Animation Hub / curvelle-side-effects-cartoon-direct-v5-2026-09-30

# curvelle-side-effects-cartoon-direct-v5-2026-09-30 — cartoon-h3 storyboard (Fish review BEFORE canvases)

VO: 90.26s, 307 words, 3.40 wps · 42 beats · 22 batches (≤15s, ≤4 panels, reveal/CTA ≤3)

Beat times come from the ElevenLabs word timings of the trimmed VO. A batch = one MiniMax H3 generation (canvas + hero refs + this batch's VO slice). Batch boundaries fall on pack-line ends only.

## Table storyboard

| Beat | Scene | Start–End (s) | VO | Visual | Env | Transition-in |
|---|---|---|---|---|---|---|
| 1 | 1 | 0.04–3.81 (3.8) | Moroccan brides were getting BBL bodies before BBLs existed. | A full-figured Moroccan bride in a traditional wedding kaftan stands softly lit, henna patterns visible on her raised hands, one hand resting near a small bowl of gold helba seeds on a table beside her. She looks calmly toward the camera with a graceful, proud smile. | moroccan-wedding | hard cut |
| 2 | 2 | 4.08–4.78 (0.7) | It's a seed. | Extreme close-up of a Moroccan bride's open palm decorated with intricate henna patterns, holding a small bowl of gold helba seeds. The edge of her embroidered wedding kaftan sleeve is visible at the frame edge. Warm soft light. Her hand is still and steady. | moroccan-wedding | hard cut |
| 3 | 3 | 5.05–7.17 (2.1) | And I have to warn you about the side effects. | The narrator stands in a fitted dress, her silhouette held by the camera: small waist, full round hips, thighs and booty, flat stomach. She turns to face the camera with a playful half-smile, one hand raised slightly in a cautioning gesture. |  | hard cut |
| 4 | 4 | 7.57–8.63 (1.1) | Side effect number one. | A softly blurred bedroom mirror fills the frame, showing the faint outline of a bed and warm lamplight behind a wooden dresser. Nobody is in view. The mirror glass shimmers slightly while the room stays still, calm and quiet, with a large empty space in the frame's center. | bedroom | hard cut |
| 5 | 5 | 8.90–10.73 (1.8) | The weight stops sitting on your stomach. | In a bedroom, the narrator stands in side profile before a mirror wearing fitted jeans. She pokes her round stomach pooch with one finger, brow furrowed and lips pressed in doubt. The waistband gapes empty behind her flat backside. | bedroom | hard cut |
| 6 | 6 | 11.00–12.82 (1.8) | It goes to your butt and your hips first. | Inside the bedroom, the narrator stands at the same mirror in the same jeans and from the same camera angle as the previous scene. She turns sideways, and the jeans now sit full and round at her hips, thighs and butt. Her stomach is flat. She smiles, pleased. | bedroom | hard cut |
| 7 | 7 | 13.09–14.05 (1.0) | Side effect number two. | A title card: a bold, oversized numeral two in white sits centered over a soft out-of-focus blur of a full-length mirror standing in a living room. Muted sofa and lamp shapes glow faintly behind the mirror. No people appear. The frame is still and quiet. | living-room | hard cut |
| 8 | 8 | 14.32–15.39 (1.1) | You're going to look thick. | The narrator, a young adult woman with a full curvy figure, stands in a fitted dress before a full-length mirror. She turns slowly sideways, one hand smoothing the fabric over her hip, and smiles at her reflection with pleased, admiring eyes. | bedroom | hard cut |
| 9 | 9 | 15.66–16.51 (0.8) | Not stomach thick. | Close insert: a dark flashback silhouette of the narrator, a young adult woman, standing side-on. Her stomach alone protrudes in a small pooch while her arms, hips and legs stay slim. She stands still, shoulders slightly slumped. A small red X graphic sits over her stomach. |  | hard cut |
| 10 | 10 | 16.78–17.85 (1.1) | Thick where you wanted it. | Medium shot of the narrator, a young adult woman with a curvy figure, standing confidently in a fitted dress that follows her hips and thighs. She rests one hand on her hip, turns slightly to show her side profile, and smiles with visible self-assurance. | bedroom | hard cut |
| 11 | 11 | 18.12–19.28 (1.2) | Side effect number three. | A bold number card fills the frame, the number three in heavy block shapes with a small starburst beside it. Behind it, a soft out-of-focus bedroom closet: hanging clothes on a rail, a shelf of folded sweaters, warm lamp light. No people in frame. | bedroom | hard cut |
| 12 | 12 | 19.55–21.24 (1.7) | You'll finally wear the short dress. | Inside a bedroom closet, the narrator, a young adult woman with a curvy figure, pulls a short dress off a hanger with one hand, then lifts it against her body with both hands. She looks down at it, smiling wide with excited, bright eyes. | bedroom | hard cut |
| 13 | 13 | 21.51–22.67 (1.2) | And shorts outside. | The narrator, a young adult woman with a curvy figure, steps out through her front door onto the porch in shorts, chin lifted and smiling with relaxed confidence. Bright sunshine lights the doorway and yard as she walks forward, one hand still on the door. |  | hard cut |
| 14 | 14 | 22.94–23.98 (1.0) | No more hip pad shorts. | Present-day narrator, now with a curvy figure, stands in a bedroom and drops a pair of padded hip shorts into an open cloth donation bag on the bed. Her shoulders are relaxed, she smiles with relief, and the dim flashback room is now bright with daylight. | bedroom | hard cut |
| 15 | 15 | 24.24–25.91 (1.7) | No more baggy hoodie in the summer. | In bright summer heat, the narrator, a young adult woman with a fuller, heavier build, tugs an oversized grey hoodie down over her tank top, face flushed and uncomfortable. Cut to her curvy present self tossing the folded hoodie into the same donation bag, smiling and relieved. | bedroom | hard cut |
| 16 | 16 | 26.18–27.66 (1.5) | No more showering in the dark. | A hand reaches into frame and flips the wall light switch up; the bathroom jumps from dim gloom to bright light. The narrator, a curvy young woman seen in silhouette, walks toward the shower. Counter and shelves are completely bare. Her posture is relieved. | bathroom | hard cut |
| 17 | 17 | 27.93–29.07 (1.1) | Side effect number four. | A large bold number four graphic sits centered over a soft out-of-focus family dinner table. Blurred shapes of plates, serving bowls, glasses and chairs glow warm in the background. The frame is still, with the table slowly drifting in and out of focus. | dinner-table | hard cut |
| 18 | 18 | 29.34–33.09 (3.7) | The relatives who told you to eat a burger are going to ask what you've been doing. | At a family dinner table, the narrator sits upright and relaxed with a calm, confident smile. Across from her, the aunt and the grandma lean far forward over the plates, eyes wide and mouths open, each pointing a finger at her as they ask what she has been doing. | dinner-table | hard cut |
| 19 | 19 | 33.36–34.23 (0.9) | And one real one. | A softly blurred frame slowly sharpens into an empty kitchen: a counter, a stove, a window with daylight, and a table with two chairs. Nobody is in the room. The light is calm and even, and the mood is quiet, open and honest. | kitchen | soft blur dissolves as the frame sharpens into the kitchen |
| 20 | 20 | 34.49–35.80 (1.3) | Some women eat a little more. | In a dimly lit kitchen at night, the narrator stands in front of an open refrigerator, its cold light washing over her face and body. She looks into the shelves with a calm, thoughtful expression. The counter behind her is bare, with nothing on it. | kitchen | hard cut |
| 21 | 21.1 | 36.07–36.48 (0.4) | Fine. | In a kitchen, the narrator, a curvy young adult woman, picks up a snack from the bare counter and shrugs toward the camera with her shoulders raised. She wears a relaxed, unbothered smile. The counter behind her holds nothing else. | kitchen | hard cut |
| 22 | 21.2 | 36.50–38.14 (1.6) | The order decides where it goes. | Same kitchen, the narrator stands relaxed with the snack in her hand, smiling lightly at the camera. Beside her, a flat, hand-drawn-style diagram card begins to glow softly into view in the air. The counter below stays completely bare. | kitchen | camera pushes in slightly as the diagram card fades in and glows beside her |
