Animation Hub / dawnbands-dont-buy-this-c-college-2026-09-16

# dawnbands-dont-buy-this-c-college-2026-09-16 — cartoon-h3 storyboard (Fish review BEFORE canvases)

VO: 118.95s, 464 words, 3.90 wps · 43 beats · 11 batches (≤15s, ≤6 panels, reveal/CTA ≤3)

Beat times come from the ElevenLabs word timings of the trimmed VO. A batch = one MiniMax H3 generation (canvas + hero refs + this batch's VO slice). Batch boundaries fall on pack-line ends only.

## Table storyboard

| Beat | Scene | Start–End (s) | VO | Visual | Env | Transition-in |
|---|---|---|---|---|---|---|
| 1 | 1 | 0.04–3.74 (3.7) | Don't buy this if you think your teenager will magically figure out how to wake themselves up in college. | Ryan, 16, sprawled asleep in a narrow dorm bed, blanket twisted, mouth slack. On the floor beside the bed a phone lights up and buzzes unanswered. A wall clock reads past nine. An empty backpack slumps on a chair. Bright late-morning sun floods the room. | dorm-room | hard cut |
| 2 | 2 | 4.00–6.19 (2.2) | Right now, you're still the reason they get out of bed. | In a hallway, a woman in her early 40s stands close to a closed bedroom door, knuckles rapping against the wood again and again, a mug of coffee held in her other hand. She leans toward the door, mouth open, calling through it with visible worry and urgency. | hallway | hard cut |
| 3 | 3 | 6.45–9.43 (3.0) | When they move out, you won't be there to keep knocking until they answer. | Mom stands alone in the stripped teen bedroom, holding a taped cardboard box against her hip. Behind her the mattress lies bare on its frame, more boxes stacked near the door, walls empty where posters once hung. She stares at the bare bed, face heavy with quiet grief. | teen-room | hard cut |
| 4 | 4 | 9.68–13.21 (3.5) | If they sleep through their morning lectures, you can't walk down the hall and wake them. | Ryan lies asleep in his dorm bed, sunlight falling across his face. Across the room his laptop glows with a lecture slide, unattended. The closed door to the hallway sits still in the background, no one arriving to wake him. | dorm-room | hard cut |
| 5 | 5 | 13.48–15.55 (2.1) | You're left calling a phone they're already sleeping through. | On the dorm-room floor, a phone lies screen-up, lit and buzzing insistently. Above it, Ryan's arm dangles off the bed edge, hand limp and still, fast asleep, completely unaware of the call vibrating just beneath his fingertips. | dorm-room | hard cut |
| 6 | 6 | 15.82–17.17 (1.3) | You've tried to help them get ready. | Mom sets a new alarm clock beside two older clocks on Ryan's nightstand, glances down at his sleeping face, then leans over and smooths the blanket across him, her expression soft with worry and quiet determination. | teen-room | camera holds steady on the nightstand as her hand moves from the clock to the blanket |
| 7 | 7 | 17.42–19.02 (1.6) | And they don't want to need you for this either. | Ryan sits on the edge of his bed in the teen room, sweeping the row of alarm clocks aside with the back of his hand. He keeps his eyes down, avoiding Mom, who stands still in the doorway, his face flushed with embarrassment. | teen-room | hard cut |
| 8 | 8 | 19.27–21.59 (2.3) | So why does waking up still depend on you being there? | Mom leans against Ryan's doorway, one hand resting on the frame, watching quietly. Ryan sits on the edge of his bed, staring down at his own bare wrist. Neither speaks. Soft morning light streams through the hallway between them, casting long shadows across the floor. | hallway | hard cut |
| 9 | 9 | 21.96–24.66 (2.7) | Here is what sleep researchers discovered is actually happening: | Ryan lies on his back in bed at dawn, mouth slightly open, one arm hanging off the mattress. The phone alarm on the nightstand glows and buzzes beside him. The camera slowly pushes in on his slack, unmoving face, no reaction at all. | teen-room | hard cut |
| 10 | 10 | 24.93–28.83 (3.9) | The human brain evolved to filter out repetitive sounds so we could stay asleep through the night. | Ryan lies motionless under a blanket in soft moonlight, chest rising slowly with steady breathing. Rain taps the dark window, a ceiling fan turns overhead, and a clock ticks on the nightstand beside him. His face is calm, completely at ease, undisturbed by the sounds. | teen-room | hard cut |
| 11 | 11.1 | 29.09–32.66 (3.6) | And because a teenager's brain is in a massive developmental growth spurt, | Close cross-section of sleeping Ryan's head, skull shown transparent. Inside, a warm glowing brain pulses slowly, its shape swelling and easing like breathing. His eyelids stay still and calm. Each pulse brightens the glow, suggesting steady growth happening quietly beneath restful sleep. |  | hard cut |
| 12 | 11.2 | 32.74–35.87 (3.1) | they spend twice as much time in deep REM sleep as adults. | Same transparent cross-section on Ryan's sleeping head, but now his eyes dart and flicker rapidly under closed lids. The glowing brain pulses faster and brighter, warm light rippling outward with each flicker, showing longer, more active deep sleep than a calm, slow glow. |  | the pulsing brain quickens as the frame holds |
| 13 | 12 | 36.08–40.41 (4.3) | That means when an alarm screams morning after morning, their brain doesn't hear an emergency. | The nightstand phone alarm rattles and flashes, sound-wave ripples pulsing outward across the dim bedroom. Ryan lies motionless beneath the blanket pulled to his chin, face slack, undisturbed by the escalating alarm inches away. | teen-room | hard cut |
| 14 | 13 | 40.64–43.52 (2.9) | It flags it as harmless background noise so they stay unconscious. | Faint sound ripples drift toward Ryan's ear, thinning into grey dust just before they touch his skin. His face stays soft, slack, and empty, pressed against the pillow. The camera holds low at pillow level, watching the dust disperse silently in the air above him. | teen-room | hard cut |
| 15 | 14 | 43.79–48.33 (4.5) | There is one sensory pathway the human nervous system cannot shut down: direct physical touch. | A hand enters frame from the right and settles on Ryan's shoulder. A warm ring of light spreads outward from the touch, washing across his shoulder and up his neck. His eyebrows twitch, the first flicker of expression on his still face. |  | hard cut |
| 16 | 15.1 | 48.60–51.12 (2.5) | That's why they can sleep through six blaring phone alarms, | Wide shot of a teen bedroom at night. Six phone alarms lined up on the nightstand and desk flash and rattle loudly. Ryan lies motionless under the covers, eyes shut, undisturbed by the noise and light surrounding him. | teen-room | hard cut |
| 17 | 15.2 | 51.22–54.73 (3.5) | but the second your hand touches their shoulder, they finally show signs of life. | Mom, early 40s, leans over the bed and rests her hand on Ryan's shoulder. His eyes crack open, he groans and stirs slightly, finally reacting after showing no response to the flashing, rattling alarms beside him. | teen-room | camera pushes in as Mom leans toward the bed |
| 18 | 16 | 55.00–57.41 (2.4) | The problem is they need to be able to wake up on their own by now. | Mom stands at Ryan's bedside in her work clothes, keys in hand, looking down at him with concern. Ryan blinks up at her, half-awake and groggy. A school backpack waits by the bedroom door in the background. | teen-room | hard cut |
| 19 | 17.1 | 57.66–60.73 (3.1) | And having to physically shake them awake startles them out of deep sleep, | Mom grips Ryan's shoulders with both hands and shakes him hard. He jolts upright in bed, hair wild, eyes unfocused and startled, mouth open in a gasp, blanket falling away, in his dim teen bedroom. | teen-room | hard cut |
| 20 | 17.2 | 61.01–63.88 (2.9) | leaving them groggy, irritable, and with brain fog. | Ryan sits hunched on the edge of his bed, elbows on knees, rubbing his face with both hands. A foggy grey haze hovers around his head. His expression is groggy, irritable, and unfocused, shoulders slumped in the quiet teen bedroom. | teen-room | cut as the shaking stops and he slumps forward |
| 21 | 18.1 | 64.13–66.31 (2.2) | If they've already slept through a smartwatch vibration, | A chunky smartwatch on Ryan's wrist rests on the pillow, its bright screen buzzing weakly with tiny motion lines rippling outward. Beside it, Ryan's face stays slack and asleep, eyes shut, undisturbed by the vibration. | teen-room | hard cut |
