vostoryboardcanvasslicesgenassemblestoryboard approved
s3-college — sleeps-through-$35k hook · style pixar · cast Mom (early 40s) and Ryan (16); one family across S1-S4
pack /Users/ayden/.openclaw/workspace/output/concept-packs/dawnbands-dont-buy-this-s3-college-2026-09-17.md · run /Users/ayden/.openclaw/workspace/output/cartoon-h3/dawnbands-dont-buy-this-s3-college-2026-09-17
updated 2026-09-17 04:33:01
pack /Users/ayden/.openclaw/workspace/output/concept-packs/dawnbands-dont-buy-this-s3-college-2026-09-17.md · run /Users/ayden/.openclaw/workspace/output/cartoon-h3/dawnbands-dont-buy-this-s3-college-2026-09-17
updated 2026-09-17 04:33:01
28 lines · 342 words · shared body from line 7
| # | VO line | role | scene intent |
|---|---|---|---|
| 1 | How your teen sleeps through thirty-five thousand dollars. | narrator | Dorm-room, bright late morning: Ryan, 16, asleep in a narrow dorm bed, sunlight across his face, a phone buzzing on the floor, a stack of blank textbooks on the desk. |
| 2 | They start by sleeping through one 8 a.m. lecture. | narrator | Lecture-hall, 8 a.m.: rows of students, one empty seat in the middle of a row. Cut to the dorm-room: Ryan still asleep, blanket over his head. |
| 3 | Then they miss a quiz. Then they sleep through midterms. | narrator | Two quick cuts: a blank quiz paper on a lecture-hall desk with no one in the seat; then the lecture-hall full and silent during an exam, the same seat empty, the wall clock face blank. |
| 4 | Before the semester is even over, they've failed their classes and that tuition is gone. | narrator | Kitchen at home, grey November light: Mom, early 40s, at the table with a blank letter in her hands, Ryan in the doorway with his duffel bag, both quiet. |
| 5 | Not because they don't care about their future. | narrator | Dorm-room desk at night: Ryan awake, hoodie on, laptop glowing with a plain screen, notes stacked, chewing a pen, working. He cares. |
| 6 | It's just that right now, the only alarm that has ever worked on them is you. | narrator | Teen-room at home, dawn: Mom's hand on Ryan's shoulder and his eyes crack open; the phone alarm on the nightstand flashing with nobody reacting. She is the only alarm that has ever worked. |
| 7 | Here is what sleep scientists discovered is actually happening: | narrator · shared | Close on sleeping Ryan's face on the pillow at night, eyes moving under the lids. Camera slowly pushes in. Soft moonlight, calm, a hint of the transparent-head cross-section beginning to glow. |
| 8 | While developing, a teenager's brain actively filters out repetitive sounds to protect their sleep. | narrator · shared | Cross-section view: the inside of Ryan's head shown as if transparent, a soft glowing brain pulsing slow and warm; faint sound ripples arrive at the ear and a soft shield of light dims them before they reach the brain. No words, no labels. |
| 9 | When morning alarms go off, their brain just treats it as background noise. | narrator · shared | Morning. The phone alarm on the nightstand rattles and flashes, sound-wave ripples spreading across the teen-room. They reach Ryan's ear and dissolve into faint grey dust. He does not stir, blanket to his chin. |
| 10 | But direct physical touch bypasses that filter entirely. | narrator · shared | A hand enters frame from the right and rests on Ryan's shoulder. A warm ring of light spreads from the touch across his shoulder and neck and straight up into the glowing brain. His eyebrows twitch for the first time. |
| 11 | That's why six phone alarms fail, but the second your hand touches them, they move. | narrator · shared | Wide teen-room: six phone alarms lined up on the nightstand and desk all flashing and rattling, Ryan asleep through it. Mom, early 40s, leans in and touches his shoulder; his eyes crack open and he groans. |
| 12 | The problem is that you aren't going to be in their dorm room. | narrator · shared | Dorm-room, early morning: Ryan asleep in the narrow dorm bed, the door standing open onto an empty corridor of plain walls and closed doors. Nobody is coming. Mom is not in this frame. |
| 13 | And shaking them awake just shocks their body, leaving them exhausted before the day even starts. | narrator · shared | Teen-room: Mom shakes Ryan by both shoulders. He jolts upright, hair wild, eyes unfocused, then slumps hunched on the edge of the bed rubbing his face, a foggy grey haze drawn around his head. |
| 14 | If you're thinking a smartwatch or Fitbit could help, their tiny vibrations were designed for notifications, not for waking a heavy sleeper. | narrator · shared | Close on Ryan's wrist on the pillow wearing a chunky smartwatch with a plain glowing screen, buzzing weakly with tiny motion lines. His face beside it stays asleep. Mom's skeptical face in the doorway behind. |
| 15 | Which is why thousands of parents have switched their teens to DawnBands. | narrator (product reveal) · product · shared | Hero reveal: the band alone on a clean surface in soft morning light, front and center, filling the frame: matte black silicone wristband, fine diagonal ribbing, flat top face with small white LED digits, buckle strap. Nothing else in frame. |
| 16 | It's engineered specifically for heavy sleepers, using a gradual physical pulse that wakes their body naturally. | narrator (product) · product · shared | Dawn light. Close on the band on Ryan's sleeping wrist on the pillow: soft motion lines around the band grow bigger and denser in three steps, LED digits lit, the wrist twitches, his fingers curl, his face starts to frown awake. |
| 17 | You set the alarm directly on the band. | narrator (product) · product · shared | Close on Ryan's own hands holding the band at his desk in the teen-room, thumb pressing the flat top face; the small white LED digits light up. Evening lamp light. Mom not in frame. |
| 18 | No phones or distracting apps. | narrator (product) · product · shared | Ryan's phone lies face down on the desk, dark and ignored. Beside it the band sits with its LED digits glowing. Ryan's hand slides the phone further away. |
| 19 | And because it weighs less than a watch, most teens forget they're even wearing it. | narrator (product) · shared | Close on Ryan buckling the thin band around his wrist, the silicone strap bending softly, pin sliding into a hole. He rests the wrist on the pillow and settles under the blanket, lights low, not looking at it. |
| 20 | By Day 7, you stop dragging them out of bed. | narrator · product · shared | Mom in the hallway walking toward Ryan's door with her coffee, unhurried. Inside, through the open door, Ryan is already sitting up on the bed, the band on his wrist, rubbing his eyes. |
| 21 | The band pulses on their wrist, and they're up before you reach their door. | narrator (product) · product · shared | Low camera at floor level: Ryan's bare feet land on the rug beside the bed, the band visible on his wrist. Behind them, through the doorway, Mom is only halfway down the hallway, coffee in hand. |
| 22 | By Day 14, you don't even check their room. | narrator · shared | Mom in the kitchen at the counter making lunch, relaxed shoulders, back to the hallway. Ryan's door down the hall stands open and empty, bed already rumpled. |
| 23 | They're dressed and on their own schedule before you've called their name. | narrator · shared | Ryan walks into the kitchen fully dressed, hoodie and backpack, band on his wrist, grabbing toast. Mom turns from the counter, surprised and smiling. |
| 24 | By Day 30, this is just how mornings work now. | narrator · shared | Bright ordinary morning: the kitchen table with two plates, sunlight, Mom pouring coffee, Ryan sliding into his chair with wet hair, both relaxed. The wall clock has a blank face. |
| 25 | They set their own alarm before bed. | narrator (product) · product · shared | Night in the teen-room: Ryan in bed pressing the flat face of the band on his own wrist, LED digits lighting, then switching off the lamp. Mom is nowhere in frame. |
| 26 | And come move-in day, they're sitting in that first 8 a.m. lecture on time, all on their own. | narrator (product) · product · shared | Lecture-hall, 8 a.m., bright: Ryan awake and alert in a middle seat with his notebook open, the band on his wrist on the desk, the professor at the front, other students settling in. Nobody called him. |
| 27 | You can keep waking them until they move out, or try DawnBands risk-free for 60 nights. | narrator (CTA) · product · shared | Split feeling in one cut: the old morning, grey light, Mom at Ryan's bedside shaking his shoulder; then the dorm-room at dawn, Ryan awake and sitting up on his own with the band on his wrist, LED digits lit, sunlight. |