| 23 | 22 | 38.41–39.00 (0.6) | Here's why. | The narrator, a young adult woman with thin arms and legs, a round stomach pooch and a flat backside, stands facing the camera in a bare-countered kitchen. She extends one hand toward a flat hand-drawn silhouette diagram card floating beside her like a whiteboard page. Her expression is knowing and focused. | kitchen | hard cut |
| 24 | 23 | 39.27–41.08 (1.8) | Your body has a storage order. | Two side-profile silhouettes of a young adult woman stand side by side on a plain dark backdrop, each faintly glowing. The left silhouette is full and rounded at the hips and thighs. The right silhouette is full only at the stomach. Both stand still, facing the same direction, calm and neutral. |  | hard cut |
| 25 | 24 | 41.35–43.02 (1.7) | Some women gain in their hips first. | Flat graphic frame: a smooth featureless silhouette of a young woman's body stands in the center against a plain dark background. Streams of glowing golden particles flow in and gather warmly around the hips, where a small arrow points at the spot. |  | hard cut |
| 26 | 25 | 43.29–46.40 (3.1) | If you're skinny with a little stomach, you gain in your stomach first. | A flat graphic frame showing the second, skinnier silhouette of the narrator, a slim young woman's outline. Small glowing particles stream in from the edges and gather at her stomach, where the outline swells slightly. A small arrow points at that spot. |  | hard cut |
| 27 | 26 | 46.67–51.53 (4.9) | That's why the shakes and the 'just eat more' gave you a belly and left your butt flat. | On a kitchen counter, a white plastic tub with a red lid stands beside a clear shaker cup. Next to them floats a flat graphic silhouette diagram, separate from the narrator. Glowing particles pour from the tub onto the diagram's stomach only, while its hip area stays empty and its backside outline is flat. | kitchen | hard cut |
| 28 | 27 | 51.80–53.38 (1.6) | Weight gainers don't change the order. | In a kitchen, the narrator, a young woman with thin arms and legs, a round stomach pooch and a flat backside, slides a large gainer tub along the counter away from herself with one hand, her face flat and unimpressed. Beside her, a flat graphic diagram shows particles pooling at a stomach outline. | kitchen | hard cut |
| 29 | 28 | 53.65–55.35 (1.7) | They add more to the front of the line. | The narrator stands in profile beside a kitchen counter, arms crossed, jaw tight, thin arms and legs, round stomach pooch, flat backside. A gainer tub sits pushed to the far edge of the counter. A graphic diagram nearby shows particles that stop short of her hip outline. | kitchen | hard cut |
| 30 | 29 | 55.62–56.80 (1.2) | You can't pick where it goes. | The narrator, a young woman with thin arms and legs, a round stomach pooch and a flat backside, stands in a bedroom beside a fading cloud of glowing particles. She shakes her head slowly, lips pressed together, eyes on a tub pushed aside on the floor nearby. | bedroom | hard cut |
| 31 | 30 | 57.07–58.12 (1.0) | Your hormones pick. | Close insert on a glowing translucent silhouette diagram of a woman's torso, outlined in soft light against a dark plain background. The outline pulses once, brightening and swelling slightly, while a small dim hollow at its center stays unseen, hinting at a hidden internal selector. |  | hard cut |
| 32 | 31 | 58.37–59.69 (1.3) | Curvelle works on the picker. | Close static shot of a kitchen counter. The brown amber glass dropper bottle with black ribbed cap and black rubber bulb stands alone beside the diagram, beige label facing the camera. No tub, no other container in frame. The narrator's hand rests beside it, calm and steady. | kitchen | hard cut |
| 33 | 32 | 59.96–61.42 (1.5) | Stomach last. Shape first. | A single glowing side-profile silhouette of the narrator stands alone against a plain dark background. A bright arrow at her stomach is struck through with a glowing red X. Two arrows light up and stay lit at her hips, thighs and booty. Nothing else is in frame. |  | hard cut |
| 34 | 33 | 61.69–63.70 (2.0) | Ashwagandha quiets the front of the line. | Close shot of a small pale ashwagandha root resting on a kitchen counter in the foreground. Behind it, the narrator's dark silhouette stands in soft focus, and a gentle calming glow spreads over her stomach area while the stream of particles at her stomach side slows and goes still. | kitchen | hard cut |
| 35 | 34 | 63.97–69.73 (5.8) | Helba, the herb Moroccan women have used for generations to fill out before their weddings, opens the shape. | Close shot of a clear glass jar with an open brass lid, filled with small golden helba seeds, resting on a surface. A brief warm sepia flash shows an older Moroccan woman pouring the same seeds into a young bride's cupped hands. Color returns as a warm glow spreads across the hips and thighs of the silhouette. |  | hard cut |
| 36 | 35 | 70.00–71.24 (1.2) | Beetroot carries it there. | Close shot on a counter: a deep red beetroot rests beside the helba jar. A soft red glow rises from the beetroot and carries a stream of small glowing particles downward into the hips and glutes of the narrator's silhouette, which stands faintly outlined behind the props. |  | hard cut |
| 37 | 36 | 71.51–74.58 (3.1) | One dropper a day. No shakes. No syrup. Nothing to force. | Close-up of a kitchen counter in morning light. The narrator's hand holds a black dropper above a glass of water and squeezes one drop into it. The amber CURVELLE BOOTY DROPS dropper bottle stands beside the glass, label facing camera. The rest of the counter is bare. Calm, satisfied mood. Brown amber glass dropper bottle with a black ribbed screw cap and black rubber bulb, beige label reading CURVELLE BOOTY DROPS / Natural Curve Support. | kitchen | hard cut |
| 38 | 37 | 74.85–76.23 (1.4) | So those are the side effects. | In her kitchen, the narrator turns to face the camera directly, arms loosely crossed over her chest. She wears a small knowing smile, calm and composed. The counter and cabinets sit softly behind her, empty of any graphic, tub or bottle. Her curvy build is plain in the medium shot. | kitchen | hard cut |
| 39 | 38 | 76.50–78.37 (1.9) | Gain it where you want it. Not your stomach. | The narrator, a young adult woman with a curvy figure, stands upright facing the camera with a confident, satisfied smile. She extends one open hand palm-up toward her own hip, gesturing at it. Her stomach is flat and unchanged. Plain neutral background, no bottle or tub anywhere in frame. |  | hard cut |
| 40 | 39.1 | 78.64–82.37 (3.7) | If you can handle your family asking what you did, it sells out all the time, | At the family dinner table, the aunt and grandma lean in toward the narrator with curious, wide-eyed expressions, asking what she did. The narrator, a curvy young woman, smiles and shrugs one shoulder, relaxed and unbothered. Plates and glasses on the table. No bottles. | dinner-table | hard cut |
| 41 | 39.2 | 82.52–86.98 (4.5) | it's up to seventy-one percent off right now, and you get 60 days to see it or every dollar back. | Same dinner-table composition: the aunt and grandma still leaning in toward the narrator, who keeps smiling and shrugging it off. A card fades in over the center of the frame, its text not legible in the panel description. No bottle, tub or product container anywhere on the table. | dinner-table | the frame holds and an offer card fades in over the table |
| 42 | 40 | 87.25–90.03 (2.8) | If you'd rather keep the baggy hoodie, keep scrolling. | The narrator, a young adult woman in fitted jeans, faces the camera and holds a brown amber dropper bottle with a black cap and black bulb up beside her face, beige label toward the lens. She wears a playful smirk. Behind her, a folded grey hoodie sits in a bag. Brown amber glass dropper bottle with a black ribbed screw cap and black rubber bulb, beige label reading CURVELLE BOOTY DROPS / Natural Curve Support. | bedroom | hard cut |

