 12 | 10 | 34.08–37.73 (3.6) | And smartwatches were designed for notifications, not for waking a heavy sleeper. | Close-up on Ryan's wrist resting on a pillow, a chunky smartwatch with a plain glowing screen buzzing weakly, tiny motion lines vibrating around it. Beside it, Ryan's face stays slack and asleep, undisturbed, eyes shut, breathing steady, no reaction to the buzz. | teen-room | hard cut | | 13 | 11 | 38.00–39.67 (1.7) | That's why parents switched to DawnBands. | The matte black silicone wristband rests alone on a clean flat surface in soft morning light, front and center, filling the frame. Fine diagonal ribbing catches the light across its band, the flat top face glows with small white LED digits, buckle strap and pin holes visible beside it. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. | | hard cut | | 14 | 12 | 39.90–43.70 (3.8) | It uses a gradual physical pulse on the wrist that goes straight to their brain. | Close on the matte black band on Ryan's wrist resting against the pillow as motion lines pulse outward in three growing waves around it, LED digits glowing on its face; a warm ring of light travels up his arm to his face, his eyes slowly opening. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. | teen-room | hard cut | | 15 | 13 | 43.97–46.33 (2.4) | You set it directly on the band, no phones in bed. | Close on Ryan's hands at a desk, thumb pressing the flat rectangular top face of a matte black ribbed silicone band, small white LED digits lighting up. His phone lies face down and dark on the far side of the desk under warm evening lamp light. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. | dorm-room | hard cut | | 16 | 14 | 46.58–49.91 (3.3) | And because it weighs less than a watch, most teens forget they're even wearing it. | Ryan lies in bed, buckling a thin silicone band around his wrist, the strap bending softly under his fingers. He lowers the wrist onto his pillow and pulls a blanket up over himself. Room lights are low. His eyes are already drifting closed, unbothered by the band. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. | teen-room | hard cut | | 17 | 15 | 50.17–52.43 (2.3) | By Day 7, they're up before you reach their door. | Low, floor-level angle: Ryan's bare feet land on the rug beside the bed, the black wristband visible on his wrist, movement quick and alert. Through the open doorway behind him, Mom is only halfway down the hallway, coffee mug in hand, still catching up, a step behind. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. | teen-room | hard cut | | 18 | 16.1 | 52.69–54.79 (2.1) | Move-in day, they're sitting in that first 8 a.m. | Ryan sits alert in a middle-row seat of the lecture hall, notebook open on the desk, the wristband resting beside it. Other students file in and settle into nearby seats while the professor stands at the front, morning light bright across the room. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. | lecture-hall | hard cut | | 19 | 16.2 | 54.81–56.60 (1.8) | lecture on time, all on their own. | Camera holds on Ryan taking notes as the professor speaks at the front of the lecture hall. The wristband sits untouched on the desk beside his notebook, other students quiet and attentive around him, Ryan calm and focused on his own. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. | lecture-hall | camera pushes in on Ryan and the wristband as the lecture continues | | 20 | 17 | 56.87–61.10 (4.2) | Keep waking them until they leave, or try DawnBands risk-free for 60 nights. | Split frame: on one side, Mom leans over Ryan's bed in grey pre-dawn light, gripping his shoulder, her face tight with frustration; on the other, Ryan sits up alone in his dorm room at dawn, calm and alert, black wristband on his wrist glowing with small white LED digits. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. | | hard cut | | 21 | 18 | 61.37–64.18 (2.8) | They sell out often, so if you see it in stock, grab yours now. | The matte black silicone wristband rests alone on a clean warm surface in soft morning light, fine diagonal ribbing visible along its length, buckle strap curled beside it, small white LED time digits glowing steadily on the flat rectangular top face. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. | | hard cut | ## Batches - **Batch 1**: beats 1–4 · 0.04–10.63s (10.6s) · 11s generation · 4 panel(s) · ends on "…dropped from class." - **Batch 2**: beats 5–7 · 10.90–21.31s (10.4s) · 11s generation · 3 panel(s) · ends on "…them is you." - **Batch 3**: beats 8–11 · 21.57–33.83s (12.3s) · 13s generation · 4 panel(s) · ends on "…into their dorm." - **Batch 4**: beats 12–14 · 34.08–43.70s (9.6s) · 10s generation · 3 panel(s) · ends on "…to their brain." REVEAL product - **Batch 5**: beats 15–17 · 43.97–52.43s (8.5s) · 9s generation · 3 panel(s) · ends on "…reach their door." product - **Batch 6**: beats 18–20 · 52.69–61.10s (8.4s) · 9s generation · 3 panel(s) · ends on "…for 60 nights." CTA product - **Batch 7**: beats 21–21 · 61.37–64.18s (2.8s) · 5s generation · 1 panel(s) · ends on "…grab yours now." CTA product
Batch 1 gemini FAIL 0 failed attempt(s)

check
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Create a clear 16:9 cinematic pixar storyboard contact sheet for one video-generation batch. Use exactly FOUR distinct landscape storyboard panels arranged in a clean 2-by-2 grid, read left to right across the top row and then left to right across the bottom row, with clean gutters. Each panel is one consecutive visual shot. No captions, no labels, no readable text, no logos. ABSOLUTELY NO letters, numerals or symbols anywhere in any panel: clocks and watches have blank faces or plain hands, phone and laptop screens are plain glowing rectangles, papers, envelopes, folders, books, posters, signs and boxes are blank. Numbers spoken in the narration are NOT drawn. Reference image 1 is character sheet. Preserve the exact faces, hairstyles, skin tones, proportions and outfits in every panel. Reference image 2 is the dorm-room environment sheet. Every panel set in the dorm-room keeps this room's layout, furniture and palette. Reference image 3 is the lecture-hall environment sheet. Every panel set in the lecture-hall keeps this room's layout, furniture and palette. Reference image 4 is the RENDERING STYLE reference (a frame from the target film look). Match its rendering style exactly: eye and face proportions, hair clumping, skin shading, cloth materials, lighting, colour palette and level of detail, so every sheet in the set looks like one film. Copy none of its characters, props or setting. PANEL 1, top left: Ryan, sixteen, sprawled asleep in a narrow dorm bed, sunlight falling across his face. A phone lies on the floor nearby, screen lit and buzzing. The second bed across the room sits empty and neatly made. His expression is slack, undisturbed. PANEL 2, top right: Left half: Mom, early forties, leans over Ryan's bed, hand resting on his shoulder, coffee mug in her other hand, smiling gently. Right half: dorm-room door standing open onto an empty hallway lined with closed doors, nobody approaches. PANEL 3, bottom left: A lecture hall fills with students taking their seats as an 8 a.m. class begins, but one seat in the middle row stays empty. Morning light crosses the rows. Backpacks unzip, notebooks open, the empty seat sits untouched among the crowd. PANEL 4, bottom right: A plain blank envelope slides under a dorm-room door, no markings or text visible on the paper. The hallway light dims outside as the envelope rests silently against the door's threshold, still and unclaimed in the empty corridor. Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room, premium animated commercial storyboard. Keep Mom and Ryan recognizable and consistent across all panels.