| 28 | They sell out often, so if you see it in stock, grab yours now. | narrator (CTA) · product · shared | Final hero: the band alone, front and center on a clean warm surface, matte black silicone, ribbing, LED digits lit, buckle strap curled. Soft morning light. No text, no logos. |
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}| line | time | dur | text |
|---|---|---|---|
| 1 | 0:00.04 – 0:02.37 | 2.33s | How your teen sleeps through thirty-five thousand dollars. |
| 2 | 0:02.64 – 0:04.97 | 2.33s | They start by sleeping through one 8 a.m. lecture. |
| 3 | 0:05.24 – 0:07.78 | 2.54s | Then they miss a quiz. Then they sleep through midterms. |
| 4 | 0:08.05 – 0:11.90 | 3.86s | Before the semester is even over, they've failed their classes and that tuition is gone. |
| 5 | 0:12.17 – 0:13.93 | 1.75s | Not because they don't care about their future. |
| 6 | 0:14.18 – 0:17.95 | 3.77s | It's just that right now, the only alarm that has ever worked on them is you. |
| 7 | 0:18.34 – 0:20.92 | 2.58s | Here is what sleep scientists discovered is actually happening: |
| 8 | 0:21.17 – 0:25.42 | 4.25s | While developing, a teenager's brain actively filters out repetitive sounds to protect their sleep. |
| 9 | 0:25.68 – 0:28.84 | 3.17s | When morning alarms go off, their brain just treats it as background noise. |
| 10 | 0:29.10 – 0:31.91 | 2.81s | But direct physical touch bypasses that filter entirely. |
| 11 | 0:32.18 – 0:36.31 | 4.13s | That's why six phone alarms fail, but the second your hand touches them, they move. |
| 12 | 0:36.58 – 0:38.67 | 2.09s | The problem is that you aren't going to be in their dorm room. |
| 13 | 0:38.92 – 0:43.59 | 4.67s | And shaking them awake just shocks their body, leaving them exhausted before the day even starts. |
| 14 | 0:43.81 – 0:50.46 | 6.65s | If you're thinking a smartwatch or Fitbit could help, their tiny vibrations were designed for notifications, not for waking a heavy sleeper. |
| 15 | 0:50.73 – 0:53.73 | 3.00s | Which is why thousands of parents have switched their teens to DawnBands. |
| 16 | 0:53.99 – 0:58.94 | 4.95s | It's engineered specifically for heavy sleepers, using a gradual physical pulse that wakes their body naturally. |
| 17 | 0:59.21 – 1:00.68 | 1.48s | You set the alarm directly on the band. |
| 18 | 1:00.94 – 1:02.41 | 1.47s | No phones or distracting apps. |
| 19 | 1:02.62 – 1:06.14 | 3.52s | And because it weighs less than a watch, most teens forget they're even wearing it. |
| 20 | 1:06.41 – 1:08.22 | 1.81s | By Day 7, you stop dragging them out of bed. |
| 21 | 1:08.49 – 1:11.88 | 3.39s | The band pulses on their wrist, and they're up before you reach their door. |
| 22 | 1:12.12 – 1:14.10 | 1.97s | By Day 14, you don't even check their room. |
| 23 | 1:14.37 – 1:16.89 | 2.52s | They're dressed and on their own schedule before you've called their name. |
| 24 | 1:17.14 – 1:19.05 | 1.90s | By Day 30, this is just how mornings work now. |
| 25 | 1:19.31 – 1:20.73 | 1.42s | They set their own alarm before bed. |
| 26 | 1:20.98 – 1:25.25 | 4.26s | And come move-in day, they're sitting in that first 8 a.m. lecture on time, all on their own. |
| 27 | 1:25.51 – 1:29.35 | 3.84s | You can keep waking them until they move out, or try DawnBands risk-free for 60 nights. |
| 28 | 1:29.62 – 1:33.22 | 3.60s | They sell out often, so if you see it in stock, grab yours now. |
VO 93.443s · 31 beats · 9 batches (7 shared-body) · gate: APPROVED — approve with touch /Users/ayden/.openclaw/workspace/output/cartoon-h3/dawnbands-dont-buy-this-s3-college-2026-09-17/storyboard.approved
Batch 1 0:00.04–0:07.78 · span 7.744s → gen 8s · 4 panels · hook
| beat | time | VO | panel |
|---|---|---|---|
| 1 | 0:00.04–0:02.37 2.33s | How your teen sleeps through thirty-five thousand dollars. | Ryan, 16, lies asleep in a narrow dorm bed, sunlight crossing his face. His phone buzzes on the floor beside the bed. A stack of blank textbooks sits untouched on the desk behind him. His expression is slack, undisturbed, peaceful. in: hard cut · env: dorm-room |
| 2 | 0:02.64–0:04.97 2.33s | They start by sleeping through one 8 a.m. lecture. | Ryan lies motionless in his dorm-room bed, blanket pulled completely over his head, just a still lump under the covers. Morning light cuts through a gap in the curtains onto the cluttered floor. The room stays silent and unmoving, no clock, no alarm, no sign he knows it's 8 a.m. in: hard cut · env: dorm-room |
| 3 | 0:05.24–0:06.25 1.01s | Then they miss a quiz. | A blank quiz paper lies untouched on a lecture-hall desk, a sharpened pencil resting beside it. The desk's chair is empty, pushed in, no bag or jacket nearby. The room sits still and quiet, an unsettling emptiness where a student should be. in: hard cut · env: lecture-hall |
| 4 | 0:06.40–0:07.78 1.38s | Then they sleep through midterms. | The lecture hall is packed and dead silent, rows of students hunched over exam papers, pencils scratching. One seat near the front sits empty, its desk bare. The wall clock above the door shows a blank, featureless face, the stillness heavy and tense. in: hard cut to a wide shot of the full, silent lecture hall · env: lecture-hall |
Batch 2 0:08.05–0:17.95 · span 9.904s → gen 10s · 3 panels · hook
| beat | time | VO | panel |
|---|---|---|---|
| 5 | 0:08.05–0:11.90 3.86s | Before the semester is even over, they've failed their classes and that tuition is gone. | Mom sits at the kitchen table under flat grey window light, staring down at a blank letter held loosely in both hands. Ryan stands frozen in the doorway, duffel bag slung over one shoulder, eyes lowered. Neither moves; the silence between them reads as quiet defeat. in: hard cut · env: kitchen |
| 6 | 0:12.17–0:13.93 1.75s | Not because they don't care about their future. | Ryan hunches at his dorm desk at night, hoodie up, laptop glow lighting his face, notes stacked beside him. He chews a pen, eyes fixed on the screen, jaw set, working through something hard. in: hard cut · env: dorm-room |
| 7 | 0:14.18–0:17.95 3.77s | It's just that right now, the only alarm that has ever worked on them is you. | In dim dawn light, Mom's hand rests on Ryan's shoulder as his eyes crack open beneath the blanket. On the nightstand behind them the phone alarm flashes silently, unanswered. Ryan's groggy face turns toward his mother's touch, ignoring the ringing screen entirely. in: hard cut · env: teen-room |
Batch 3 0:18.34–0:31.91 · span 13.565s → gen 14s · 4 panels · SHARED body #1
| beat | time | VO | panel |
|---|---|---|---|
| 8 | 0:18.34–0:20.92 2.58s | Here is what sleep scientists discovered is actually happening: | Ryan lies asleep on his pillow at night, eyes flicking rapidly beneath closed lids. The camera slowly pushes in on his calm, relaxed face, soft moonlight washing over his skin as a faint glow begins to outline a transparent cross-section within his head. in: hard cut · env: — |
| 9 | 0:21.17–0:25.42 4.25s | While developing, a teenager's brain actively filters out repetitive sounds to protect their sleep. | Cross-section view inside Ryan's head, skull rendered transparent, revealing a soft glowing brain pulsing slowly and warmly. Faint sound ripples travel toward his ear, meeting a translucent shield of light that dims them before they reach the brain, calm and undisturbed. in: hard cut · env: — |
| 10 | 0:25.68–0:28.84 3.17s | When morning alarms go off, their brain just treats it as background noise. | Ryan lies in bed under a blanket pulled to his chin, eyes shut, unmoving. On the nightstand his phone alarm rattles and flashes, sending grey sound-wave ripples rolling across the teen-room. The ripples reach his ear and dissolve into faint dust. His face stays slack, no reaction. in: hard cut · env: teen-room |
| 11 | 0:29.10–0:31.91 2.81s | But direct physical touch bypasses that filter entirely. | A hand enters from frame right and settles on Ryan's shoulder. Warm light rings outward from the touch, tracing up his neck into his glowing brain. His eyebrows twitch, the first flicker of expression crossing his face. in: hard cut · env: — |
Batch 4 0:32.18–0:43.59 · span 11.411s → gen 12s · 3 panels · SHARED body #2
| beat | time | VO | panel |
|---|---|---|---|