## Batches

- **Batch 1**: beats 1–2 · 0.04–4.78s (4.7s) · 5s generation · 2 panel(s) · ends on "…It's a seed." 
- **Batch 2**: beats 3–3 · 5.05–7.17s (2.1s) · 5s generation · 1 panel(s) · ends on "…the side effects." 
- **Batch 3**: beats 4–4 · 7.57–8.63s (1.1s) · 5s generation · 1 panel(s) · ends on "…effect number one." 
- **Batch 4**: beats 5–5 · 8.90–10.73s (1.8s) · 5s generation · 1 panel(s) · ends on "…on your stomach." 
- **Batch 5**: beats 6–6 · 11.00–12.82s (1.8s) · 5s generation · 1 panel(s) · ends on "…your hips first." 
- **Batch 6**: beats 7–7 · 13.09–14.05s (1.0s) · 5s generation · 1 panel(s) · ends on "…effect number two." 
- **Batch 7**: beats 8–8 · 14.32–15.39s (1.1s) · 5s generation · 1 panel(s) · ends on "…to look thick." 
- **Batch 8**: beats 9–9 · 15.66–16.51s (0.8s) · 5s generation · 1 panel(s) · ends on "…Not stomach thick." 
- **Batch 9**: beats 10–10 · 16.78–17.85s (1.1s) · 5s generation · 1 panel(s) · ends on "…you wanted it." 
- **Batch 10**: beats 11–11 · 18.12–19.28s (1.2s) · 5s generation · 1 panel(s) · ends on "…effect number three." 
- **Batch 11**: beats 12–13 · 19.55–22.67s (3.1s) · 5s generation · 2 panel(s) · ends on "…And shorts outside." 
- **Batch 12**: beats 14–17 · 22.94–29.07s (6.1s) · 7s generation · 4 panel(s) · ends on "…effect number four." 
- **Batch 13**: beats 18–18 · 29.34–33.09s (3.7s) · 5s generation · 1 panel(s) · ends on "…you've been doing." 
- **Batch 14**: beats 19–19 · 33.36–34.23s (0.9s) · 5s generation · 1 panel(s) · ends on "…one real one." 
- **Batch 15**: beats 20–22 · 34.49–38.14s (3.6s) · 5s generation · 3 panel(s) · ends on "…where it goes." 
- **Batch 16**: beats 23–23 · 38.41–39.00s (0.6s) · 5s generation · 1 panel(s) · ends on "…Here's why." 
- **Batch 17**: beats 24–26 · 39.27–46.40s (7.1s) · 8s generation · 3 panel(s) · ends on "…your stomach first." 
- **Batch 18**: beats 27–30 · 46.67–56.80s (10.1s) · 11s generation · 4 panel(s) · ends on "…where it goes." 
- **Batch 19**: beats 31–33 · 57.07–61.42s (4.3s) · 5s generation · 3 panel(s) · ends on "…last. Shape first." REVEAL product
- **Batch 20**: beats 34–36 · 61.69–71.24s (9.5s) · 10s generation · 3 panel(s) · ends on "…carries it there." 
- **Batch 21**: beats 37–39 · 71.51–78.37s (6.9s) · 7s generation · 3 panel(s) · ends on "…Not your stomach." product
- **Batch 22**: beats 40–42 · 78.64–90.03s (11.4s) · 12s generation · 3 panel(s) · ends on "…hoodie, keep scrolling." CTA product

Vertical cinematic disney3d animation with two visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 3.8s of the audio): A full-figured Moroccan bride in a traditional wedding kaftan stands softly lit, henna patterns visible on her raised hands, one hand resting near a small bowl of gold helba seeds on a table beside her. She looks calmly toward the camera with a graceful, proud smile.

Transition: hard cut.

Shot 2 (4.0s to 4.7s of the audio): Extreme close-up of a Moroccan bride's open palm decorated with intricate henna patterns, holding a small bowl of gold helba seeds. The edge of her embroidered wedding kaftan sleeve is visible at the frame edge. Warm soft light. Her hand is still and steady.

Image 2 is the hero character reference for the Moroccan bride: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot the Moroccan bride appears in; never change race, hair or build between shots.

Image 3 is the helba jar prop reference: an OBJECT reference, not a person and not the product. Draw that object exactly as shown (shape, colours, size) whenever a shot shows it; it never becomes or resembles the brown glass dropper bottle.