| 22 | 18.2 | 66.41–69.19 (2.8) | you know putting something on their wrist isn't enough of an explanation. | Mom stands in the doorway behind, her face skeptical, eyebrows raised as she studies the buzzing watch on Ryan's wrist. Ryan remains asleep in the foreground, the screen still glowing weakly, his wrist motionless despite it. | teen-room | camera pulls back to reveal Mom's skeptical face in the doorway behind |
| 23 | 19 | 69.46–70.58 (1.1) | Here's what DawnBands does. | A matte black silicone wristband rests alone on a clean flat surface, front and center in soft morning light. Fine diagonal ribbing runs along its band, its flat top face glowing with small white LED digits, buckle strap and pin holes visible, otherwise empty around it. a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone |  | hard cut |
| 24 | 20 | 70.83–72.30 (1.5) | You set the alarm directly on the band. | Ryan's hands cradle the black silicone wristband at his desk, thumb pressing down on the flat top face. The band's small white LED digits flicker on, casting a faint glow across his fingers under the warm evening lamp light. His expression is focused, quietly satisfied. a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone | teen-room | hard cut |
| 25 | 21 | 72.55–73.81 (1.3) | No app. No phone pairing. | Ryan's hand pushes his phone face-down further across the desk, its screen dark and ignored. Beside it the wristband sits untouched, LED digits glowing steadily on its flat face. No cable or connection joins the two devices, phone abandoned, band standing alone on the desk. a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone | teen-room | hard cut |
| 26 | 22 | 74.02–76.60 (2.6) | The silicone strap adjusts around their wrist for overnight wear. | Ryan buckles the matte black silicone strap around his wrist, the pin sliding into a hole along the diagonal-ribbed band. He rests his wrist against the pillow and pulls the blanket over himself in the dim, low-lit teen bedroom, expression calm and drowsy. a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone | teen-room | hard cut |
| 27 | 23 | 76.85–79.44 (2.6) | At their wake-up time, the band vibrates against their wrist. | Extreme close-up on the matte black wristband circling Ryan's sleeping wrist, resting on the pillow in dawn light. The buckle strap's pin holes catch the glow as the flat top face's white LED digits shine. Soft motion lines ripple across the band as it vibrates gently. a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone | teen-room | hard cut |
| 28 | 24 | 79.71–81.36 (1.6) | The vibration gradually gets stronger. | Extreme close-up on the matte black ribbed wristband with its glowing white LED digits; motion lines radiating outward grow bigger and denser in three quick pulses, the wrist twitches, Ryan's fingers curl tighter, and above, his sleeping face begins to tense into a frown. a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone |  | hard cut |
| 29 | 25 | 81.61–85.58 (4.0) | Instead of another alarm ringing across the bedroom, the wake-up signal is right against their skin. | Ryan lies in the golden-lit teen bedroom, eyes just opened, the phone dark and silent on the nightstand beside him. He lifts his wrist, the black band catching the soft light, and looks at it with calm, quiet focus. The room stays still around him. a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone | teen-room | hard cut |
| 30 | 26 | 85.85–87.66 (1.8) | By Day 7, you stop dragging them out of bed. | Mom strides down the hallway with a coffee mug, passing Ryan's open bedroom door without slowing or glancing in. Through the doorway, Ryan sits up on his bed, black wristband on his wrist, rubbing his eyes, calm and already awake on his own. a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone | hallway | hard cut |
| 31 | 27 | 87.93–91.23 (3.3) | The band pulses on their wrist, and they actually open their eyes. | Close on Ryan's wristband pulsing with soft motion lines against his cheek on the pillow; his eyes open and focus, morning light spilling across the rumpled sheets, his expression shifting from sleep to alert awareness. a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone | teen-room | hard cut |
| 32 | 28 | 91.50–93.52 (2.0) | Their feet hit the floor before you reach their door. | Bare feet hit the rug beside an unmade bed, toes flexing on impact, motion blurred with urgency. Through the open doorway behind, Mom is only halfway down the hallway, coffee mug in hand, unaware and unhurried. | teen-room | hard cut |
| 33 | 29 | 93.79–95.79 (2.0) | By Day 14, you don't even check their room. | Mom stands at the kitchen counter assembling a sandwich, shoulders loose, back turned to the hallway. Behind her, Ryan's bedroom door stands open at the end of the hall, the bed rumpled and empty. She keeps working, unbothered, not glancing back. | kitchen | hard cut |
| 34 | 30 | 96.05–97.70 (1.6) | They're dressed before you've called their name. | Ryan strides into the kitchen already dressed in his hoodie, backpack slung over one shoulder, band visible on his wrist, reaching for a piece of toast on the counter. Mom turns from the counter, eyebrows raised, breaking into a surprised smile. | kitchen | hard cut |
| 35 | 31 | 97.97–100.04 (2.1) | You finish getting ready without stopping to wake them again. | Mom stands before the hallway mirror, calmly fastening an earring, unhurried. Behind her, Ryan hurries past toward the front door, bent forward tying his shoelace on the move. Her face is composed and steady, no urgency in her posture or pace. | hallway | hard cut |
| 36 | 32 | 100.30–102.20 (1.9) | By Day 30, this is just how mornings work now. | Mom pours coffee at the sunlit kitchen table where two plates sit ready; Ryan slides into his chair with wet hair, relaxed and unhurried. The wall clock reads early morning, both moving through the routine calmly, at ease. | kitchen | hard cut |
| 37 | 33 | 102.47–103.89 (1.4) | They set their own alarm before bed. | Ryan sits up in bed at night, presses the flat top face of the black wristband against his own wrist with calm focus; small white LED digits light up. He glances at the glowing numbers, then reaches over and switches off the bedside lamp, room dimming. a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone | teen-room | hard cut |
| 38 | 34 | 104.14–106.89 (2.8) | In the morning, you hear them moving around while you're still in the kitchen. | Mom stands in the kitchen holding a coffee pot mid-pour, head tilted toward the hallway, listening intently. Down the hallway, the teen-room door stands open, Ryan's shadow sliding across the inside wall. Her eyebrows lift, attentive, slightly concerned. | kitchen | hard cut |
| 39 | 35 | 107.16–109.08 (1.9) | The first thing you say to them is "morning." | Ryan steps into the kitchen doorway, mouth open mid-word. Mom sits at the table, looks up from her cup, gives a small easy smile and a nod. Morning light falls across the room, both faces calm and relaxed. | kitchen | hard cut |
| 40 | 36 | 109.34–110.16 (0.8) | Not "get up." | Mom stands in dim grey morning light in the hallway, fist raised and frozen just before knocking on Ryan's closed bedroom door, mouth open mid-shout, shoulders tense, face tight with frustration and exhaustion. | hallway | hard cut |
| 41 | 37 | 110.42–111.88 (1.5) | And you finally get your mornings back. | Mom sits alone on a kitchen stool, coffee mug held in both hands, eyes closed, taking a slow breath as morning sunlight warms her face; through the window behind her, Ryan walks toward the school bus. | kitchen | hard cut |
| 42 | 38 | 112.15–115.82 (3.7) | You can keep starting your days in stress or try DawnBands risk-free for 60 nights. | The matte black wristband rests on the kitchen table beside Ryan's plate, its small LED digits glowing steady. Mom's hand hovers near it, coffee cup in her other hand, morning light bright and calm, her expression settled and hopeful instead of rushed. a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone | kitchen | hard cut |
| 43 | 39 | 116.08–118.72 (2.6) | They sell out often so if you see it in stock grab yours now. | The matte black wristband rests alone on a clean warm surface in soft morning light. Its fine diagonal ribbing catches the light, the flat top face glows with small white LED digits, and the buckle strap curls loosely beside it, still and untouched. a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone |  | hard cut |