| 12 | 0:32.18–0:36.31 4.13s | That's why six phone alarms fail, but the second your hand touches them, they move. | Wide teen-room: six phone alarms lined up on the nightstand and desk, all flashing and rattling. Ryan lies asleep in bed, undisturbed. Mom, early 40s, leans over and touches his shoulder. His eyes crack open, face groggy and annoyed, and he groans. in: hard cut · env: teen-room |
| 13 | 0:36.58–0:38.67 2.09s | The problem is that you aren't going to be in their dorm room. | Ryan lies asleep in a narrow dorm bed, blankets tangled, early morning light dim across the room. The door stands open onto an empty hallway lined with plain walls and closed doors. No one approaches; the corridor stays silent and still, empty. in: hard cut · env: dorm-room |
| 14 | 0:38.92–0:43.59 4.67s | And shaking them awake just shocks their body, leaving them exhausted before the day even starts. | Mom grips Ryan's shoulders and shakes him. He jolts upright in bed, hair wild, eyes unfocused and dazed. He slumps forward on the edge of the bed, rubbing his face with both hands, a foggy grey haze hanging around his head. in: hard cut · env: teen-room |
Batch 5 0:43.81–0:53.73 · span 9.917s → gen 10s · 3 panels · SHARED body #3 · reveal
| beat | time | VO | panel |
|---|---|---|---|
| 15 | 0:43.81–0:46.03 2.22s | If you're thinking a smartwatch or Fitbit could help, | Close on Ryan's wrist resting on the pillow, a chunky smartwatch with a plain glowing screen buzzing weakly, tiny motion lines rippling off its face. Ryan's face lies beside it, eyes shut, breathing slow, completely undisturbed by the vibration. in: hard cut · env: teen-room |
| 16 | 0:46.09–0:50.46 4.38s | their tiny vibrations were designed for notifications, not for waking a heavy sleeper. | The smartwatch keeps buzzing weakly on the pillow beside Ryan's motionless wrist as he stays deeply asleep. In the doorway behind him, Mom stands watching with a skeptical, unimpressed expression on her face. in: camera pulls back to reveal Mom in the doorway · env: teen-room |
| 17 | 0:50.73–0:53.73 3.00s | Which is why thousands of parents have switched their teens to DawnBands. | A matte black silicone wristband rests alone on a clean, bare surface, front and center, filling the frame. Soft morning light rakes across fine diagonal ribbing, a flat rectangular top face with small white LED digits, and a buckle strap with a row of pin holes. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. in: hard cut · env: — · product |
Batch 6 0:53.99–1:06.14 · span 12.144s → gen 13s · 4 panels · SHARED body #4
| beat | time | VO | panel |
|---|---|---|---|
| 18 | 0:53.99–0:58.94 4.95s | It's engineered specifically for heavy sleepers, using a gradual physical pulse that wakes their body naturally. | Close on Ryan's sleeping wrist resting on a pillow in dawn light. The black silicone band's soft motion lines pulse outward in three growing waves, LED digits glowing on its face. His wrist twitches, fingers curl, and his forehead creases into a waking frown. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. in: hard cut · env: dorm-room · product |
| 19 | 0:59.21–1:00.68 1.48s | You set the alarm directly on the band. | Ryan's hands hold the black wristband steady on his desk, thumb pressing down on the flat top face. Small white LED digits flicker on and glow across the band's surface. Warm evening lamp light spills over the desk in the dim room. His hands stay still, focused and deliberate. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. in: hard cut · env: teen-room · product |
| 20 | 1:00.94–1:02.41 1.47s | No phones or distracting apps. | A phone lies face down and dark on a wooden desk, ignored. Beside it, a black silicone wristband sits with its flat rectangular face glowing small white LED digits. A hand slides the phone further away across the desk, expression calm and unbothered. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. in: hard cut · env: — · product |
| 21 | 1:02.62–1:06.14 3.52s | And because it weighs less than a watch, most teens forget they're even wearing it. | Ryan sits on his bed in low light, buckling the thin silicone band around his wrist, the strap bending softly as the pin slides into a hole. He rests his wrist on the pillow and pulls the blanket up, eyes drifting shut, not looking at the band on his wrist. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. in: hard cut · env: dorm-room |
Batch 7 1:06.41–1:16.89 · span 10.483s → gen 11s · 4 panels · SHARED body #5
| beat | time | VO | panel |
|---|---|---|---|
| 22 | 1:06.41–1:08.22 1.81s | By Day 7, you stop dragging them out of bed. | Mom walks down the hallway at an easy pace, coffee mug in hand, unhurried. Through Ryan's open bedroom door beyond her, he is already sitting up on the bed, wristband on his arm, rubbing his eyes awake on his own, calm. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. in: hard cut · env: hallway · product |
| 23 | 1:08.49–1:11.88 3.39s | The band pulses on their wrist, and they're up before you reach their door. | Low-angle shot: Ryan's bare feet land on the bedroom rug beside the bed, the matte black band pulsing faintly on their wrist. Through the open doorway behind them, Mom stands halfway down the hallway holding a coffee mug, alert, caught mid-step toward the room. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. in: hard cut · env: teen-room · product |
| 24 | 1:12.12–1:14.10 1.97s | By Day 14, you don't even check their room. | Mom stands at the kitchen counter making lunch, shoulders relaxed, back turned toward the hallway. Down the hall, Ryan's bedroom door stands open, the bed rumpled and empty. She keeps working calmly, unbothered, never turning her head toward the open doorway. in: hard cut · env: kitchen |
| 25 | 1:14.37–1:16.89 2.52s | They're dressed and on their own schedule before you've called their name. | Ryan strides into the kitchen already dressed in his hoodie, backpack slung over one shoulder, band visible on his wrist, grabbing a piece of toast off the counter without slowing down. Mom turns from the counter, eyebrows raised, a surprised smile spreading across her face. in: hard cut · env: kitchen |
Batch 8 1:17.14–1:25.25 · span 8.104s → gen 9s · 4 panels · SHARED body #6
| beat | time | VO | panel |
|---|---|---|---|
| 26 | 1:17.14–1:19.05 1.90s | By Day 30, this is just how mornings work now. | Mom pours coffee at the sunlit kitchen table set with two plates while Ryan slides into his chair, hair still wet. Both move easily, unhurried and at ease, sunlight spilling across the table, the blank-faced wall clock hanging quietly on the wall behind them. in: hard cut · env: kitchen |
| 27 | 1:19.31–1:20.73 1.42s | They set their own alarm before bed. | Ryan lies in bed, pressing the flat top face of the black silicone wristband on his own wrist as small white LED digits light up, then reaches over and switches off the bedside lamp, expression calm and focused, room dim and quiet. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. in: hard cut · env: teen-room · product |
| 28 | 1:20.98–1:23.46 2.47s | And come move-in day, they're sitting in that first 8 a.m. | Ryan sits alert in a middle row of the lecture hall, notebook open before him, the wristband resting flat on the desk. The professor arranges notes at the front while other students file in and drop into seats around him. Ryan looks calm, awake, and ready. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. in: hard cut · env: lecture-hall · product |
| 29 | 1:23.49–1:25.25 1.75s | lecture on time, all on their own. | Camera pushes in closer on Ryan as the professor begins speaking at the front of the hall. Ryan sits upright, pen poised over his open notebook, the wristband still beside him on the desk. Other students settle into their seats. His face shows quiet, self-assured focus. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. in: camera pushes in closer on Ryan as the lecture begins · env: lecture-hall · product |
Batch 9 1:25.51–1:33.22 · span 7.713s → gen 8s · 2 panels · SHARED body #7 · CTA
| beat | time | VO | panel |
|---|---|---|---|
| 30 | 1:25.51–1:29.35 3.84s | You can keep waking them until they move out, or try DawnBands risk-free for 60 nights. | Grey light: Mom leans over Ryan's bed, gripping his shoulder as he lies slack and unmoving. Hard cut to the dorm-room at dawn: Ryan sits up alone in sunlight, wristband glowing with small white LED digits, his face calm and awake. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. in: hard cut · env: dorm-room · product |