Image 4 is the moroccan-wedding environment sheet: the room keeps this layout, furniture and palette.

Modern Disney-feature 3D animation (Fish 2026-09-19, replaces the flat Bluey attempt): characters have oversized expressive eyes with large glossy irises, soft rounded face shapes with small noses, slightly exaggerated proportions (bigger heads, slim rounded bodies), hair or fur stylized into distinct soft clumps, smooth matte skin or short plush fur with subtle subsurface glow, simplified realistic cloth with soft folds and matte surfaces, warm cozy cinematic lighting with gentle rim light, inviting saturated-but-soft palette, gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic disney3d animation with one shot. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 2.1s of the audio): The narrator stands in a fitted dress, her silhouette held by the camera: small waist, full round hips, thighs and booty, flat stomach. She turns to face the camera with a playful half-smile, one hand raised slightly in a cautioning gesture.

Image 2 is the narrator in her CURVY body state: use it exactly for her face, hair (same hairstyle in every shot) and skin tone; wear this outfit unless the shot text names a different outfit (then wear exactly that outfit). BODY LOCK in every shot she appears in: full round booty, wide hips, thick thighs, small waist, flat stomach, jeans tight in the back.

Modern Disney-feature 3D animation (Fish 2026-09-19, replaces the flat Bluey attempt): characters have oversized expressive eyes with large glossy irises, soft rounded face shapes with small noses, slightly exaggerated proportions (bigger heads, slim rounded bodies), hair or fur stylized into distinct soft clumps, smooth matte skin or short plush fur with subtle subsurface glow, simplified realistic cloth with soft folds and matte surfaces, warm cozy cinematic lighting with gentle rim light, inviting saturated-but-soft palette, gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic disney3d animation with one shot. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 1.1s of the audio): A softly blurred bedroom mirror fills the frame, showing the faint outline of a bed and warm lamplight behind a wooden dresser. Nobody is in view. The mirror glass shimmers slightly while the room stays still, calm and quiet, with a large empty space in the frame's center.

Image 2 is the bedroom environment sheet: the room keeps this layout, furniture and palette.

Modern Disney-feature 3D animation (Fish 2026-09-19, replaces the flat Bluey attempt): characters have oversized expressive eyes with large glossy irises, soft rounded face shapes with small noses, slightly exaggerated proportions (bigger heads, slim rounded bodies), hair or fur stylized into distinct soft clumps, smooth matte skin or short plush fur with subtle subsurface glow, simplified realistic cloth with soft folds and matte surfaces, warm cozy cinematic lighting with gentle rim light, inviting saturated-but-soft palette, gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic disney3d animation with one shot. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 1.8s of the audio): In a bedroom, the narrator stands in side profile before a mirror wearing fitted jeans. She pokes her round stomach pooch with one finger, brow furrowed and lips pressed in doubt. The waistband gapes empty behind her flat backside.

Image 2 is the narrator in her GAINER body state: use it exactly for her face, hair (same hairstyle in every shot) and skin tone; wear this outfit unless the shot text names a different outfit (then wear exactly that outfit). BODY LOCK in every shot she appears in: thin arms and legs, a completely flat backside, and a SMALL soft round stomach pooch over the front of her jeans (not a pregnancy bump) that stays the same size in every shot, fuller face.

Image 3 is the bedroom environment sheet: the room keeps this layout, furniture and palette.

Modern Disney-feature 3D animation (Fish 2026-09-19, replaces the flat Bluey attempt): characters have oversized expressive eyes with large glossy irises, soft rounded face shapes with small noses, slightly exaggerated proportions (bigger heads, slim rounded bodies), hair or fur stylized into distinct soft clumps, smooth matte skin or short plush fur with subtle subsurface glow, simplified realistic cloth with soft folds and matte surfaces, warm cozy cinematic lighting with gentle rim light, inviting saturated-but-soft palette, gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic disney3d animation with one shot. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 1.8s of the audio): Inside the bedroom, the narrator stands at the same mirror in the same jeans and from the same camera angle as the previous scene. She turns sideways, and the jeans now sit full and round at her hips, thighs and butt. Her stomach is flat. She smiles, pleased.

Image 2 is the narrator in her CURVY body state: use it exactly for her face, hair (same hairstyle in every shot) and skin tone; wear this outfit unless the shot text names a different outfit (then wear exactly that outfit). BODY LOCK in every shot she appears in: full round booty, wide hips, thick thighs, small waist, flat stomach, jeans tight in the back.

Image 3 is the bedroom environment sheet: the room keeps this layout, furniture and palette.

Modern Disney-feature 3D animation (Fish 2026-09-19, replaces the flat Bluey attempt): characters have oversized expressive eyes with large glossy irises, soft rounded face shapes with small noses, slightly exaggerated proportions (bigger heads, slim rounded bodies), hair or fur stylized into distinct soft clumps, smooth matte skin or short plush fur with subtle subsurface glow, simplified realistic cloth with soft folds and matte surfaces, warm cozy cinematic lighting with gentle rim light, inviting saturated-but-soft palette, gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic disney3d animation with one shot. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 1.0s of the audio): A softly blurred full-length mirror stands in a living room, its surface catching a warm out-of-focus reflection of the room behind it. Warm neutral tones, no people, no product, no text, numbers or symbols anywhere in frame, just a calm still blur.

Image 2 is the living-room environment sheet: the room keeps this layout, furniture and palette.

Modern Disney-feature 3D animation (Fish 2026-09-19, replaces the flat Bluey attempt): characters have oversized expressive eyes with large glossy irises, soft rounded face shapes with small noses, slightly exaggerated proportions (bigger heads, slim rounded bodies), hair or fur stylized into distinct soft clumps, smooth matte skin or short plush fur with subtle subsurface glow, simplified realistic cloth with soft folds and matte surfaces, warm cozy cinematic lighting with gentle rim light, inviting saturated-but-soft palette, gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic disney3d animation with one shot. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 1.1s of the audio): The narrator, a young adult woman with a full curvy figure, stands in a fitted dress before a full-length mirror. She turns slowly sideways, one hand smoothing the fabric over her hip, and smiles at her reflection with pleased, admiring eyes.

Image 2 is the narrator in her CURVY body state: use it exactly for her face, hair (same hairstyle in every shot) and skin tone; wear this outfit unless the shot text names a different outfit (then wear exactly that outfit). BODY LOCK in every shot she appears in: full round booty, wide hips, thick thighs, small waist, flat stomach, jeans tight in the back.

Image 3 is the bedroom environment sheet: the room keeps this layout, furniture and palette.