Batch 2 gemini pass 0 failed attempt(s)

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Create a clear 16:9 cinematic pixar storyboard contact sheet for one video-generation batch. Use exactly THREE distinct landscape storyboard panels arranged in a single row of THREE landscape panels, read left to right, with clean gutters. Each panel is one consecutive visual shot. No captions, no labels, no readable text, no logos. ABSOLUTELY NO letters, numerals or symbols anywhere in any panel: clocks and watches have blank faces or plain hands, phone and laptop screens are plain glowing rectangles, papers, envelopes, folders, books, posters, signs and boxes are blank. Numbers spoken in the narration are NOT drawn. Reference image 1 is character sheet. Preserve the exact faces, hairstyles, skin tones, proportions and outfits in every panel. Reference image 2 is the kitchen environment sheet. Every panel set in the kitchen keeps this room's layout, furniture and palette. Reference image 3 is the hallway environment sheet. Every panel set in the hallway keeps this room's layout, furniture and palette. Reference image 4 is the teen-room environment sheet. Every panel set in the teen-room keeps this room's layout, furniture and palette. Reference image 5 is the RENDERING STYLE reference (a frame from the target film look). Match its rendering style exactly: eye and face proportions, hair clumping, skin shading, cloth materials, lighting, colour palette and level of detail, so every sheet in the set looks like one film. Copy none of its characters, props or setting. PANEL 1, left: Ryan sits at the kitchen table in his hoodie, duffel bag propped against his chair, shoulders slumped, eyes lowered. Mom stands across from him, arms crossed, jaw tight, staring down at him. A blank letter lies on the table between them. Grey November light, nobody speaking. PANEL 2, centre: Mom leans against the doorframe of Ryan's bedroom, arms loosely crossed, watching him asleep in bed. Her face is tired, eyes soft, no anger in it. Pale morning light spills through the hallway between her and the doorway, catching the side of her face. PANEL 3, right: Dawn light in a teen bedroom. Mom's hand rests gently on Ryan's shoulder as his eyes crack open, groggy and slow to wake. On the nightstand behind her, a phone alarm flashes silently, screen glowing, unanswered. Her expression is quiet, patient, steady. Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room, premium animated commercial storyboard. Keep Mom and Ryan recognizable and consistent across all panels.
Batch 3 gemini pass 0 failed attempt(s)

check
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"notes": "A boy is sleeping, disturbed by multiple ringing phones. A woman tries to wake him in different rooms.",
"pass": true
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Create a clear 16:9 cinematic pixar storyboard contact sheet for one video-generation batch. Use exactly FOUR distinct landscape storyboard panels arranged in a clean 2-by-2 grid, read left to right across the top row and then left to right across the bottom row, with clean gutters. Each panel is one consecutive visual shot. No captions, no labels, no readable text, no logos. ABSOLUTELY NO letters, numerals or symbols anywhere in any panel: clocks and watches have blank faces or plain hands, phone and laptop screens are plain glowing rectangles, papers, envelopes, folders, books, posters, signs and boxes are blank. Numbers spoken in the narration are NOT drawn. Reference image 1 is character sheet. Preserve the exact faces, hairstyles, skin tones, proportions and outfits in every panel. Reference image 2 is the teen-room environment sheet. Every panel set in the teen-room keeps this room's layout, furniture and palette. Reference image 3 is the dorm-room environment sheet. Every panel set in the dorm-room keeps this room's layout, furniture and palette. Reference image 4 is the RENDERING STYLE reference (a frame from the target film look). Match its rendering style exactly: eye and face proportions, hair clumping, skin shading, cloth materials, lighting, colour palette and level of detail, so every sheet in the set looks like one film. Copy none of its characters, props or setting. PANEL 1, top left: Phone alarm rattles on the nightstand as sound ripples travel across the teen-room toward Ryan's ear, dissolving into grey dust before reaching him; Ryan lies still in bed, eyes closed, face slack and undisturbed. PANEL 2, top right: A hand rests on Ryan's shoulder as a warm ring of light spreads outward from the touch across his bed in the teen-room; his eyebrows twitch, a flicker of awareness crossing his sleeping face. PANEL 3, bottom left: Wide teen-room: six phones buzz and flash on the nightstand and desk, screens lit, vibrating against wood. Ryan lies motionless under the blanket, unmoving through the noise. Mom, early 40s, leans in and touches his shoulder; his eyelids crack open and he groans, half-annoyed, half-groggy. PANEL 4, bottom right: Ryan lies asleep in the narrow dorm bed, face slack and unaware, blanket pulled to his chin in the gray morning light. The door stands open onto a long, empty corridor of closed doors. No one walks toward the room; the hallway stays silent and still. Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room, premium animated commercial storyboard. Keep Mom and Ryan recognizable and consistent across all panels.