## Batches

- **Batch 1**: beats 1–4 · 0.04–13.21s (13.2s) · 14s generation · 4 panel(s) · ends on "…and wake them." 
- **Batch 2**: beats 5–8 · 13.48–21.59s (8.1s) · 9s generation · 4 panel(s) · ends on "…you being there?" 
- **Batch 3**: beats 9–12 · 21.96–35.87s (13.9s) · 14s generation · 4 panel(s) · ends on "…sleep as adults." 
- **Batch 4**: beats 13–15 · 36.08–48.33s (12.2s) · 13s generation · 3 panel(s) · ends on "…direct physical touch." 
- **Batch 5**: beats 16–18 · 48.60–57.41s (8.8s) · 9s generation · 3 panel(s) · ends on "…own by now." 
- **Batch 6**: beats 19–22 · 57.66–69.19s (11.5s) · 12s generation · 4 panel(s) · ends on "…of an explanation." 
- **Batch 7**: beats 23–25 · 69.46–73.81s (4.3s) · 5s generation · 3 panel(s) · ends on "…No phone pairing." REVEAL product
- **Batch 8**: beats 26–30 · 74.02–87.66s (13.6s) · 14s generation · 5 panel(s) · ends on "…out of bed." product
- **Batch 9**: beats 31–36 · 87.93–102.20s (14.3s) · 15s generation · 6 panel(s) · ends on "…mornings work now." product
- **Batch 10**: beats 37–41 · 102.47–111.88s (9.4s) · 10s generation · 5 panel(s) · ends on "…your mornings back." product
- **Batch 11**: beats 42–43 · 112.15–118.72s (6.6s) · 7s generation · 2 panel(s) · ends on "…grab yours now." CTA product

Vertical cinematic pixar animation with four visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 3.7s of the audio): Ryan, 16, sprawled asleep in a narrow dorm bed, blanket twisted, mouth slack. On the floor beside the bed a phone lights up and buzzes unanswered. A wall clock reads past nine. An empty backpack slumps on a chair. Bright late-morning sun floods the room.