Modern Disney-feature 3D animation (Fish 2026-09-19, replaces the flat Bluey attempt): characters have oversized expressive eyes with large glossy irises, soft rounded face shapes with small noses, slightly exaggerated proportions (bigger heads, slim rounded bodies), hair or fur stylized into distinct soft clumps, smooth matte skin or short plush fur with subtle subsurface glow, simplified realistic cloth with soft folds and matte surfaces, warm cozy cinematic lighting with gentle rim light, inviting saturated-but-soft palette, gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic disney3d animation with one shot. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 0.8s of the audio): Close insert: a dark flashback silhouette of the narrator, a young adult woman, standing side-on. Her stomach alone protrudes in a small pooch while her arms, hips and legs stay slim. She stands still, shoulders slightly slumped. A small red X graphic sits over her stomach.

Image 2 is the narrator in her GAINER body state: use it exactly for her face, hair (same hairstyle in every shot) and skin tone; wear this outfit unless the shot text names a different outfit (then wear exactly that outfit). BODY LOCK in every shot she appears in: thin arms and legs, a completely flat backside, and a SMALL soft round stomach pooch over the front of her jeans (not a pregnancy bump) that stays the same size in every shot, fuller face.

Modern Disney-feature 3D animation (Fish 2026-09-19, replaces the flat Bluey attempt): characters have oversized expressive eyes with large glossy irises, soft rounded face shapes with small noses, slightly exaggerated proportions (bigger heads, slim rounded bodies), hair or fur stylized into distinct soft clumps, smooth matte skin or short plush fur with subtle subsurface glow, simplified realistic cloth with soft folds and matte surfaces, warm cozy cinematic lighting with gentle rim light, inviting saturated-but-soft palette, gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic disney3d animation with one shot. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 1.1s of the audio): Medium shot of the narrator, a young adult woman with a curvy figure, standing confidently in a fitted dress that follows her hips and thighs. She rests one hand on her hip, turns slightly to show her side profile, and smiles with visible self-assurance.

Image 2 is the narrator in her CURVY body state: use it exactly for her face, hair (same hairstyle in every shot) and skin tone; wear this outfit unless the shot text names a different outfit (then wear exactly that outfit). BODY LOCK in every shot she appears in: full round booty, wide hips, thick thighs, small waist, flat stomach, jeans tight in the back.

Image 3 is the bedroom environment sheet: the room keeps this layout, furniture and palette.

Modern Disney-feature 3D animation (Fish 2026-09-19, replaces the flat Bluey attempt): characters have oversized expressive eyes with large glossy irises, soft rounded face shapes with small noses, slightly exaggerated proportions (bigger heads, slim rounded bodies), hair or fur stylized into distinct soft clumps, smooth matte skin or short plush fur with subtle subsurface glow, simplified realistic cloth with soft folds and matte surfaces, warm cozy cinematic lighting with gentle rim light, inviting saturated-but-soft palette, gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic disney3d animation with one shot. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 1.2s of the audio): A soft-focus blur of a bedroom closet with open doors, hanging clothes on a rail and folded sweaters on a shelf, warm lamp light glowing behind the blur. No people in frame, no text, numbers or symbols anywhere.

Image 2 is the bedroom environment sheet: the room keeps this layout, furniture and palette.

Modern Disney-feature 3D animation (Fish 2026-09-19, replaces the flat Bluey attempt): characters have oversized expressive eyes with large glossy irises, soft rounded face shapes with small noses, slightly exaggerated proportions (bigger heads, slim rounded bodies), hair or fur stylized into distinct soft clumps, smooth matte skin or short plush fur with subtle subsurface glow, simplified realistic cloth with soft folds and matte surfaces, warm cozy cinematic lighting with gentle rim light, inviting saturated-but-soft palette, gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic disney3d animation with two visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 1.7s of the audio): Inside a bedroom closet, the narrator, a young adult woman with a curvy figure, pulls a short dress off a hanger with one hand, then lifts it against her body with both hands. She looks down at it, smiling wide with excited, bright eyes.

Transition: hard cut.

Shot 2 (2.0s to 3.1s of the audio): The narrator, a young adult woman with a curvy figure, steps out through her front door onto the porch in shorts, chin lifted and smiling with relaxed confidence. Bright sunshine lights the doorway and yard as she walks forward, one hand still on the door.

Image 2 is the narrator in her CURVY body state: use it exactly for her face, hair (same hairstyle in every shot) and skin tone; wear this outfit unless the shot text names a different outfit (then wear exactly that outfit). BODY LOCK in every shot she appears in: full round booty, wide hips, thick thighs, small waist, flat stomach, jeans tight in the back.

Image 3 is the bedroom environment sheet: the room keeps this layout, furniture and palette.

Modern Disney-feature 3D animation (Fish 2026-09-19, replaces the flat Bluey attempt): characters have oversized expressive eyes with large glossy irises, soft rounded face shapes with small noses, slightly exaggerated proportions (bigger heads, slim rounded bodies), hair or fur stylized into distinct soft clumps, smooth matte skin or short plush fur with subtle subsurface glow, simplified realistic cloth with soft folds and matte surfaces, warm cozy cinematic lighting with gentle rim light, inviting saturated-but-soft palette, gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic disney3d animation with four visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 1.0s of the audio): Present-day narrator, now with a curvy figure, stands in a bedroom and drops a pair of padded hip shorts into an open cloth donation bag on the bed. Her shoulders are relaxed, she smiles with relief, and the dim flashback room is now bright with daylight.

Transition: hard cut.

Shot 2 (1.3s to 3.0s of the audio): In bright summer heat, the narrator, a young adult woman with a fuller, heavier build, tugs an oversized grey hoodie down over her tank top, face flushed and uncomfortable. Cut to her curvy present self tossing the folded hoodie into the same donation bag, smiling and relieved.

Transition: hard cut.

Shot 3 (3.2s to 4.7s of the audio): A hand reaches into frame and flips the wall light switch up; the bathroom jumps from dim gloom to bright light. The narrator, a curvy young woman seen in silhouette, walks toward the shower. Counter and shelves are completely bare. Her posture is relieved.

Transition: hard cut.

Shot 4 (5.0s to 6.1s of the audio): A softly blurred family dinner table fills the frame, warm out-of-focus shapes of plates, serving bowls, glasses and chairs glowing under warm light. No people, no text, numbers or symbols anywhere in frame, the table slowly drifting in and out of focus.

Image 2 is the narrator in her GAINER body state: use it exactly for her face, hair (same hairstyle in every shot) and skin tone; wear this outfit unless the shot text names a different outfit (then wear exactly that outfit). BODY LOCK in every shot she appears in: thin arms and legs, a completely flat backside, and a SMALL soft round stomach pooch over the front of her jeans (not a pregnancy bump) that stays the same size in every shot, fuller face.