Batch 4 gemini pass 0 failed attempt(s)

check
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Create a clear 16:9 cinematic pixar storyboard contact sheet for one video-generation batch. Use exactly THREE distinct landscape storyboard panels arranged in a single row of THREE landscape panels, read left to right, with clean gutters. Each panel is one consecutive visual shot. No captions, no labels, no readable text, no logos. ABSOLUTELY NO letters, numerals or symbols anywhere in any panel EXCEPT the small white LED digits on the black wristband, which always read 6:30 and run horizontally along the strap, upright, like a watch face: clocks and watches have blank faces or plain hands, phone and laptop screens are plain glowing rectangles, papers, envelopes, folders, books, posters, signs and boxes are blank. Numbers spoken in the narration are NOT drawn. Reference image 1 is character sheet. Preserve the exact faces, hairstyles, skin tones, proportions and outfits in every panel. Reference image 2 is the product reference. Reproduce the product EXACTLY as shown: same shape, colour, surface and markings, nothing added. Its small white LED digits read 6:30 wherever the face is visible, never any other time or symbol. The digits sit on the flat top face and run HORIZONTALLY along the length of the strap, upright and read left to right like a watch face, never stacked or rotated vertically. Reference image 3 is the teen-room environment sheet. Every panel set in the teen-room keeps this room's layout, furniture and palette. Reference image 4 is the RENDERING STYLE reference (a frame from the target film look). Match its rendering style exactly: eye and face proportions, hair clumping, skin shading, cloth materials, lighting, colour palette and level of detail, so every sheet in the set looks like one film. Copy none of its characters, props or setting. PANEL 1, left: Close-up on Ryan's wrist resting on a pillow, a chunky smartwatch with a plain glowing screen buzzing weakly, tiny motion lines vibrating around it. Beside it, Ryan's face stays slack and asleep, undisturbed, eyes shut, breathing steady, no reaction to the buzz. PANEL 2, centre: The matte black silicone wristband rests alone on a clean flat surface in soft morning light, front and center, filling the frame. Fine diagonal ribbing catches the light across its band, the flat top face glows with small white LED digits, buckle strap and pin holes visible beside it. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. PANEL 3, right: Close on the matte black band on Ryan's wrist resting against the pillow as motion lines pulse outward in three growing waves around it, LED digits glowing on its face; a warm ring of light travels up his arm to his face, his eyes slowly opening. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room, premium animated commercial storyboard. Keep Mom and Ryan recognizable and consistent across all panels.
Batch 5 gemini pass 0 failed attempt(s)

check
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"notes": "A boy wakes up, checks his fitness tracker, and gets out of bed as his mother enters the room.",
"pass": true
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Create a clear 16:9 cinematic pixar storyboard contact sheet for one video-generation batch. Use exactly THREE distinct landscape storyboard panels arranged in a single row of THREE landscape panels, read left to right, with clean gutters. Each panel is one consecutive visual shot. No captions, no labels, no readable text, no logos. ABSOLUTELY NO letters, numerals or symbols anywhere in any panel EXCEPT the small white LED digits on the black wristband, which always read 6:30 and run horizontally along the strap, upright, like a watch face: clocks and watches have blank faces or plain hands, phone and laptop screens are plain glowing rectangles, papers, envelopes, folders, books, posters, signs and boxes are blank. Numbers spoken in the narration are NOT drawn. Reference image 1 is character sheet. Preserve the exact faces, hairstyles, skin tones, proportions and outfits in every panel. Reference image 2 is the product reference. Reproduce the product EXACTLY as shown: same shape, colour, surface and markings, nothing added. Its small white LED digits read 6:30 wherever the face is visible, never any other time or symbol. The digits sit on the flat top face and run HORIZONTALLY along the length of the strap, upright and read left to right like a watch face, never stacked or rotated vertically. Reference image 3 is the dorm-room environment sheet. Every panel set in the dorm-room keeps this room's layout, furniture and palette. Reference image 4 is the teen-room environment sheet. Every panel set in the teen-room keeps this room's layout, furniture and palette. Reference image 5 is the RENDERING STYLE reference (a frame from the target film look). Match its rendering style exactly: eye and face proportions, hair clumping, skin shading, cloth materials, lighting, colour palette and level of detail, so every sheet in the set looks like one film. Copy none of its characters, props or setting. PANEL 1, left: Close on Ryan's hands at a desk, thumb pressing the flat rectangular top face of a matte black ribbed silicone band, small white LED digits lighting up. His phone lies face down and dark on the far side of the desk under warm evening lamp light. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. PANEL 2, centre: Ryan lies in bed, buckling a thin silicone band around his wrist, the strap bending softly under his fingers. He lowers the wrist onto his pillow and pulls a blanket up over himself. Room lights are low. His eyes are already drifting closed, unbothered by the band. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. PANEL 3, right: Low, floor-level angle: Ryan's bare feet land on the rug beside the bed, the black wristband visible on his wrist, movement quick and alert. Through the open doorway behind him, Mom is only halfway down the hallway, coffee mug in hand, still catching up, a step behind. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room, premium animated commercial storyboard. Keep Mom and Ryan recognizable and consistent across all panels.
Batch 7 gemini pass 0 failed attempt(s)

check
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"notes": "Single panel showing a wristband with time 6:30. No other text or characters are present.",
"pass": true
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Create a clear 16:9 cinematic pixar storyboard contact sheet for one video-generation batch. Use exactly ONE full-frame landscape storyboard panel. It is one single consecutive visual shot. No captions, no labels, no readable text, no logos. ABSOLUTELY NO letters, numerals or symbols anywhere in any panel EXCEPT the small white LED digits on the black wristband, which always read 6:30 and run horizontally along the strap, upright, like a watch face: clocks and watches have blank faces or plain hands, phone and laptop screens are plain glowing rectangles, papers, envelopes, folders, books, posters, signs and boxes are blank. Numbers spoken in the narration are NOT drawn. Reference image 1 is character sheet. Preserve the exact faces, hairstyles, skin tones, proportions and outfits in every panel. Reference image 2 is the product reference. Reproduce the product EXACTLY as shown: same shape, colour, surface and markings, nothing added. Its small white LED digits read 6:30 wherever the face is visible, never any other time or symbol. The digits sit on the flat top face and run HORIZONTALLY along the length of the strap, upright and read left to right like a watch face, never stacked or rotated vertically. Reference image 3 is the RENDERING STYLE reference (a frame from the target film look). Match its rendering style exactly: eye and face proportions, hair clumping, skin shading, cloth materials, lighting, colour palette and level of detail, so every sheet in the set looks like one film. Copy none of its characters, props or setting. PANEL 1: The matte black silicone wristband rests alone on a clean warm surface in soft morning light, fine diagonal ribbing visible along its length, buckle strap curled beside it, small white LED time digits glowing steadily on the flat rectangular top face. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room, premium animated commercial storyboard. Keep Mom and Ryan recognizable and consistent across all panels.
| no slices yet |
no generations yet
not assembled yet
state.json
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"updated": "2026-09-17 04:41:40"
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"notes": "A woman and boy in various scenes, showing interaction and emotion, from kitchen to bedroom.",
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"notes": "A boy is sleeping, disturbed by multiple ringing phones. A woman tries to wake him in different rooms.",
"pass": true
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"notes": "A boy sleeps, a wristband shows time, then the boy wakes up to the wristband's alarm.",
"pass": true
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"notes": "A boy wakes up, checks his fitness tracker, and gets out of bed as his mother enters the room.",
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"6": {
"verdict": {
"panel_count": 4,
"readable_text": false,
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"notes": "A boy is shown in a classroom and bedroom, interacting with a woman in one scene.",
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}gen/receipts.json
{}