Transition: hard cut.

Shot 2 (4.0s to 6.2s of the audio): In a hallway, a woman in her early 40s stands close to a closed bedroom door, knuckles rapping against the wood again and again, a mug of coffee held in her other hand. She leans toward the door, mouth open, calling through it with visible worry and urgency.

Transition: hard cut.

Shot 3 (6.4s to 9.4s of the audio): Mom stands alone in the stripped teen bedroom, holding a taped cardboard box against her hip. Behind her the mattress lies bare on its frame, more boxes stacked near the door, walls empty where posters once hung. She stares at the bare bed, face heavy with quiet grief.

Transition: hard cut.

Shot 4 (9.6s to 13.2s of the audio): Ryan lies asleep in his dorm bed, sunlight falling across his face. Across the room his laptop glows with a lecture slide, unattended. The closed door to the hallway sits still in the background, no one arriving to wake him.

Image 2 is the Mom and Ryan character sheet: keep Mom and Ryan's faces, hair, skin tones, proportions and outfits exactly as drawn there in every shot.

Image 3 is the dorm-room environment sheet: the room keeps this layout, furniture and palette.

Image 4 is the hallway environment sheet: the room keeps this layout, furniture and palette.

Image 5 is the teen-room environment sheet: the room keeps this layout, furniture and palette.

Bright Pixar-style 3D feature animation: soft rounded stylized characters with large expressive eyes, subsurface-scattered skin, detailed hair and fabric, warm cinematic global illumination, gentle depth of field, saturated but natural palette, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic pixar animation with four visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 2.1s of the audio): On the dorm-room floor, a phone lies screen-up, lit and buzzing insistently. Above it, Ryan's arm dangles off the bed edge, hand limp and still, fast asleep, completely unaware of the call vibrating just beneath his fingertips.

Transition: camera holds steady on the nightstand as her hand moves from the clock to the blanket.

Shot 2 (2.3s to 3.7s of the audio): Mom sets a new alarm clock beside two older clocks on Ryan's nightstand, glances down at his sleeping face, then leans over and smooths the blanket across him, her expression soft with worry and quiet determination.

Transition: hard cut.

Shot 3 (3.9s to 5.5s of the audio): Ryan sits on the edge of his bed in the teen room, sweeping the row of alarm clocks aside with the back of his hand. He keeps his eyes down, avoiding Mom, who stands still in the doorway, his face flushed with embarrassment.

Transition: hard cut.

Shot 4 (5.8s to 8.1s of the audio): Mom leans against Ryan's doorway, one hand resting on the frame, watching quietly. Ryan sits on the edge of his bed, staring down at his own bare wrist. Neither speaks. Soft morning light streams through the hallway between them, casting long shadows across the floor.

Image 2 is the Mom and Ryan character sheet: keep Mom and Ryan's faces, hair, skin tones, proportions and outfits exactly as drawn there in every shot.

Image 3 is the dorm-room environment sheet: the room keeps this layout, furniture and palette.

Image 4 is the teen-room environment sheet: the room keeps this layout, furniture and palette.

Image 5 is the hallway environment sheet: the room keeps this layout, furniture and palette.

Bright Pixar-style 3D feature animation: soft rounded stylized characters with large expressive eyes, subsurface-scattered skin, detailed hair and fabric, warm cinematic global illumination, gentle depth of field, saturated but natural palette, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic pixar animation with four visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 2.7s of the audio): Ryan lies on his back in bed at dawn, mouth slightly open, one arm hanging off the mattress. The phone alarm on the nightstand glows and buzzes beside him. The camera slowly pushes in on his slack, unmoving face, no reaction at all.

Transition: hard cut.

Shot 2 (3.0s to 6.9s of the audio): Ryan lies motionless under a blanket in soft moonlight, chest rising slowly with steady breathing. Rain taps the dark window, a ceiling fan turns overhead, and a clock ticks on the nightstand beside him. His face is calm, completely at ease, undisturbed by the sounds.

Transition: hard cut.

Shot 3 (7.1s to 10.7s of the audio): Close cross-section of sleeping Ryan's head, skull shown transparent. Inside, a warm glowing brain pulses slowly, its shape swelling and easing like breathing. His eyelids stay still and calm. Each pulse brightens the glow, suggesting steady growth happening quietly beneath restful sleep.

Transition: the pulsing brain quickens as the frame holds.

Shot 4 (10.8s to 13.9s of the audio): Same transparent cross-section on Ryan's sleeping head, but now his eyes dart and flicker rapidly under closed lids. The glowing brain pulses faster and brighter, warm light rippling outward with each flicker, showing longer, more active deep sleep than a calm, slow glow.

Image 2 is the Mom and Ryan character sheet: keep Mom and Ryan's faces, hair, skin tones, proportions and outfits exactly as drawn there in every shot.

Image 3 is the teen-room environment sheet: the room keeps this layout, furniture and palette.

Bright Pixar-style 3D feature animation: soft rounded stylized characters with large expressive eyes, subsurface-scattered skin, detailed hair and fabric, warm cinematic global illumination, gentle depth of field, saturated but natural palette, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic pixar animation with three visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 4.3s of the audio): The nightstand phone alarm rattles and flashes, sound-wave ripples pulsing outward across the dim bedroom. Ryan lies motionless beneath the blanket pulled to his chin, face slack, undisturbed by the escalating alarm inches away.

Transition: hard cut.