| 31 | 1:29.62–1:33.22 3.60s | They sell out often, so if you see it in stock, grab yours now. | A matte black silicone wristband rests alone on a clean warm-toned surface under soft morning light. Its fine diagonal ribbing catches the glow, the flat rectangular top face glows with small white LED digits, and the buckle strap curls loosely beside it, pin holes visible. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. in: hard cut · env: — · product |
storyboard.md (raw)
# dawnbands-dont-buy-this-s3-college-2026-09-17 — cartoon-h3 storyboard (Fish review BEFORE canvases) VO: 93.44s, 342 words, 3.66 wps · 31 beats · 9 batches (≤15s, ≤4 panels, reveal/CTA ≤3) Beat times come from the ElevenLabs word timings of the trimmed VO. A batch = one MiniMax H3 generation (canvas + hero refs + this batch's VO slice). Batch boundaries fall on pack-line ends only. ## Table storyboard | Beat | Scene | Start–End (s) | VO | Visual | Env | Transition-in | |---|---|---|---|---|---|---| | 1 | 1 | 0.04–2.37 (2.3) | How your teen sleeps through thirty-five thousand dollars. | Ryan, 16, lies asleep in a narrow dorm bed, sunlight crossing his face. His phone buzzes on the floor beside the bed. A stack of blank textbooks sits untouched on the desk behind him. His expression is slack, undisturbed, peaceful. | dorm-room | hard cut | | 2 | 2 | 2.64–4.97 (2.3) | They start by sleeping through one 8 a.m. lecture. | Ryan lies motionless in his dorm-room bed, blanket pulled completely over his head, just a still lump under the covers. Morning light cuts through a gap in the curtains onto the cluttered floor. The room stays silent and unmoving, no clock, no alarm, no sign he knows it's 8 a.m. | dorm-room | hard cut | | 3 | 3.1 | 5.24–6.25 (1.0) | Then they miss a quiz. | A blank quiz paper lies untouched on a lecture-hall desk, a sharpened pencil resting beside it. The desk's chair is empty, pushed in, no bag or jacket nearby. The room sits still and quiet, an unsettling emptiness where a student should be. | lecture-hall | hard cut | | 4 | 3.2 | 6.40–7.78 (1.4) | Then they sleep through midterms. | The lecture hall is packed and dead silent, rows of students hunched over exam papers, pencils scratching. One seat near the front sits empty, its desk bare. The wall clock above the door shows a blank, featureless face, the stillness heavy and tense. | lecture-hall | hard cut to a wide shot of the full, silent lecture hall | | 5 | 4 | 8.05–11.90 (3.9) | Before the semester is even over, they've failed their classes and that tuition is gone. | Mom sits at the kitchen table under flat grey window light, staring down at a blank letter held loosely in both hands. Ryan stands frozen in the doorway, duffel bag slung over one shoulder, eyes lowered. Neither moves; the silence between them reads as quiet defeat. | kitchen | hard cut | | 6 | 5 | 12.17–13.93 (1.8) | Not because they don't care about their future. | Ryan hunches at his dorm desk at night, hoodie up, laptop glow lighting his face, notes stacked beside him. He chews a pen, eyes fixed on the screen, jaw set, working through something hard. | dorm-room | hard cut | | 7 | 6 | 14.18–17.95 (3.8) | It's just that right now, the only alarm that has ever worked on them is you. | In dim dawn light, Mom's hand rests on Ryan's shoulder as his eyes crack open beneath the blanket. On the nightstand behind them the phone alarm flashes silently, unanswered. Ryan's groggy face turns toward his mother's touch, ignoring the ringing screen entirely. | teen-room | hard cut | | 8 | 7 | 18.34–20.92 (2.6) | Here is what sleep scientists discovered is actually happening: | Ryan lies asleep on his pillow at night, eyes flicking rapidly beneath closed lids. The camera slowly pushes in on his calm, relaxed face, soft moonlight washing over his skin as a faint glow begins to outline a transparent cross-section within his head. | | hard cut | | 9 | 8 | 21.17–25.42 (4.2) | While developing, a teenager's brain actively filters out repetitive sounds to protect their sleep. | Cross-section view inside Ryan's head, skull rendered transparent, revealing a soft glowing brain pulsing slowly and warmly. Faint sound ripples travel toward his ear, meeting a translucent shield of light that dims them before they reach the brain, calm and undisturbed. | | hard cut | | 10 | 9 | 25.68–28.84 (3.2) | When morning alarms go off, their brain just treats it as background noise. | Ryan lies in bed under a blanket pulled to his chin, eyes shut, unmoving. On the nightstand his phone alarm rattles and flashes, sending grey sound-wave ripples rolling across the teen-room. The ripples reach his ear and dissolve into faint dust. His face stays slack, no reaction. | teen-room | hard cut | | 11 | 10 | 29.10–31.91 (2.8) | But direct physical touch bypasses that filter entirely. | A hand enters from frame right and settles on Ryan's shoulder. Warm light rings outward from the touch, tracing up his neck into his glowing brain. His eyebrows twitch, the first flicker of expression crossing his face. | | hard cut | | 12 | 11 | 32.18–36.31 (4.1) | That's why six phone alarms fail, but the second your hand touches them, they move. | Wide teen-room: six phone alarms lined up on the nightstand and desk, all flashing and rattling. Ryan lies asleep in bed, undisturbed. Mom, early 40s, leans over and touches his shoulder. His eyes crack open, face groggy and annoyed, and he groans. | teen-room | hard cut | | 13 | 12 | 36.58–38.67 (2.1) | The problem is that you aren't going to be in their dorm room. | Ryan lies asleep in a narrow dorm bed, blankets tangled, early morning light dim across the room. The door stands open onto an empty hallway lined with plain walls and closed doors. No one approaches; the corridor stays silent and still, empty. | dorm-room | hard cut | | 14 | 13 | 38.92–43.59 (4.7) | And shaking them awake just shocks their body, leaving them exhausted before the day even starts. | Mom grips Ryan's shoulders and shakes him. He jolts upright in bed, hair wild, eyes unfocused and dazed. He slumps forward on the edge of the bed, rubbing his face with both hands, a foggy grey haze hanging around his head. | teen-room | hard cut | | 15 | 14.1 | 43.81–46.03 (2.2) | If you're thinking a smartwatch or Fitbit could help, | Close on Ryan's wrist resting on the pillow, a chunky smartwatch with a plain glowing screen buzzing weakly, tiny motion lines rippling off its face. Ryan's face lies beside it, eyes shut, breathing slow, completely undisturbed by the vibration. | teen-room | hard cut | | 16 | 14.2 | 46.09–50.46 (4.4) | their tiny vibrations were designed for notifications, not for waking a heavy sleeper. | The smartwatch keeps buzzing weakly on the pillow beside Ryan's motionless wrist as he stays deeply asleep. In the doorway behind him, Mom stands watching with a skeptical, unimpressed expression on her face. | teen-room | camera pulls back to reveal Mom in the doorway | | 17 | 15 | 50.73–53.73 (3.0) | Which is why thousands of parents have switched their teens to DawnBands. | A matte black silicone wristband rests alone on a clean, bare surface, front and center, filling the frame. Soft morning light rakes across fine diagonal ribbing, a flat rectangular top face with small white LED digits, and a buckle strap with a row of pin holes. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. | | hard cut | | 18 | 16 | 53.99–58.94 (4.9) | It's engineered specifically for heavy sleepers, using a gradual physical pulse that wakes their body naturally. | Close on Ryan's sleeping wrist resting on a pillow in dawn light. The black silicone band's soft motion lines pulse outward in three growing waves, LED digits glowing on its face. His wrist twitches, fingers curl, and his forehead creases into a waking frown. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. | dorm-room | hard cut | | 19 | 17 | 59.21–60.68 (1.5) | You set the alarm directly on the band. | Ryan's hands hold the black wristband steady on his desk, thumb pressing down on the flat top face. Small white LED digits flicker on and glow across the band's surface. Warm evening lamp light spills over the desk in the dim room. His hands stay still, focused and deliberate. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. | teen-room | hard cut | | 20 | 18 | 60.94–62.41 (1.5) | No phones or distracting apps. | A phone lies face down and dark on a wooden desk, ignored. Beside it, a black silicone wristband sits with its flat rectangular face glowing small white LED digits. A hand slides the phone further away across the desk, expression calm and unbothered. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. | | hard cut | | 21 | 19 | 62.62–66.14 (3.5) | And because it weighs less than a watch, most teens forget they're even wearing it. | Ryan sits on his bed in low light, buckling the thin silicone band around his wrist, the strap bending softly as the pin slides into a hole. He rests his wrist on the pillow and pulls the blanket up, eyes drifting shut, not looking at the band on his wrist. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. | dorm-room | hard cut | | 22 | 20 | 66.41–68.22 (1.8) | By Day 7, you stop dragging them out of bed. | Mom walks down the hallway at an easy pace, coffee mug in hand, unhurried. Through Ryan's open bedroom door beyond her, he is already sitting up on the bed, wristband on his arm, rubbing his eyes awake on his own, calm. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. | hallway | hard cut | | 23 | 21 | 68.49–71.88 (3.4) | The band pulses on their wrist, and they're up before you reach their door. | Low-angle shot: Ryan's bare feet land on the bedroom rug beside the bed, the matte black band pulsing faintly on their wrist. Through the open doorway behind them, Mom stands halfway down the hallway holding a coffee mug, alert, caught mid-step toward the room. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. | teen-room | hard cut | | 24 | 22 | 72.12–74.10 (2.0) | By Day 14, you don't even check their room. | Mom stands at the kitchen counter making lunch, shoulders relaxed, back turned toward the hallway. Down the hall, Ryan's bedroom door stands open, the bed rumpled and empty. She keeps working calmly, unbothered, never turning her head toward the open doorway. | kitchen | hard cut | | 25 | 23 | 74.37–76.89 (2.5) | They're dressed and on their own schedule before you've called their name. | Ryan strides into the kitchen already dressed in his hoodie, backpack slung over one shoulder, band visible on his wrist, grabbing a piece of toast off the counter without slowing down. Mom turns from the counter, eyebrows raised, a surprised smile spreading across her face. | kitchen | hard cut | | 26 | 24 | 77.14–79.05 (1.9) | By Day 30, this is just how mornings work now. | Mom pours coffee at the sunlit kitchen table set with two plates while Ryan slides into his chair, hair still wet. Both move easily, unhurried and at ease, sunlight spilling across the table, the blank-faced wall clock hanging quietly on the wall behind them. | kitchen | hard cut | | 27 | 25 | 79.31–80.73 (1.4) | They set their own alarm before bed. | Ryan lies in bed, pressing the flat top face of the black silicone wristband on his own wrist as small white LED digits light up, then reaches over and switches off the bedside lamp, expression calm and focused, room dim and quiet. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. | teen-room | hard cut | | 28 | 26.1 | 80.98–83.46 (2.5) | And come move-in day, they're sitting in that first 8 a.m. | Ryan sits alert in a middle row of the lecture hall, notebook open before him, the wristband resting flat on the desk. The professor arranges notes at the front while other students file in and drop into seats around him. Ryan looks calm, awake, and ready. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. | lecture-hall | hard cut | | 29 | 26.2 | 83.49–85.25 (1.8) | lecture on time, all on their own. | Camera pushes in closer on Ryan as the professor begins speaking at the front of the hall. Ryan sits upright, pen poised over his open notebook, the wristband still beside him on the desk. Other students settle into their seats. His face shows quiet, self-assured focus. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. | lecture-hall | camera pushes in closer on Ryan as the lecture begins | | 30 | 27 | 85.51–89.35 (3.8) | You can keep waking them until they move out, or try DawnBands risk-free for 60 nights. | Grey light: Mom leans over Ryan's bed, gripping his shoulder as he lies slack and unmoving. Hard cut to the dorm-room at dawn: Ryan sits up alone in sunlight, wristband glowing with small white LED digits, his face calm and awake. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. | dorm-room | hard cut | | 31 | 28 | 89.62–93.22 (3.6) | They sell out often, so if you see it in stock, grab yours now. | A matte black silicone wristband rests alone on a clean warm-toned surface under soft morning light. Its fine diagonal ribbing catches the glow, the flat rectangular top face glows with small white LED digits, and the buckle strap curls loosely beside it, pin holes visible. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. | | hard cut | ## Batches - **Batch 1**: beats 1–4 · 0.04–7.78s (7.7s) · 8s generation · 4 panel(s) · ends on "…sleep through midterms." - **Batch 2**: beats 5–7 · 8.05–17.95s (9.9s) · 10s generation · 3 panel(s) · ends on "…them is you." - **Batch 3**: beats 8–11 · 18.34–31.91s (13.6s) · 14s generation · 4 panel(s) · ends on "…that filter entirely." - **Batch 4**: beats 12–14 · 32.18–43.59s (11.4s) · 12s generation · 3 panel(s) · ends on "…day even starts." - **Batch 5**: beats 15–17 · 43.81–53.73s (9.9s) · 10s generation · 3 panel(s) · ends on "…teens to DawnBands." REVEAL product - **Batch 6**: beats 18–21 · 53.99–66.14s (12.1s) · 13s generation · 4 panel(s) · ends on "…even wearing it." product - **Batch 7**: beats 22–25 · 66.41–76.89s (10.5s) · 11s generation · 4 panel(s) · ends on "…called their name." product - **Batch 8**: beats 26–29 · 77.14–85.25s (8.1s) · 9s generation · 4 panel(s) · ends on "…on their own." product - **Batch 9**: beats 30–31 · 85.51–93.22s (7.7s) · 8s generation · 2 panel(s) · ends on "…grab yours now." CTA product
Batch 1 gemini pass 0 failed attempt(s)

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{
"panel_count": 4,
"readable_text": false,
"split_screen_panel": false,
"same_character_all_panels": false,
"notes": "A boy wakes up, leaves his messy room, and attends a class with many other students.",
"pass": true
}prompt
Create a clear 16:9 cinematic pixar storyboard contact sheet for one video-generation batch. Use exactly FOUR distinct landscape storyboard panels arranged in a clean 2-by-2 grid, read left to right across the top row and then left to right across the bottom row, with clean gutters. Each panel is one consecutive visual shot. No captions, no labels, no readable text, no logos. ABSOLUTELY NO letters, numerals or symbols anywhere in any panel: clocks and watches have blank faces or plain hands, phone and laptop screens are plain glowing rectangles, papers, envelopes, folders, books, posters, signs and boxes are blank. Numbers spoken in the narration are NOT drawn. Reference image 1 is character sheet. Preserve the exact faces, hairstyles, skin tones, proportions and outfits in every panel. Reference image 2 is the dorm-room environment sheet. Every panel set in the dorm-room keeps this room's layout, furniture and palette. Reference image 3 is the lecture-hall environment sheet. Every panel set in the lecture-hall keeps this room's layout, furniture and palette. Reference image 4 is the RENDERING STYLE reference (a frame from the target film look). Match its rendering style exactly: eye and face proportions, hair clumping, skin shading, cloth materials, lighting, colour palette and level of detail, so every sheet in the set looks like one film. Copy none of its characters, props or setting. PANEL 1, top left: Ryan, 16, lies asleep in a narrow dorm bed, sunlight crossing his face. His phone buzzes on the floor beside the bed. A stack of blank textbooks sits untouched on the desk behind him. His expression is slack, undisturbed, peaceful. PANEL 2, top right: Ryan lies motionless in his dorm-room bed, blanket pulled completely over his head, just a still lump under the covers. Morning light cuts through a gap in the curtains onto the cluttered floor. The room stays silent and unmoving, no clock, no alarm, no sign he knows it's 8 a.m. PANEL 3, bottom left: A blank quiz paper lies untouched on a lecture-hall desk, a sharpened pencil resting beside it. The desk's chair is empty, pushed in, no bag or jacket nearby. The room sits still and quiet, an unsettling emptiness where a student should be. PANEL 4, bottom right: The lecture hall is packed and dead silent, rows of students hunched over exam papers, pencils scratching. One seat near the front sits empty, its desk bare. The wall clock above the door shows a blank, featureless face, the stillness heavy and tense. Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room, premium animated commercial storyboard. Keep Mom and Ryan recognizable and consistent across all panels.