Image 3 is the narrator in her CURVY body state: use it exactly for her face, hair (same hairstyle in every shot) and skin tone; wear this outfit unless the shot text names a different outfit (then wear exactly that outfit). BODY LOCK in every shot she appears in: full round booty, wide hips, thick thighs, small waist, flat stomach, jeans tight in the back.

Image 4 is the bedroom environment sheet: the room keeps this layout, furniture and palette.

Image 5 is the bathroom environment sheet: the room keeps this layout, furniture and palette.

Image 6 is the dinner-table environment sheet: the room keeps this layout, furniture and palette.

Modern Disney-feature 3D animation (Fish 2026-09-19, replaces the flat Bluey attempt): characters have oversized expressive eyes with large glossy irises, soft rounded face shapes with small noses, slightly exaggerated proportions (bigger heads, slim rounded bodies), hair or fur stylized into distinct soft clumps, smooth matte skin or short plush fur with subtle subsurface glow, simplified realistic cloth with soft folds and matte surfaces, warm cozy cinematic lighting with gentle rim light, inviting saturated-but-soft palette, gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic disney3d animation with one shot. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 3.7s of the audio): At a family dinner table, the narrator sits upright and relaxed with a calm, confident smile. Across from her, the aunt and the grandma lean far forward over the plates, eyes wide and mouths open, each pointing a finger at her as they ask what she has been doing.

Image 2 is the narrator in her CURVY body state: use it exactly for her face, hair (same hairstyle in every shot) and skin tone; wear this outfit unless the shot text names a different outfit (then wear exactly that outfit). BODY LOCK in every shot she appears in: full round booty, wide hips, thick thighs, small waist, flat stomach, jeans tight in the back.

Image 3 is the hero character reference for the aunt: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot the aunt appears in; never change race, hair or build between shots.

Image 4 is the hero character reference for the grandma: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot the grandma appears in; never change race, hair or build between shots.

Image 5 is the dinner-table environment sheet: the room keeps this layout, furniture and palette.

Modern Disney-feature 3D animation (Fish 2026-09-19, replaces the flat Bluey attempt): characters have oversized expressive eyes with large glossy irises, soft rounded face shapes with small noses, slightly exaggerated proportions (bigger heads, slim rounded bodies), hair or fur stylized into distinct soft clumps, smooth matte skin or short plush fur with subtle subsurface glow, simplified realistic cloth with soft folds and matte surfaces, warm cozy cinematic lighting with gentle rim light, inviting saturated-but-soft palette, gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic disney3d animation with one shot. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 0.9s of the audio): A softly blurred frame slowly sharpens into an empty kitchen: a counter, a stove, a window with daylight, and a table with two chairs. Nobody is in the room. The light is calm and even, and the mood is quiet, open and honest.

Image 2 is the kitchen environment sheet: the room keeps this layout, furniture and palette.

Modern Disney-feature 3D animation (Fish 2026-09-19, replaces the flat Bluey attempt): characters have oversized expressive eyes with large glossy irises, soft rounded face shapes with small noses, slightly exaggerated proportions (bigger heads, slim rounded bodies), hair or fur stylized into distinct soft clumps, smooth matte skin or short plush fur with subtle subsurface glow, simplified realistic cloth with soft folds and matte surfaces, warm cozy cinematic lighting with gentle rim light, inviting saturated-but-soft palette, gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic disney3d animation with three visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 1.3s of the audio): In a dimly lit kitchen at night, the narrator stands in front of an open refrigerator, its cold light washing over her face and body. She looks into the shelves with a calm, thoughtful expression. The counter behind her is bare, with nothing on it.

Transition: hard cut.

Shot 2 (1.6s to 2.0s of the audio): In a kitchen, the narrator, a curvy young adult woman, picks up a snack from the bare counter and shrugs toward the camera with her shoulders raised. She wears a relaxed, unbothered smile. The counter behind her holds nothing else.

Transition: camera pushes in slightly as the diagram card fades in and glows beside her.

Shot 3 (2.0s to 3.6s of the audio): Same kitchen, the narrator stands relaxed with the snack in her hand, smiling lightly at the camera. Beside her, a flat, hand-drawn-style diagram card begins to glow softly into view in the air. The counter below stays completely bare.

Image 2 is the narrator in her CURVY body state: use it exactly for her face, hair (same hairstyle in every shot) and skin tone; wear this outfit unless the shot text names a different outfit (then wear exactly that outfit). BODY LOCK in every shot she appears in: full round booty, wide hips, thick thighs, small waist, flat stomach, jeans tight in the back.

Image 3 is the kitchen environment sheet: the room keeps this layout, furniture and palette.

Modern Disney-feature 3D animation (Fish 2026-09-19, replaces the flat Bluey attempt): characters have oversized expressive eyes with large glossy irises, soft rounded face shapes with small noses, slightly exaggerated proportions (bigger heads, slim rounded bodies), hair or fur stylized into distinct soft clumps, smooth matte skin or short plush fur with subtle subsurface glow, simplified realistic cloth with soft folds and matte surfaces, warm cozy cinematic lighting with gentle rim light, inviting saturated-but-soft palette, gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic disney3d animation with one shot. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 0.6s of the audio): The narrator, a young adult woman with thin arms and legs, a round stomach pooch and a flat backside, stands facing the camera in a bare-countered kitchen. She extends one hand toward a flat hand-drawn silhouette diagram card floating beside her like a whiteboard page. Her expression is knowing and focused.

Image 2 is the narrator in her GAINER body state: use it exactly for her face, hair (same hairstyle in every shot) and skin tone; wear this outfit unless the shot text names a different outfit (then wear exactly that outfit). BODY LOCK in every shot she appears in: thin arms and legs, a completely flat backside, and a SMALL soft round stomach pooch over the front of her jeans (not a pregnancy bump) that stays the same size in every shot, fuller face.

Image 3 is the kitchen environment sheet: the room keeps this layout, furniture and palette.

Modern Disney-feature 3D animation (Fish 2026-09-19, replaces the flat Bluey attempt): characters have oversized expressive eyes with large glossy irises, soft rounded face shapes with small noses, slightly exaggerated proportions (bigger heads, slim rounded bodies), hair or fur stylized into distinct soft clumps, smooth matte skin or short plush fur with subtle subsurface glow, simplified realistic cloth with soft folds and matte surfaces, warm cozy cinematic lighting with gentle rim light, inviting saturated-but-soft palette, gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic disney3d animation with three visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 1.8s of the audio): Two clearly DIFFERENT women's glowing side-profile silhouettes stand side by side on a plain dark backdrop, like a diagram, not the same person, no faces detailed, both calm and neutral. The left silhouette has fuller, rounder hips and thighs and a completely flat stomach. The right silhouette has a slightly fuller stomach curve only (a small soft curve, NOT a pregnant belly, NOT a baby bump) and flatter hips. This is a data diagram about body types, not a pregnancy or transformation.