Shot 2 (4.6s to 7.4s of the audio): Faint sound ripples drift toward Ryan's ear, thinning into grey dust just before they touch his skin. His face stays soft, slack, and empty, pressed against the pillow. The camera holds low at pillow level, watching the dust disperse silently in the air above him.

Transition: hard cut.

Shot 3 (7.7s to 12.2s of the audio): A hand enters frame from the right and settles on Ryan's shoulder. A warm ring of light spreads outward from the touch, washing across his shoulder and up his neck. His eyebrows twitch, the first flicker of expression on his still face.

Image 2 is the Mom and Ryan character sheet: keep Mom and Ryan's faces, hair, skin tones, proportions and outfits exactly as drawn there in every shot.

Image 3 is the teen-room environment sheet: the room keeps this layout, furniture and palette.

Bright Pixar-style 3D feature animation: soft rounded stylized characters with large expressive eyes, subsurface-scattered skin, detailed hair and fabric, warm cinematic global illumination, gentle depth of field, saturated but natural palette, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic pixar animation with three visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 2.5s of the audio): Wide shot of a teen bedroom at night. Six phone alarms lined up on the nightstand and desk flash and rattle loudly. Ryan lies motionless under the covers, eyes shut, undisturbed by the noise and light surrounding him.

Transition: camera pushes in as Mom leans toward the bed.

Shot 2 (2.6s to 6.1s of the audio): Mom, early 40s, leans over the bed and rests her hand on Ryan's shoulder. His eyes crack open, he groans and stirs slightly, finally reacting after showing no response to the flashing, rattling alarms beside him.

Transition: hard cut.

Shot 3 (6.4s to 8.8s of the audio): Mom stands at Ryan's bedside in her work clothes, keys in hand, looking down at him with concern. Ryan blinks up at her, half-awake and groggy. A school backpack waits by the bedroom door in the background.

Image 2 is the Mom and Ryan character sheet: keep Mom and Ryan's faces, hair, skin tones, proportions and outfits exactly as drawn there in every shot.

Image 3 is the teen-room environment sheet: the room keeps this layout, furniture and palette.

Bright Pixar-style 3D feature animation: soft rounded stylized characters with large expressive eyes, subsurface-scattered skin, detailed hair and fabric, warm cinematic global illumination, gentle depth of field, saturated but natural palette, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic pixar animation with four visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 3.1s of the audio): Mom grips Ryan's shoulders with both hands and shakes him hard. He jolts upright in bed, hair wild, eyes unfocused and startled, mouth open in a gasp, blanket falling away, in his dim teen bedroom.

Transition: cut as the shaking stops and he slumps forward.

Shot 2 (3.3s to 6.2s of the audio): Ryan sits hunched on the edge of his bed, elbows on knees, rubbing his face with both hands. A foggy grey haze hovers around his head. His expression is groggy, irritable, and unfocused, shoulders slumped in the quiet teen bedroom.

Transition: hard cut.

Shot 3 (6.5s to 8.6s of the audio): A chunky smartwatch on Ryan's wrist rests on the pillow, its bright screen buzzing weakly with tiny motion lines rippling outward. Beside it, Ryan's face stays slack and asleep, eyes shut, undisturbed by the vibration.

Transition: camera pulls back to reveal Mom's skeptical face in the doorway behind.

Shot 4 (8.7s to 11.5s of the audio): Mom stands in the doorway behind, her face skeptical, eyebrows raised as she studies the buzzing watch on Ryan's wrist. Ryan remains asleep in the foreground, the screen still glowing weakly, his wrist motionless despite it.

Image 2 is the Mom and Ryan character sheet: keep Mom and Ryan's faces, hair, skin tones, proportions and outfits exactly as drawn there in every shot.

Image 3 is the teen-room environment sheet: the room keeps this layout, furniture and palette.

Bright Pixar-style 3D feature animation: soft rounded stylized characters with large expressive eyes, subsurface-scattered skin, detailed hair and fabric, warm cinematic global illumination, gentle depth of field, saturated but natural palette, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic pixar animation with three visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 1.1s of the audio): A matte black silicone wristband rests alone on a clean flat surface, front and center in soft morning light. Fine diagonal ribbing runs along its band, its flat top face glowing with small white LED digits, buckle strap and pin holes visible, otherwise empty around it.

Transition: hard cut.

Shot 2 (1.4s to 2.8s of the audio): Ryan's hands cradle the black silicone wristband at his desk, thumb pressing down on the flat top face. The band's small white LED digits flicker on, casting a faint glow across his fingers under the warm evening lamp light. His expression is focused, quietly satisfied.

Transition: hard cut.

Shot 3 (3.1s to 4.3s of the audio): Ryan's hand pushes his phone face-down further across the desk, its screen dark and ignored. Beside it the wristband sits untouched, LED digits glowing steadily on its flat face. No cable or connection joins the two devices, phone abandoned, band standing alone on the desk.

Image 2 is the Mom and Ryan character sheet: keep Mom and Ryan's faces, hair, skin tones, proportions and outfits exactly as drawn there in every shot.

Image 3 is the product reference: the wristband appears exactly as drawn there (a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone) — nothing added, no other gadget.

Image 4 is the teen-room environment sheet: the room keeps this layout, furniture and palette.

Bright Pixar-style 3D feature animation: soft rounded stylized characters with large expressive eyes, subsurface-scattered skin, detailed hair and fabric, warm cinematic global illumination, gentle depth of field, saturated but natural palette, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic pixar animation with five visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 2.6s of the audio): Ryan buckles the matte black silicone strap around his wrist, the pin sliding into a hole along the diagonal-ribbed band. He rests his wrist against the pillow and pulls the blanket over himself in the dim, low-lit teen bedroom, expression calm and drowsy.

Transition: hard cut.

Shot 2 (2.8s to 5.4s of the audio): Extreme close-up on the matte black wristband circling Ryan's sleeping wrist, resting on the pillow in dawn light. The buckle strap's pin holes catch the glow as the flat top face's white LED digits shine. Soft motion lines ripple across the band as it vibrates gently.