Batch 2 gemini pass 0 failed attempt(s)

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{
"panel_count": 3,
"readable_text": false,
"split_screen_panel": false,
"same_character_all_panels": false,
"notes": "A boy and woman in various scenes: kitchen, studying, and bedside.",
"pass": true
}prompt
Create a clear 16:9 cinematic pixar storyboard contact sheet for one video-generation batch. Use exactly THREE distinct landscape storyboard panels arranged in a single row of THREE landscape panels, read left to right, with clean gutters. Each panel is one consecutive visual shot. No captions, no labels, no readable text, no logos. ABSOLUTELY NO letters, numerals or symbols anywhere in any panel: clocks and watches have blank faces or plain hands, phone and laptop screens are plain glowing rectangles, papers, envelopes, folders, books, posters, signs and boxes are blank. Numbers spoken in the narration are NOT drawn. Reference image 1 is character sheet. Preserve the exact faces, hairstyles, skin tones, proportions and outfits in every panel. Reference image 2 is the kitchen environment sheet. Every panel set in the kitchen keeps this room's layout, furniture and palette. Reference image 3 is the dorm-room environment sheet. Every panel set in the dorm-room keeps this room's layout, furniture and palette. Reference image 4 is the teen-room environment sheet. Every panel set in the teen-room keeps this room's layout, furniture and palette. Reference image 5 is the RENDERING STYLE reference (a frame from the target film look). Match its rendering style exactly: eye and face proportions, hair clumping, skin shading, cloth materials, lighting, colour palette and level of detail, so every sheet in the set looks like one film. Copy none of its characters, props or setting. PANEL 1, left: Mom sits at the kitchen table under flat grey window light, staring down at a blank letter held loosely in both hands. Ryan stands frozen in the doorway, duffel bag slung over one shoulder, eyes lowered. Neither moves; the silence between them reads as quiet defeat. PANEL 2, centre: Ryan hunches at his dorm desk at night, hoodie up, laptop glow lighting his face, notes stacked beside him. He chews a pen, eyes fixed on the screen, jaw set, working through something hard. PANEL 3, right: In dim dawn light, Mom's hand rests on Ryan's shoulder as his eyes crack open beneath the blanket. On the nightstand behind them the phone alarm flashes silently, unanswered. Ryan's groggy face turns toward his mother's touch, ignoring the ringing screen entirely. Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room, premium animated commercial storyboard. Keep Mom and Ryan recognizable and consistent across all panels.
Batch 3 unchecked 0 failed attempt(s)

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{}prompt
Create a clear 16:9 cinematic pixar storyboard contact sheet for one video-generation batch. Use exactly FOUR distinct landscape storyboard panels arranged in a clean 2-by-2 grid, read left to right across the top row and then left to right across the bottom row, with clean gutters. Each panel is one consecutive visual shot. No captions, no labels, no readable text, no logos. ABSOLUTELY NO letters, numerals or symbols anywhere in any panel: clocks and watches have blank faces or plain hands, phone and laptop screens are plain glowing rectangles, papers, envelopes, folders, books, posters, signs and boxes are blank. Numbers spoken in the narration are NOT drawn. Reference image 1 is character sheet. Preserve the exact faces, hairstyles, skin tones, proportions and outfits in every panel. Reference image 2 is the teen-room environment sheet. Every panel set in the teen-room keeps this room's layout, furniture and palette. Reference image 3 is the RENDERING STYLE reference (a frame from the target film look). Match its rendering style exactly: eye and face proportions, hair clumping, skin shading, cloth materials, lighting, colour palette and level of detail, so every sheet in the set looks like one film. Copy none of its characters, props or setting. PANEL 1, top left: Ryan lies asleep on his pillow at night, eyes flicking rapidly beneath closed lids. The camera slowly pushes in on his calm, relaxed face, soft moonlight washing over his skin as a faint glow begins to outline a transparent cross-section within his head. PANEL 2, top right: Cross-section view inside Ryan's head, skull rendered transparent, revealing a soft glowing brain pulsing slowly and warmly. Faint sound ripples travel toward his ear, meeting a translucent shield of light that dims them before they reach the brain, calm and undisturbed. PANEL 3, bottom left: Ryan lies in bed under a blanket pulled to his chin, eyes shut, unmoving. On the nightstand his phone alarm rattles and flashes, sending grey sound-wave ripples rolling across the teen-room. The ripples reach his ear and dissolve into faint dust. His face stays slack, no reaction. PANEL 4, bottom right: A hand enters from frame right and settles on Ryan's shoulder. Warm light rings outward from the touch, tracing up his neck into his glowing brain. His eyebrows twitch, the first flicker of expression crossing his face. Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room, premium animated commercial storyboard. Keep Mom and Ryan recognizable and consistent across all panels.
Batch 4 unchecked 0 failed attempt(s)

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Create a clear 16:9 cinematic pixar storyboard contact sheet for one video-generation batch. Use exactly THREE distinct landscape storyboard panels arranged in a single row of THREE landscape panels, read left to right, with clean gutters. Each panel is one consecutive visual shot. No captions, no labels, no readable text, no logos. ABSOLUTELY NO letters, numerals or symbols anywhere in any panel: clocks and watches have blank faces or plain hands, phone and laptop screens are plain glowing rectangles, papers, envelopes, folders, books, posters, signs and boxes are blank. Numbers spoken in the narration are NOT drawn. Reference image 1 is character sheet. Preserve the exact faces, hairstyles, skin tones, proportions and outfits in every panel. Reference image 2 is the teen-room environment sheet. Every panel set in the teen-room keeps this room's layout, furniture and palette. Reference image 3 is the dorm-room environment sheet. Every panel set in the dorm-room keeps this room's layout, furniture and palette. Reference image 4 is the RENDERING STYLE reference (a frame from the target film look). Match its rendering style exactly: eye and face proportions, hair clumping, skin shading, cloth materials, lighting, colour palette and level of detail, so every sheet in the set looks like one film. Copy none of its characters, props or setting. PANEL 1, left: Wide teen-room: six phone alarms lined up on the nightstand and desk, all flashing and rattling. Ryan lies asleep in bed, undisturbed. Mom, early 40s, leans over and touches his shoulder. His eyes crack open, face groggy and annoyed, and he groans. PANEL 2, centre: Ryan lies asleep in a narrow dorm bed, blankets tangled, early morning light dim across the room. The door stands open onto an empty hallway lined with plain walls and closed doors. No one approaches; the corridor stays silent and still, empty. PANEL 3, right: Mom grips Ryan's shoulders and shakes him. He jolts upright in bed, hair wild, eyes unfocused and dazed. He slumps forward on the edge of the bed, rubbing his face with both hands, a foggy grey haze hanging around his head. Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room, premium animated commercial storyboard. Keep Mom and Ryan recognizable and consistent across all panels.