Transition: hard cut.

Shot 2 (2.1s to 3.7s of the audio): Flat graphic frame: a smooth featureless silhouette of a young woman's body stands in the center against a plain dark background. Streams of glowing golden particles flow in and gather warmly around the hips, where a small arrow points at the spot.

Transition: hard cut.

Shot 3 (4.0s to 7.1s of the audio): A flat graphic frame showing the second, skinnier silhouette of the narrator, a slim young woman's outline. Small glowing particles stream in from the edges and gather at her stomach, where the outline swells slightly. A small arrow points at that spot.

Modern Disney-feature 3D animation (Fish 2026-09-19, replaces the flat Bluey attempt): characters have oversized expressive eyes with large glossy irises, soft rounded face shapes with small noses, slightly exaggerated proportions (bigger heads, slim rounded bodies), hair or fur stylized into distinct soft clumps, smooth matte skin or short plush fur with subtle subsurface glow, simplified realistic cloth with soft folds and matte surfaces, warm cozy cinematic lighting with gentle rim light, inviting saturated-but-soft palette, gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic disney3d animation with four visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 4.9s of the audio): On a kitchen counter, a white plastic tub with a red lid stands beside a clear shaker cup. Next to them floats a flat graphic silhouette diagram, separate from the narrator. Glowing particles pour from the tub onto the diagram's stomach only, while its hip area stays empty and its backside outline is flat.

Transition: hard cut.

Shot 2 (5.1s to 6.7s of the audio): In a kitchen, the narrator, a young woman with thin arms and legs, a round stomach pooch and a flat backside, slides a large gainer tub along the counter away from herself with one hand, her face flat and unimpressed. Beside her, a flat graphic diagram shows particles pooling at a stomach outline.

Transition: hard cut.

Shot 3 (7.0s to 8.7s of the audio): The narrator stands in profile beside a kitchen counter, arms crossed, jaw tight, thin arms and legs, round stomach pooch, flat backside. A gainer tub sits pushed to the far edge of the counter. A graphic diagram nearby shows particles that stop short of her hip outline.

Transition: hard cut.

Shot 4 (8.9s to 10.1s of the audio): The narrator, a young woman with thin arms and legs, a round stomach pooch and a flat backside, stands in a bedroom beside a fading cloud of glowing particles. She shakes her head slowly, lips pressed together, eyes on a tub pushed aside on the floor nearby.

Image 2 is the narrator in her GAINER body state: use it exactly for her face, hair (same hairstyle in every shot) and skin tone; wear this outfit unless the shot text names a different outfit (then wear exactly that outfit). BODY LOCK in every shot she appears in: thin arms and legs, a completely flat backside, and a SMALL soft round stomach pooch over the front of her jeans (not a pregnancy bump) that stays the same size in every shot, fuller face.

Image 3 is the gainer tub prop reference: an OBJECT reference, not a person and not the product. Draw that object exactly as shown (shape, colours, size) whenever a shot shows it; it never becomes or resembles the brown glass dropper bottle.

Image 4 is the kitchen environment sheet: the room keeps this layout, furniture and palette.

Image 5 is the bedroom environment sheet: the room keeps this layout, furniture and palette.

Modern Disney-feature 3D animation (Fish 2026-09-19, replaces the flat Bluey attempt): characters have oversized expressive eyes with large glossy irises, soft rounded face shapes with small noses, slightly exaggerated proportions (bigger heads, slim rounded bodies), hair or fur stylized into distinct soft clumps, smooth matte skin or short plush fur with subtle subsurface glow, simplified realistic cloth with soft folds and matte surfaces, warm cozy cinematic lighting with gentle rim light, inviting saturated-but-soft palette, gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic disney3d animation with three visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 1.0s of the audio): Close insert on a glowing translucent silhouette diagram of a woman's torso, outlined in soft light against a dark plain background. The outline pulses once, brightening and swelling slightly, while a small dim hollow at its center stays unseen, hinting at a hidden internal selector.

Transition: hard cut.

Shot 2 (1.3s to 2.6s of the audio): Close static shot of a kitchen counter. The brown amber glass dropper bottle with black ribbed cap and black rubber bulb stands alone beside the diagram, beige label facing the camera. No tub, no other container in frame. The narrator's hand rests beside it, calm and steady.

Transition: hard cut.

Shot 3 (2.9s to 4.3s of the audio): A single glowing side-profile silhouette of the narrator stands alone against a plain dark background. A bright arrow at her stomach is struck through with a glowing red X. Two arrows light up and stay lit at her hips, thighs and booty. Nothing else is in frame.

Image 2 is the gainer tub prop reference: an OBJECT reference, not a person and not the product. Draw that object exactly as shown (shape, colours, size) whenever a shot shows it; it never becomes or resembles the brown glass dropper bottle.

Image 3 is the product reference: the product appears exactly as drawn there (Brown amber glass dropper bottle with a black ribbed screw cap and black rubber bulb, beige label reading CURVELLE BOOTY DROPS / Natural Curve Support. The word CURVELLE must be large and legible on the label), same shape, colours and label, nothing added. Copy the label text letter for letter from this reference; never write any other brand or word on it. If the label can't be drawn exactly, keep it turned slightly away or soft-focused instead of inventing text.

Image 4 is the kitchen environment sheet: the room keeps this layout, furniture and palette.

Modern Disney-feature 3D animation (Fish 2026-09-19, replaces the flat Bluey attempt): characters have oversized expressive eyes with large glossy irises, soft rounded face shapes with small noses, slightly exaggerated proportions (bigger heads, slim rounded bodies), hair or fur stylized into distinct soft clumps, smooth matte skin or short plush fur with subtle subsurface glow, simplified realistic cloth with soft folds and matte surfaces, warm cozy cinematic lighting with gentle rim light, inviting saturated-but-soft palette, gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic disney3d animation with three visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 2.0s of the audio): Close shot of a small pale ashwagandha root resting on a kitchen counter in the foreground. Behind it, the narrator's dark silhouette stands in soft focus, and a gentle calming glow spreads over her stomach area while the stream of particles at her stomach side slows and goes still.

Transition: hard cut.

Shot 2 (2.3s to 8.0s of the audio): Close shot of a clear glass jar with an open brass lid, filled with small golden helba seeds, resting on a surface. A brief warm sepia flash shows an older Moroccan woman pouring the same seeds into a young bride's cupped hands. Color returns as a warm glow spreads across the hips and thighs of the silhouette.

Transition: hard cut.

Shot 3 (8.3s to 9.5s of the audio): Close shot on a counter: a deep red beetroot rests beside the helba jar. A soft red glow rises from the beetroot and carries a stream of small glowing particles downward into the hips and glutes of the narrator's silhouette, which stands faintly outlined behind the props.