Transition: hard cut.

Shot 3 (5.7s to 7.3s of the audio): Extreme close-up on the matte black ribbed wristband with its glowing white LED digits; motion lines radiating outward grow bigger and denser in three quick pulses, the wrist twitches, Ryan's fingers curl tighter, and above, his sleeping face begins to tense into a frown.

Transition: hard cut.

Shot 4 (7.6s to 11.6s of the audio): Ryan lies in the golden-lit teen bedroom, eyes just opened, the phone dark and silent on the nightstand beside him. He lifts his wrist, the black band catching the soft light, and looks at it with calm, quiet focus. The room stays still around him.

Transition: hard cut.

Shot 5 (11.8s to 13.6s of the audio): Mom strides down the hallway with a coffee mug, passing Ryan's open bedroom door without slowing or glancing in. Through the doorway, Ryan sits up on his bed, black wristband on his wrist, rubbing his eyes, calm and already awake on his own.

Image 2 is the Mom and Ryan character sheet: keep Mom and Ryan's faces, hair, skin tones, proportions and outfits exactly as drawn there in every shot.

Image 3 is the product reference: the wristband appears exactly as drawn there (a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone) — nothing added, no other gadget.

Image 4 is the teen-room environment sheet: the room keeps this layout, furniture and palette.

Image 5 is the hallway environment sheet: the room keeps this layout, furniture and palette.

Bright Pixar-style 3D feature animation: soft rounded stylized characters with large expressive eyes, subsurface-scattered skin, detailed hair and fabric, warm cinematic global illumination, gentle depth of field, saturated but natural palette, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic pixar animation with six visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 3.3s of the audio): Close on Ryan's wristband pulsing with soft motion lines against his cheek on the pillow; his eyes open and focus, morning light spilling across the rumpled sheets, his expression shifting from sleep to alert awareness.

Transition: hard cut.

Shot 2 (3.6s to 5.6s of the audio): Bare feet hit the rug beside an unmade bed, toes flexing on impact, motion blurred with urgency. Through the open doorway behind, Mom is only halfway down the hallway, coffee mug in hand, unaware and unhurried.

Transition: hard cut.

Shot 3 (5.9s to 7.9s of the audio): Mom stands at the kitchen counter assembling a sandwich, shoulders loose, back turned to the hallway. Behind her, Ryan's bedroom door stands open at the end of the hall, the bed rumpled and empty. She keeps working, unbothered, not glancing back.

Transition: hard cut.

Shot 4 (8.1s to 9.8s of the audio): Ryan strides into the kitchen already dressed in his hoodie, backpack slung over one shoulder, band visible on his wrist, reaching for a piece of toast on the counter. Mom turns from the counter, eyebrows raised, breaking into a surprised smile.

Transition: hard cut.

Shot 5 (10.0s to 12.1s of the audio): Mom stands before the hallway mirror, calmly fastening an earring, unhurried. Behind her, Ryan hurries past toward the front door, bent forward tying his shoelace on the move. Her face is composed and steady, no urgency in her posture or pace.

Transition: hard cut.

Shot 6 (12.4s to 14.3s of the audio): Mom pours coffee at the sunlit kitchen table where two plates sit ready; Ryan slides into his chair with wet hair, relaxed and unhurried. The wall clock reads early morning, both moving through the routine calmly, at ease.

Image 2 is the Mom and Ryan character sheet: keep Mom and Ryan's faces, hair, skin tones, proportions and outfits exactly as drawn there in every shot.

Image 3 is the product reference: the wristband appears exactly as drawn there (a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone) — nothing added, no other gadget.

Image 4 is the teen-room environment sheet: the room keeps this layout, furniture and palette.

Image 5 is the kitchen environment sheet: the room keeps this layout, furniture and palette.

Image 6 is the hallway environment sheet: the room keeps this layout, furniture and palette.

Bright Pixar-style 3D feature animation: soft rounded stylized characters with large expressive eyes, subsurface-scattered skin, detailed hair and fabric, warm cinematic global illumination, gentle depth of field, saturated but natural palette, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic pixar animation with five visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 1.4s of the audio): Ryan sits up in bed at night, presses the flat top face of the black wristband against his own wrist with calm focus; small white LED digits light up. He glances at the glowing numbers, then reaches over and switches off the bedside lamp, room dimming.

Transition: hard cut.

Shot 2 (1.7s to 4.4s of the audio): Mom stands in the kitchen holding a coffee pot mid-pour, head tilted toward the hallway, listening intently. Down the hallway, the teen-room door stands open, Ryan's shadow sliding across the inside wall. Her eyebrows lift, attentive, slightly concerned.

Transition: hard cut.

Shot 3 (4.7s to 6.6s of the audio): Ryan steps into the kitchen doorway, mouth open mid-word. Mom sits at the table, looks up from her cup, gives a small easy smile and a nod. Morning light falls across the room, both faces calm and relaxed.

Transition: hard cut.

Shot 4 (6.9s to 7.7s of the audio): Mom stands in dim grey morning light in the hallway, fist raised and frozen just before knocking on Ryan's closed bedroom door, mouth open mid-shout, shoulders tense, face tight with frustration and exhaustion.

Transition: hard cut.

Shot 5 (7.9s to 9.4s of the audio): Mom sits alone on a kitchen stool, coffee mug held in both hands, eyes closed, taking a slow breath as morning sunlight warms her face; through the window behind her, Ryan walks toward the school bus.

Image 2 is the Mom and Ryan character sheet: keep Mom and Ryan's faces, hair, skin tones, proportions and outfits exactly as drawn there in every shot.

Image 3 is the product reference: the wristband appears exactly as drawn there (a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone) — nothing added, no other gadget.

Image 4 is the teen-room environment sheet: the room keeps this layout, furniture and palette.

Image 5 is the kitchen environment sheet: the room keeps this layout, furniture and palette.