Batch 5 unchecked 0 failed attempt(s)

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Create a clear 16:9 cinematic pixar storyboard contact sheet for one video-generation batch. Use exactly THREE distinct landscape storyboard panels arranged in a single row of THREE landscape panels, read left to right, with clean gutters. Each panel is one consecutive visual shot. No captions, no labels, no readable text, no logos. ABSOLUTELY NO letters, numerals or symbols anywhere in any panel EXCEPT the small white LED digits on the black wristband, which always read 6:30 and run horizontally along the strap, upright, like a watch face: clocks and watches have blank faces or plain hands, phone and laptop screens are plain glowing rectangles, papers, envelopes, folders, books, posters, signs and boxes are blank. Numbers spoken in the narration are NOT drawn. Reference image 1 is character sheet. Preserve the exact faces, hairstyles, skin tones, proportions and outfits in every panel. Reference image 2 is the product reference. Reproduce the product EXACTLY as shown: same shape, colour, surface and markings, nothing added. Its small white LED digits read 6:30 wherever the face is visible, never any other time or symbol. The digits sit on the flat top face and run HORIZONTALLY along the length of the strap, upright and read left to right like a watch face, never stacked or rotated vertically. Reference image 3 is the teen-room environment sheet. Every panel set in the teen-room keeps this room's layout, furniture and palette. Reference image 4 is the RENDERING STYLE reference (a frame from the target film look). Match its rendering style exactly: eye and face proportions, hair clumping, skin shading, cloth materials, lighting, colour palette and level of detail, so every sheet in the set looks like one film. Copy none of its characters, props or setting. PANEL 1, left: Close on Ryan's wrist resting on the pillow, a chunky smartwatch with a plain glowing screen buzzing weakly, tiny motion lines rippling off its face. Ryan's face lies beside it, eyes shut, breathing slow, completely undisturbed by the vibration. PANEL 2, centre: The smartwatch keeps buzzing weakly on the pillow beside Ryan's motionless wrist as he stays deeply asleep. In the doorway behind him, Mom stands watching with a skeptical, unimpressed expression on her face. PANEL 3, right: A matte black silicone wristband rests alone on a clean, bare surface, front and center, filling the frame. Soft morning light rakes across fine diagonal ribbing, a flat rectangular top face with small white LED digits, and a buckle strap with a row of pin holes. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room, premium animated commercial storyboard. Keep Mom and Ryan recognizable and consistent across all panels.
Batch 6 unchecked 0 failed attempt(s)

check
{}prompt
Create a clear 16:9 cinematic pixar storyboard contact sheet for one video-generation batch. Use exactly FOUR distinct landscape storyboard panels arranged in a clean 2-by-2 grid, read left to right across the top row and then left to right across the bottom row, with clean gutters. Each panel is one consecutive visual shot. No captions, no labels, no readable text, no logos. ABSOLUTELY NO letters, numerals or symbols anywhere in any panel EXCEPT the small white LED digits on the black wristband, which always read 6:30 and run horizontally along the strap, upright, like a watch face: clocks and watches have blank faces or plain hands, phone and laptop screens are plain glowing rectangles, papers, envelopes, folders, books, posters, signs and boxes are blank. Numbers spoken in the narration are NOT drawn. Reference image 1 is character sheet. Preserve the exact faces, hairstyles, skin tones, proportions and outfits in every panel. Reference image 2 is the product reference. Reproduce the product EXACTLY as shown: same shape, colour, surface and markings, nothing added. Its small white LED digits read 6:30 wherever the face is visible, never any other time or symbol. The digits sit on the flat top face and run HORIZONTALLY along the length of the strap, upright and read left to right like a watch face, never stacked or rotated vertically. Reference image 3 is the dorm-room environment sheet. Every panel set in the dorm-room keeps this room's layout, furniture and palette. Reference image 4 is the teen-room environment sheet. Every panel set in the teen-room keeps this room's layout, furniture and palette. Reference image 5 is the RENDERING STYLE reference (a frame from the target film look). Match its rendering style exactly: eye and face proportions, hair clumping, skin shading, cloth materials, lighting, colour palette and level of detail, so every sheet in the set looks like one film. Copy none of its characters, props or setting. PANEL 1, top left: Close on Ryan's sleeping wrist resting on a pillow in dawn light. The black silicone band's soft motion lines pulse outward in three growing waves, LED digits glowing on its face. His wrist twitches, fingers curl, and his forehead creases into a waking frown. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. PANEL 2, top right: Ryan's hands hold the black wristband steady on his desk, thumb pressing down on the flat top face. Small white LED digits flicker on and glow across the band's surface. Warm evening lamp light spills over the desk in the dim room. His hands stay still, focused and deliberate. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. PANEL 3, bottom left: A phone lies face down and dark on a wooden desk, ignored. Beside it, a black silicone wristband sits with its flat rectangular face glowing small white LED digits. A hand slides the phone further away across the desk, expression calm and unbothered. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. PANEL 4, bottom right: Ryan sits on his bed in low light, buckling the thin silicone band around his wrist, the strap bending softly as the pin slides into a hole. He rests his wrist on the pillow and pulls the blanket up, eyes drifting shut, not looking at the band on his wrist. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room, premium animated commercial storyboard. Keep Mom and Ryan recognizable and consistent across all panels.
Batch 7 unchecked 0 failed attempt(s)

check
{}prompt
Create a clear 16:9 cinematic pixar storyboard contact sheet for one video-generation batch. Use exactly FOUR distinct landscape storyboard panels arranged in a clean 2-by-2 grid, read left to right across the top row and then left to right across the bottom row, with clean gutters. Each panel is one consecutive visual shot. No captions, no labels, no readable text, no logos. ABSOLUTELY NO letters, numerals or symbols anywhere in any panel EXCEPT the small white LED digits on the black wristband, which always read 6:30 and run horizontally along the strap, upright, like a watch face: clocks and watches have blank faces or plain hands, phone and laptop screens are plain glowing rectangles, papers, envelopes, folders, books, posters, signs and boxes are blank. Numbers spoken in the narration are NOT drawn. Reference image 1 is character sheet. Preserve the exact faces, hairstyles, skin tones, proportions and outfits in every panel. Reference image 2 is the product reference. Reproduce the product EXACTLY as shown: same shape, colour, surface and markings, nothing added. Its small white LED digits read 6:30 wherever the face is visible, never any other time or symbol. The digits sit on the flat top face and run HORIZONTALLY along the length of the strap, upright and read left to right like a watch face, never stacked or rotated vertically. Reference image 3 is the hallway environment sheet. Every panel set in the hallway keeps this room's layout, furniture and palette. Reference image 4 is the teen-room environment sheet. Every panel set in the teen-room keeps this room's layout, furniture and palette. Reference image 5 is the kitchen environment sheet. Every panel set in the kitchen keeps this room's layout, furniture and palette. Reference image 6 is the RENDERING STYLE reference (a frame from the target film look). Match its rendering style exactly: eye and face proportions, hair clumping, skin shading, cloth materials, lighting, colour palette and level of detail, so every sheet in the set looks like one film. Copy none of its characters, props or setting. PANEL 1, top left: Mom walks down the hallway at an easy pace, coffee mug in hand, unhurried. Through Ryan's open bedroom door beyond her, he is already sitting up on the bed, wristband on his arm, rubbing his eyes awake on his own, calm. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. PANEL 2, top right: Low-angle shot: Ryan's bare feet land on the bedroom rug beside the bed, the matte black band pulsing faintly on their wrist. Through the open doorway behind them, Mom stands halfway down the hallway holding a coffee mug, alert, caught mid-step toward the room. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. PANEL 3, bottom left: Mom stands at the kitchen counter making lunch, shoulders relaxed, back turned toward the hallway. Down the hall, Ryan's bedroom door stands open, the bed rumpled and empty. She keeps working calmly, unbothered, never turning her head toward the open doorway. PANEL 4, bottom right: Ryan strides into the kitchen already dressed in his hoodie, backpack slung over one shoulder, band visible on his wrist, grabbing a piece of toast off the counter without slowing down. Mom turns from the counter, eyebrows raised, a surprised smile spreading across her face. Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room, premium animated commercial storyboard. Keep Mom and Ryan recognizable and consistent across all panels.