Image 2 is the helba jar prop reference: an OBJECT reference, not a person and not the product. Draw that object exactly as shown (shape, colours, size) whenever a shot shows it; it never becomes or resembles the brown glass dropper bottle.

Image 3 is the kitchen environment sheet: the room keeps this layout, furniture and palette.

Modern Disney-feature 3D animation (Fish 2026-09-19, replaces the flat Bluey attempt): characters have oversized expressive eyes with large glossy irises, soft rounded face shapes with small noses, slightly exaggerated proportions (bigger heads, slim rounded bodies), hair or fur stylized into distinct soft clumps, smooth matte skin or short plush fur with subtle subsurface glow, simplified realistic cloth with soft folds and matte surfaces, warm cozy cinematic lighting with gentle rim light, inviting saturated-but-soft palette, gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic disney3d animation with three visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 3.1s of the audio): Close-up of a kitchen counter in morning light. The narrator's hand holds a black dropper above a glass of water and squeezes one drop into it. The amber CURVELLE BOOTY DROPS dropper bottle stands beside the glass, label facing camera. The rest of the counter is bare. Calm, satisfied mood.

Transition: hard cut.

Shot 2 (3.3s to 4.7s of the audio): In her kitchen, the narrator turns to face the camera directly, arms loosely crossed over her chest. She wears a small knowing smile, calm and composed. The counter and cabinets sit softly behind her, empty of any graphic, tub or bottle. Her curvy build is plain in the medium shot.

Transition: hard cut.

Shot 3 (5.0s to 6.9s of the audio): The narrator, a young adult woman with a curvy figure, stands upright facing the camera with a confident, satisfied smile. She extends one open hand palm-up toward her own hip, gesturing at it. Her stomach is flat and unchanged. Plain neutral background, no bottle or tub anywhere in frame.

Image 2 is the narrator in her CURVY body state: use it exactly for her face, hair (same hairstyle in every shot) and skin tone; wear this outfit unless the shot text names a different outfit (then wear exactly that outfit). BODY LOCK in every shot she appears in: full round booty, wide hips, thick thighs, small waist, flat stomach, jeans tight in the back.

Image 3 is the gainer tub prop reference: an OBJECT reference, not a person and not the product. Draw that object exactly as shown (shape, colours, size) whenever a shot shows it; it never becomes or resembles the brown glass dropper bottle.

Image 4 is the product reference: the product appears exactly as drawn there (Brown amber glass dropper bottle with a black ribbed screw cap and black rubber bulb, beige label reading CURVELLE BOOTY DROPS / Natural Curve Support), same shape, colours and label, nothing added. Copy the label text letter for letter from this reference; never write any other brand or word on it. If the label can't be drawn exactly, keep it turned slightly away or soft-focused instead of inventing text.

Image 5 is the kitchen environment sheet: the room keeps this layout, furniture and palette.

Modern Disney-feature 3D animation (Fish 2026-09-19, replaces the flat Bluey attempt): characters have oversized expressive eyes with large glossy irises, soft rounded face shapes with small noses, slightly exaggerated proportions (bigger heads, slim rounded bodies), hair or fur stylized into distinct soft clumps, smooth matte skin or short plush fur with subtle subsurface glow, simplified realistic cloth with soft folds and matte surfaces, warm cozy cinematic lighting with gentle rim light, inviting saturated-but-soft palette, gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

Vertical cinematic disney3d animation with three visual shots. Image 1 is the shot guide: follow its panels in order, one full-frame shot per panel, never showing a grid, gutters, borders or more than one panel at a time. Every shot listed below MUST appear, each cut landing at the audio time given; do not merge or skip shots. Audio 1 is the narration for this section: use it only as the timing source for the cuts and actions. No on-camera dialogue, no lip-sync.

Shot 1 (0.0s to 3.7s of the audio): At the family dinner table, the aunt and grandma lean in toward the narrator with curious, wide-eyed expressions, asking what she did. The narrator, a curvy young woman, smiles and shrugs one shoulder, relaxed and unbothered. Plates and glasses on the table. No bottles.

Transition: the frame holds and an offer card fades in over the table.

Shot 2 (3.9s to 8.3s of the audio): Same dinner-table composition: the aunt and grandma still leaning in toward the narrator, who keeps smiling and shrugging it off. A card fades in over the center of the frame, its text not legible in the panel description. No bottle, tub or product container anywhere on the table.

Transition: hard cut.

Shot 3 (8.6s to 11.4s of the audio): The narrator, a young adult woman in fitted jeans, faces the camera and holds a brown amber dropper bottle with a black cap and black bulb up beside her face, beige label toward the lens. She wears a playful smirk. Behind her, a folded grey hoodie sits in a bag.

Image 2 is the narrator in her CURVY body state: use it exactly for her face, hair (same hairstyle in every shot) and skin tone; wear this outfit unless the shot text names a different outfit (then wear exactly that outfit). BODY LOCK in every shot she appears in: full round booty, wide hips, thick thighs, small waist, flat stomach, jeans tight in the back.

Image 3 is the hero character reference for the aunt: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot the aunt appears in; never change race, hair or build between shots.

Image 4 is the hero character reference for the grandma: use it exactly for identity, face, hair, skin tone, body proportions and outfit in every shot the grandma appears in; never change race, hair or build between shots.

Image 5 is the gainer tub prop reference: an OBJECT reference, not a person and not the product. Draw that object exactly as shown (shape, colours, size) whenever a shot shows it; it never becomes or resembles the brown glass dropper bottle.

Image 6 is the product reference: the product appears exactly as drawn there (Brown amber glass dropper bottle with a black ribbed screw cap and black rubber bulb, beige label reading CURVELLE BOOTY DROPS / Natural Curve Support), same shape, colours and label, nothing added. Copy the label text letter for letter from this reference; never write any other brand or word on it. If the label can't be drawn exactly, keep it turned slightly away or soft-focused instead of inventing text.

Image 7 is the dinner-table environment sheet: the room keeps this layout, furniture and palette.

Image 8 is the bedroom environment sheet: the room keeps this layout, furniture and palette.

Modern Disney-feature 3D animation (Fish 2026-09-19, replaces the flat Bluey attempt): characters have oversized expressive eyes with large glossy irises, soft rounded face shapes with small noses, slightly exaggerated proportions (bigger heads, slim rounded bodies), hair or fur stylized into distinct soft clumps, smooth matte skin or short plush fur with subtle subsurface glow, simplified realistic cloth with soft folds and matte surfaces, warm cozy cinematic lighting with gentle rim light, inviting saturated-but-soft palette, gentle depth of field, eye-level camera inside the room. no captions, no readable text, no added music, no extra dialogue.

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