Image 6 is the hallway environment sheet: the room keeps this layout, furniture and palette.

Bright Pixar-style 3D feature animation: soft rounded stylized characters with large expressive eyes, subsurface-scattered skin, detailed hair and fabric, warm cinematic global illumination, gentle depth of field, saturated but natural palette, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic pixar animation with two visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 3.7s of the audio): The matte black wristband rests on the kitchen table beside Ryan's plate, its small LED digits glowing steady. Mom's hand hovers near it, coffee cup in her other hand, morning light bright and calm, her expression settled and hopeful instead of rushed.

Transition: hard cut.

Shot 2 (3.9s to 6.6s of the audio): The matte black wristband rests alone on a clean warm surface in soft morning light. Its fine diagonal ribbing catches the light, the flat top face glows with small white LED digits, and the buckle strap curls loosely beside it, still and untouched.

Image 2 is the Mom and Ryan character sheet: keep Mom and Ryan's faces, hair, skin tones, proportions and outfits exactly as drawn there in every shot.

Image 3 is the product reference: the wristband appears exactly as drawn there (a plain matte black silicone wristband with fine diagonal ribbing, a flat rectangular top face that shows small white LED time digits, a buckle strap with a row of pin holes; no touchscreen, no apps, no phone) — nothing added, no other gadget.

Image 4 is the kitchen environment sheet: the room keeps this layout, furniture and palette.

Bright Pixar-style 3D feature animation: soft rounded stylized characters with large expressive eyes, subsurface-scattered skin, detailed hair and fabric, warm cinematic global illumination, gentle depth of field, saturated but natural palette, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

{
 "batches": [
  {
   "clip_s": 14.4,
   "target_s": 13.482,
   "speed_wanted": 1.068,
   "speed_applied": 1.068,
   "trimmed_s": 0.0,
   "held_s": 0.0,
   "out_s": 13.458,
   "ok": true,
   "timeline_target_s": 13.482,
   "batch": 1,
   "candidate": 1
  },
  {
   "clip_s": 9.44,
   "target_s": 8.476,
   "speed_wanted": 1.114,
   "speed_applied": 1.1,
   "trimmed_s": 0.106,
   "held_s": 0.0,
   "out_s": 8.458,
   "ok": true,
   "timeline_target_s": 8.476,
   "batch": 2,
   "candidate": 1
  },
  {
   "clip_s": 14.4,
   "target_s": 14.118,
   "speed_wanted": 1.02,
   "speed_applied": 1.02,
   "trimmed_s": 0.0,
   "held_s": 0.0,
   "out_s": 14.083,
   "ok": true,
   "timeline_target_s": 14.118,
   "batch": 3,
   "candidate": 1
  },
  {
   "clip_s": 13.696,
   "target_s": 12.52,
   "speed_wanted": 1.094,
   "speed_applied": 1.094,
   "trimmed_s": 0.0,
   "held_s": 0.0,
   "out_s": 12.5,
   "ok": true,
   "timeline_target_s": 12.52,
   "batch": 4,
   "candidate": 1
  },
  {
   "clip_s": 9.44,
   "target_s": 9.069,
   "speed_wanted": 1.041,
   "speed_applied": 1.041,
   "trimmed_s": 0.0,
   "held_s": 0.0,
   "out_s": 9.042,
   "ok": true,
   "timeline_target_s": 9.069,
   "batch": 5,
   "candidate": 1
  },
  {
   "clip_s": 12.256,
   "target_s": 11.798,
   "speed_wanted": 1.039,
   "speed_applied": 1.039,
   "trimmed_s": 0.0,
   "held_s": 0.0,
   "out_s": 11.792,
   "ok": true,
   "timeline_target_s": 11.798,
   "batch": 6,
   "candidate": 1
  },
  {
   "clip_s": 5.184,
   "target_s": 4.559,
   "speed_wanted": 1.137,
   "speed_applied": 1.1,
   "trimmed_s": 0.154,
   "held_s": 0.0,
   "out_s": 4.542,
   "ok": true,
   "timeline_target_s": 4.559,
   "batch": 7,
   "candidate": 1
  },
  {
   "clip_s": 13.708,
   "target_s": 13.909,
   "speed_wanted": 0.986,
   "speed_applied": 0.986,
   "trimmed_s": 0.0,
   "held_s": 0.0,
   "out_s": 13.917,
   "ok": true,
   "timeline_target_s": 13.909,
   "batch": 8,
   "candidate": 1
  },
  {
   "clip_s": 15.104,
   "target_s": 14.539,
   "speed_wanted": 1.039,
   "speed_applied": 1.039,
   "trimmed_s": 0.0,
   "held_s": 0.0,
   "out_s": 14.5,
   "ok": true,
   "timeline_target_s": 14.539,
   "batch": 9,
   "candidate": 1
  },
  {
   "clip_s": 10.144,
   "target_s": 9.68,
   "speed_wanted": 1.048,
   "speed_applied": 1.048,
   "trimmed_s": 0.0,
   "held_s": 0.0,
   "out_s": 9.667,
   "ok": true,
   "timeline_target_s": 9.68,
   "batch": 10,
   "candidate": 1
  },
  {
   "clip_s": 7.296,
   "target_s": 7.069,
   "speed_wanted": 1.032,
   "speed_applied": 1.032,
   "trimmed_s": 0.0,
   "held_s": 0.0,
   "out_s": 7.083,
   "ok": true,
   "timeline_target_s": 7.069,
   "batch": 11,
   "candidate": 1
  }
 ],
 "flagged_batches": [],
 "final_s": 119.083,
 "last_word_s": 118.719,
 "end_t": 119.219,
 "tail_after_last_word_s": 0.364,
 "scan": {
  "freezes": 0,
  "frames_under_yavg8": 0
 },
 "music": "single bed, no swap, no hit",
 "mix": {
  "reveal_t": null,
  "total_s": 119.15,
  "black_frames_patched": [
   2856,
   2857
  ],
  "pre_mix": {
   "input_i": "-16.58",
   "input_tp": "-3.00",
   "input_lra": "1.70"
  },
  "final": {
   "input_i": "-14.03",
   "input_tp": "-1.02",
   "input_lra": "1.70"
  }
 },
 "final": "/Users/ayden/.openclaw/workspace/output/cartoon-h3/dawnbands-dont-buy-this-c-college-2026-09-16/dawnbands-dont-buy-this-c-college-2026-09-16-final.mp4",
 "discord": "/Users/ayden/.openclaw/workspace/output/cartoon-h3/dawnbands-dont-buy-this-c-college-2026-09-16/dawnbands-dont-buy-this-c-college-2026-09-16-final-discord.mp4",
 "discord_mb": 11.67
}