Batch 8 unchecked 0 failed attempt(s)

check
{}prompt
Create a clear 16:9 cinematic pixar storyboard contact sheet for one video-generation batch. Use exactly FOUR distinct landscape storyboard panels arranged in a clean 2-by-2 grid, read left to right across the top row and then left to right across the bottom row, with clean gutters. Each panel is one consecutive visual shot. No captions, no labels, no readable text, no logos. ABSOLUTELY NO letters, numerals or symbols anywhere in any panel EXCEPT the small white LED digits on the black wristband, which always read 6:30 and run horizontally along the strap, upright, like a watch face: clocks and watches have blank faces or plain hands, phone and laptop screens are plain glowing rectangles, papers, envelopes, folders, books, posters, signs and boxes are blank. Numbers spoken in the narration are NOT drawn. Reference image 1 is character sheet. Preserve the exact faces, hairstyles, skin tones, proportions and outfits in every panel. Reference image 2 is the product reference. Reproduce the product EXACTLY as shown: same shape, colour, surface and markings, nothing added. Its small white LED digits read 6:30 wherever the face is visible, never any other time or symbol. The digits sit on the flat top face and run HORIZONTALLY along the length of the strap, upright and read left to right like a watch face, never stacked or rotated vertically. Reference image 3 is the kitchen environment sheet. Every panel set in the kitchen keeps this room's layout, furniture and palette. Reference image 4 is the teen-room environment sheet. Every panel set in the teen-room keeps this room's layout, furniture and palette. Reference image 5 is the lecture-hall environment sheet. Every panel set in the lecture-hall keeps this room's layout, furniture and palette. Reference image 6 is the RENDERING STYLE reference (a frame from the target film look). Match its rendering style exactly: eye and face proportions, hair clumping, skin shading, cloth materials, lighting, colour palette and level of detail, so every sheet in the set looks like one film. Copy none of its characters, props or setting. PANEL 1, top left: Mom pours coffee at the sunlit kitchen table set with two plates while Ryan slides into his chair, hair still wet. Both move easily, unhurried and at ease, sunlight spilling across the table, the blank-faced wall clock hanging quietly on the wall behind them. PANEL 2, top right: Ryan lies in bed, pressing the flat top face of the black silicone wristband on his own wrist as small white LED digits light up, then reaches over and switches off the bedside lamp, expression calm and focused, room dim and quiet. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. PANEL 3, bottom left: Ryan sits alert in a middle row of the lecture hall, notebook open before him, the wristband resting flat on the desk. The professor arranges notes at the front while other students file in and drop into seats around him. Ryan looks calm, awake, and ready. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. PANEL 4, bottom right: Camera pushes in closer on Ryan as the professor begins speaking at the front of the hall. Ryan sits upright, pen poised over his open notebook, the wristband still beside him on the desk. Other students settle into their seats. His face shows quiet, self-assured focus. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room, premium animated commercial storyboard. Keep Mom and Ryan recognizable and consistent across all panels.
Batch 9 gemini pass 0 failed attempt(s)

check
{
"panel_count": 2,
"readable_text": false,
"split_screen_panel": false,
"same_character_all_panels": false,
"notes": "A woman comforts a boy in bed, while a fitness tracker shows 6:30 AM/PM. Two distinct panels.",
"pass": true
}prompt
Create a clear 16:9 cinematic pixar storyboard contact sheet for one video-generation batch. Use exactly TWO distinct landscape storyboard panels arranged in a single row of TWO landscape panels, read left to right, with clean gutters. Each panel is one consecutive visual shot. No captions, no labels, no readable text, no logos. ABSOLUTELY NO letters, numerals or symbols anywhere in any panel EXCEPT the small white LED digits on the black wristband, which always read 6:30 and run horizontally along the strap, upright, like a watch face: clocks and watches have blank faces or plain hands, phone and laptop screens are plain glowing rectangles, papers, envelopes, folders, books, posters, signs and boxes are blank. Numbers spoken in the narration are NOT drawn. Reference image 1 is character sheet. Preserve the exact faces, hairstyles, skin tones, proportions and outfits in every panel. Reference image 2 is the product reference. Reproduce the product EXACTLY as shown: same shape, colour, surface and markings, nothing added. Its small white LED digits read 6:30 wherever the face is visible, never any other time or symbol. The digits sit on the flat top face and run HORIZONTALLY along the length of the strap, upright and read left to right like a watch face, never stacked or rotated vertically. Reference image 3 is the dorm-room environment sheet. Every panel set in the dorm-room keeps this room's layout, furniture and palette. Reference image 4 is the RENDERING STYLE reference (a frame from the target film look). Match its rendering style exactly: eye and face proportions, hair clumping, skin shading, cloth materials, lighting, colour palette and level of detail, so every sheet in the set looks like one film. Copy none of its characters, props or setting. PANEL 1, left: Grey light: Mom leans over Ryan's bed, gripping his shoulder as he lies slack and unmoving. Hard cut to the dorm-room at dawn: Ryan sits up alone in sunlight, wristband glowing with small white LED digits, his face calm and awake. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. PANEL 2, right: A matte black silicone wristband rests alone on a clean warm-toned surface under soft morning light. Its fine diagonal ribbing catches the glow, the flat rectangular top face glows with small white LED digits, and the buckle strap curls loosely beside it, pin holes visible. Product truth: a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone. Feature-film 3D animation with strongly caricatured, appealing characters (style audited 2026-09-17 against Turning Red stills): eyes very large, roughly a third of the face height, glossy with big irises; faces wide and round with small noses and wide expressive mouths; bodies rounded and slightly chunky, big heads on simplified shapes; hair sculpted into thick distinct clumps like soft clay, never fine strands; skin soft and matte with a warm subsurface glow; clothing simplified with soft thick folds; cozy rounded environments with soft inviting textures; warm vibrant pastel-leaning palette, cinematic lighting with gentle rim light and gentle depth of field, eye-level camera inside the room, premium animated commercial storyboard. Keep Mom and Ryan recognizable and consistent across all panels.
| no slices yet |
no generations yet
not assembled yet
state.json
{
"stages": {
"vo": {
"done": true,
"duration": 93.443
},
"storyboard": {
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"beats": 31,
"batches": 9
},
"canvas": {
"done": true
}
},
"updated": "2026-09-17 04:33:01"
}canvases/receipts.json
{
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"7": {
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"1": {
"verdict": {
"panel_count": 4,
"readable_text": false,
"split_screen_panel": false,
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"notes": "A boy wakes up, leaves his messy room, and attends a class with many other students.",
"pass": true
},
"refs": [
"/Users/ayden/.openclaw/workspace/output/cartoon-h3/_refs/college-sniper-2026-09-17/char-mom-ryan-v4-bh6.png",
"/Users/ayden/.openclaw/workspace/output/cartoon-h3/_refs/college-sniper-2026-09-17/env-dorm-room-gpt.png",
"/Users/ayden/.openclaw/workspace/output/cartoon-h3/_refs/college-sniper-2026-09-17/env-lecture-hall-gpt.png",
"/Users/ayden/.openclaw/workspace/output/cartoon-h3/_refs/college-sniper-2026-09-17/style-ref-bh6-03.jpg"
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"panels": 4,
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"2": {
"verdict": {
"panel_count": 3,
"readable_text": false,
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"notes": "A boy and woman in various scenes: kitchen, studying, and bedside.",
"pass": true
},
"refs": [
"/Users/ayden/.openclaw/workspace/output/cartoon-h3/_refs/college-sniper-2026-09-17/char-mom-ryan-v4-bh6.png",
"/Users/ayden/.openclaw/workspace/output/cartoon-h3/_refs/college-sniper-2026-09-17/env-kitchen-gpt.png",
"/Users/ayden/.openclaw/workspace/output/cartoon-h3/_refs/college-sniper-2026-09-17/env-dorm-room-gpt.png",
"/Users/ayden/.openclaw/workspace/output/cartoon-h3/_refs/college-sniper-2026-09-17/env-teen-room-gpt.png",
"/Users/ayden/.openclaw/workspace/output/cartoon-h3/_refs/college-sniper-2026-09-17/style-ref-bh6-03.jpg"
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"panels": 3,
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"9": {
"verdict": {
"panel_count": 2,
"readable_text": false,
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"notes": "A woman comforts a boy in bed, while a fitness tracker shows 6:30 AM/PM. Two distinct panels.",
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"/Users/ayden/.openclaw/workspace/output/cartoon-h3/_refs/college-sniper-2026-09-17/char-mom-ryan-v4-bh6.png",
"/Users/ayden/.openclaw/workspace/output/cartoon-h3/_refs/dont-buy-this-2026-09-16/product-band.png",
"/Users/ayden/.openclaw/workspace/output/cartoon-h3/_refs/college-sniper-2026-09-17/env-dorm-room-gpt.png",
"/Users/ayden/.openclaw/workspace/output/cartoon-h3/_refs/college-sniper-2026-09-17/style-ref-bh6-03.jpg"
],
"panels": 2,
"backend": "gpt"
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}gen/receipts.json
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