{
 "batches": [
  {
   "clip_s": 14.4,
   "target_s": 13.482,
   "speed_wanted": 1.068,
   "speed_applied": 1.068,
   "trimmed_s": 0.0,
   "held_s": 0.0,
   "out_s": 13.458,
   "ok": true,
   "timeline_target_s": 13.482,
   "batch": 1,
   "candidate": 1
  },
  {
   "clip_s": 9.44,
   "target_s": 8.476,
   "speed_wanted": 1.114,
   "speed_applied": 1.1,
   "trimmed_s": 0.106,
   "held_s": 0.0,
   "out_s": 8.458,
   "ok": true,
   "timeline_target_s": 8.476,
   "batch": 2,
   "candidate": 1
  },
  {
   "clip_s": 14.4,
   "target_s": 14.118,
   "speed_wanted": 1.02,
   "speed_applied": 1.02,
   "trimmed_s": 0.0,
   "held_s": 0.0,
   "out_s": 14.083,
   "ok": true,
   "timeline_target_s": 14.118,
   "batch": 3,
   "candidate": 1
  },
  {
   "clip_s": 13.696,
   "target_s": 12.52,
   "speed_wanted": 1.094,
   "speed_applied": 1.094,
   "trimmed_s": 0.0,
   "held_s": 0.0,
   "out_s": 12.5,
   "ok": true,
   "timeline_target_s": 12.52,
   "batch": 4,
   "candidate": 1
  },
  {
   "clip_s": 9.44,
   "target_s": 9.069,
   "speed_wanted": 1.041,
   "speed_applied": 1.041,
   "trimmed_s": 0.0,
   "held_s": 0.0,
   "out_s": 9.042,
   "ok": true,
   "timeline_target_s": 9.069,
   "batch": 5,
   "candidate": 1
  },
  {
   "clip_s": 12.256,
   "target_s": 11.798,
   "speed_wanted": 1.039,
   "speed_applied": 1.039,
   "trimmed_s": 0.0,
   "held_s": 0.0,
   "out_s": 11.792,
   "ok": true,
   "timeline_target_s": 11.798,
   "batch": 6,
   "candidate": 1
  },
  {
   "clip_s": 5.184,
   "target_s": 4.559,
   "speed_wanted": 1.137,
   "speed_applied": 1.1,
   "trimmed_s": 0.154,
   "held_s": 0.0,
   "out_s": 4.542,
   "ok": true,
   "timeline_target_s": 4.559,
   "batch": 7,
   "candidate": 1
  },
  {
   "clip_s": 13.708,
   "target_s": 13.909,
   "speed_wanted": 0.986,
   "speed_applied": 0.986,
   "trimmed_s": 0.0,
   "held_s": 0.0,
   "out_s": 13.917,
   "ok": true,
   "timeline_target_s": 13.909,
   "batch": 8,
   "candidate": 1
  },
  {
   "clip_s": 15.104,
   "target_s": 14.539,
   "speed_wanted": 1.039,
   "speed_applied": 1.039,
   "trimmed_s": 0.0,
   "held_s": 0.0,
   "out_s": 14.5,
   "ok": true,
   "timeline_target_s": 14.539,
   "batch": 9,
   "candidate": 1
  },
  {
   "clip_s": 10.144,
   "target_s": 9.68,
   "speed_wanted": 1.048,
   "speed_applied": 1.048,
   "trimmed_s": 0.0,
   "held_s": 0.0,
   "out_s": 9.667,
   "ok": true,
   "timeline_target_s": 9.68,
   "batch": 10,
   "candidate": 1
  },
  {
   "clip_s": 7.296,
   "target_s": 7.069,
   "speed_wanted": 1.032,
   "speed_applied": 1.032,
   "trimmed_s": 0.0,
   "held_s": 0.0,
   "out_s": 7.083,
   "ok": true,
   "timeline_target_s": 7.069,
   "batch": 11,
   "candidate": 1
  }
 ],
 "flagged_batches": [],
 "final_s": 119.083,
 "last_word_s": 118.719,
 "end_t": 119.219,
 "tail_after_last_word_s": 0.364,
 "scan": {
  "freezes": 0,
  "frames_under_yavg8": 0
 },
 "music": "single bed, no swap, no hit",
 "mix": {
  "reveal_t": null,
  "total_s": 119.15,
  "black_frames_patched": [
   2856,
   2857
  ],
  "pre_mix": {
   "input_i": "-16.58",
   "input_tp": "-3.00",
   "input_lra": "1.70"
  },
  "final": {
   "input_i": "-14.03",
   "input_tp": "-1.02",
   "input_lra": "1.70"
  }
 },
 "final": "/Users/ayden/.openclaw/workspace/output/cartoon-h3/dawnbands-dont-buy-this-c-college-2026-09-16/dawnbands-dont-buy-this-c-college-2026-09-16-final.mp4",
 "discord": "/Users/ayden/.openclaw/workspace/output/cartoon-h3/dawnbands-dont-buy-this-c-college-2026-09-16/dawnbands-dont-buy-this-c-college-2026-09-16-final-discord.mp4",
 "discord_mb": 11.67
}